- FREE: 20 Poets anthology
- 88: TRANSQUEER with Q Eades and S Barnes (submit now!) 87: DIFFICULTwith O Schwartz and H Isemonger(coming soon!) 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Review Short: Charmaine Papertalk-Green’s and John Kinsella’s False Claims of Colonial Thieves
- Review Short: Andy Jackson’s Music Our Bodies Can’t Hold
- Review Short: Rachael Mead’s The Flaw in the Pattern and Philip Nielsen’s Wildlife of Berlin
- Johanna Featherstone Reviews History and the Poet
- Submission to Cordite 88: TRANSQUEER
- Review Short: Shastra Deo’s The Agonist
- Review Short: Tracy Ryan’s The Water Bearer
- Review Short: Bulky News Press Chapbooks from Andrew Pascoe, Chris Brown and Marty Hiatt
- Review Short: Susan Hawthorn’s Dark Matters
- 12 Works by Sue Kneebone
- Introduction to NO THEME VII
- Bone Shame: Grief, Te Ao Māori and the Liminal Space where Translation Fails
- Re-imagining Place: A Psychogeographic Reading of Carmine Frascarelli’s Sydney Road Poems
- ‘Geelong checks its modernist warranty’
- John Ashbery’s Humane Abstractions
- Shattered Writing: Four Translated Valerie Mejer Caso Poems from Edinburgh Notebook
- Four Translated Laia Llobera i Serra Poems
- ‘We mirror what we see’: Holly Childs Interviews Cristine Brache
- President Donald J Trump at the Western Wall, Jerusalem 2017
- Diary Poem: Uses of Dreams
- Neutral Bay, New South Wales
- OK GOOGLE
- drawn, made.
- My Mothers, the avian …
- My Dream of Gary Snyder
The geographic barriers that can, at times, hinder Australian literature are no longer relevant, and poetry communities around the world must be enlightened by the commanding, demanding and exciting trajectory of contemporary Australian poetics.
The Only White Landscape is melancholic, in this Wilsonian sense. The poems are scenes of ambivalence and loss, moving between states of recollection and projection, regret and desire, clarity and obscurity. There are preoccupations that link the poems across the collection: bodies (and the clothes they wear, the language of their presence and absence), light (and its close relationship to time), administration (and the twin labours of work and home).
the intro credits font crumbles to a song it’s a galaxy of concern, one wherein you lack air. the scenery comes frosted. tell me your times, specific bare feet on the floorboards: locate it, see i’ve got you for real …
filling glasses to an equal level, quantifying sex, it’s harbour-life. when we walk we progress. overcorrecting my hair for the wind & you say ‘this flower smells good to me’. my Melbourne-centric smile my pronouncements more purposeful, fairness is the key …
Cordite 44: Gondwanaland looks to a place in our pre-history, a time of supercontinents. How do poets connect with or make use of such an idea?
This theme was thrust upon me. But I didn’t mind then and I don’t mind now, because it’s one of those themes wherein the specificity of the notion seems to force poets into imaginative leaps. Besides, I wanted this gig (years ago, I mentioned to David Prater, former Managing Editor, that I wanted to be considered for a guest editing spot). I love that every issue is exciting and diverse, that every guest editor introduces me to a new poet. Now I’ve done it.
Poetry for Cordite 44: GONDWANALAND will be guest-edited by Derek Motion with featured artists Maxine Beneba Clarke and Favianna Rodriguez. What does Gondwanaland mean to Motion? There is no intended prescriptive statement or gestalt. The name suggests a shared history …
José Tidon Rhianne Grieve tharookiebeats Daniel Young Omar Chmaisse Kimberley Seeto Dimitra Harvey Initially NO Omar J. S Jess Murray Abdullah Noman Nathan Smith alan clarke Aya Najmaldeen Miro Sandy Vinesh Eng Kiat Tan John Upton robertgray58 Jenny Campbell David …
Many of you will be clued-in on the recent commentary re. Gray and Lehmann’s Australian Poetry Since 1788 anthology, published toward the end of last year. One of the criticisms of the book has been the choice of poets included, …
punch & paw out a slippery motif post tourist hotel shots smack it down all fourths-&-fifthsy while the event gloss still burns white chase the midi sync & loop up in a drizzled morning snap to the rotodrum drone & …
i lap up macadamia fuzz in a middle aged stroll of the ‘nature’. espying a roof rack means change the world instead, or try on sunglasses ingested by a seven-eleven, or read emily bitto’s poem & feign a partner’s formal …
Literary festivals happen again and again in Australia but you'll probably miss most of them. Even if you do reside in a major coastal city, then still, you'll miss things. I know. I used to not care so much, but now I read blogs and keep tabs on the activities of a lot of Australian writers; so I am privy to all the festival happenings, all the goss, and I am naturally left feeling left out. Why can't I go to these cool things if so many other people can?