Monthly Feature Poem
- Review Short: Susan Hawthorne’s Lupa and Lamb
- Review Short: Libby Hart’s Wild
- David Gilbey Reviews Lisa Jacobson
- Review Short: Luke Beesley’s New Works on Paper
- Review Short: Andrew Burke’s One Hour Seeds Another and Nicola Bowery’s married to this ground
- Submission to Cordite 50: NO THEME IV Open!
- Sam Moginie Reviews Breaking New Sky: Contemporary Poetry from China
- Review Short: Collected Poems: Lesbia Harford, edited by Oliver Dennis
- Arc 75: The Arc-Cordite Poetry Special Issue
- Alice Allan Reviews Nola Firth, Richard James Allen, Liz McQuilkin, Sandra Thibodeaux, and Wendy Fleming
- Adam Aitken Interviews Martin Harrison
- When the Wind Stopped
- Paul Hetherington Reviews The Turnrow Anthology of Contemporary Australian Poetry
- rob mclennan Reviews 70 Canadian Poets, Fifth Edition
- 1-bit Signals: Computation as Music and Visual Art
- CONSTRAINT editorial
- Against Colony Collapse Disorder; or, Settler Mess in the Cells of Contemporary Australian Poetry
- What We (non)Believe: Reading Poems by Charles Wright, John Burnside, and Kevin Hart
- Notes on her ‘Gibson’s Folly (Tambo River)’
- Comics Poetry: The Art of the Possible
- Excerpts from Graphic Novella
- Between the Silences (for 9 strings and 9-channel 1-bit electronics)
- Machine Drawings
- No limit to the resources
- Star Wars in the Garden
- Frames (part 6)
Melbourne-based Benjamin Laird writes computer programs and electronic poetry, which he discusses here in the first of a new, occasional blog series looking at the writing practice of contemporary Australian poets.
Cordite 36: Electronica has been a fascinating and challenging issue to put together. It contains forty new poems, fifteen spoken word tracks, a dozen features and, for the first time, a selection of multimedia or ‘e-lit’ works. Bringing together these disparate types of content raises an interesting question for Cordite as an online journal. Have we finally broken through that invisible barrier between ‘text-based journal’ and ‘online journal of electronic literature’?
Talan Memmott is Assistant Professor of digital media and culture in the Digital Culture and Communications program at Blekinge Institute of Technology and an internationally known practitioner of electronic literature and digital art with a practice ranging from experimental video to digital performance applications and literary hypermedia. In June 2011 I met with Talan to discuss the history of beehive Hypertext Hypermedia Literary Journal, which he founded and edited.
Mezangelle poetry is a form of electronic code poetry popularized by the avatarised avant-gardist, Australian multimedia artist Mez Breeze, a.k.a. Mez, a.k.a. Netwurker. The word mezangelle is adjective, noun and verb: mezangelle can refer to or describe the language in …