- 80: NO THEME VIwith Judith Beveridge (submit away!) 57: CONFESSION with Keri Glastonbury (coming soon!) 57.1: EKPHRASTIC with C Atherton and P Hetherington (coming soon) 56: EXPLODE with Dan Disney 55: FUTURE MACHINES with Bella Li 54: NO THEME V with Fiona Wright and Omar Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with Matthew Hall and Sophie Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with Kent MacCarter and Shane Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with Louis Armand and Helen Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with Josephine Rowe and Michael Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Stuart Cooke Reviews Francisco Guevara
- Review Short: The Two Romanticisms, and Other Essays: Mystery and Interpretation in Romantic Literature
- Review Short: Berndt Sellheim’s Awake at the Wheel
- Review Short: Tina Giannoukos’s Bull Days
- Introduction to Matthew Hall’s False Fruits
- Introduction to Mez Breeze’s Attn: Solitude
- Introduction to Derek Motion’s The Only White Landscape
- Introduction to Omar Sakr’s These Wild Houses
- Dave Drayton Reviews Zoe Dzunko and Sam Wagan Watson
- Graeme Miles Reviews David Musgrave
- Review Short: Chapbooks by Mike Hopkins and Steve Brock
- Julian Novitz Reviews Philip Salom
- Review Short: Writing to the Wire, Dan Disney and Kit Kelen, eds.
- Review Short: Amanda Anastasi and Robbie Coburn’s The Silences
- Review Short: Lizz Murphy’s Shebird
- Review Short: Les Wicks’s Getting By Not Fitting In
- Review Short: John Foulcher’s 101 Poems
- David Gilbey Reviews Ann Vickery and Brendan Ryan
- Jessica Wilkinson Reviews Geoff Page
- Prithvi Varatharajan Reviews Peter Boyle
- Submission to Cordite 80: NO THEME VI
- Alexis Lateef Reviews Stuart Barnes
- Alex Kostas in as Cordite’s First Summer Intern
- Review Short: Chapbooks from Simon Armitage and Philip Gross
- Review Short: Chapbooks by Alison Flett, Louise McKenna and Judy Dally
- Review Short: Stephanie Christie’s Carbon Shapes and Dark Matter
- Review Short: Ouyang Yu’s Diary of a Naked Official
In the 1990s and early 2000s, Mez Breeze’s mezangelle language needed explication. People who were unfamiliar with internet and new media culture did not get the references. Those who were already immersed in this culture often considered it a separate realm, a cyberspace, and thus had difficulties with the blending of the digital and the physical, technology and embodiment, code and subjectivity in Mez’s writings.
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Step 1: Start with a 6_itch x 6_itch identity with desire side down. Fold yearnings in half on the fan[boi+gal_ecs]tasy axis. Sleep_crease well and unfold. Step 2: Fold both sides to meet in the [(f)etch-a-]sketch_center. CrE[r]ase well and unfold. Step …
>>Beginnings: A Library, An ‘A’ and a ‘B’ When I was in my late primary school years, I was shunted into an accelerated reading program. This program was designed for kids who had either outpaced their schoolmates in terms of …
Melbourne-based Benjamin Laird writes computer programs and electronic poetry, which he discusses here in the first of a new, occasional blog series looking at the writing practice of contemporary Australian poets.
Cordite 36: Electronica has been a fascinating and challenging issue to put together. It contains forty new poems, fifteen spoken word tracks, a dozen features and, for the first time, a selection of multimedia or ‘e-lit’ works. Bringing together these disparate types of content raises an interesting question for Cordite as an online journal. Have we finally broken through that invisible barrier between ‘text-based journal’ and ‘online journal of electronic literature’?
Talan Memmott is Assistant Professor of digital media and culture in the Digital Culture and Communications program at Blekinge Institute of Technology and an internationally known practitioner of electronic literature and digital art with a practice ranging from experimental video to digital performance applications and literary hypermedia. In June 2011 I met with Talan to discuss the history of beehive Hypertext Hypermedia Literary Journal, which he founded and edited.
Mezangelle poetry is a form of electronic code poetry popularized by the avatarised avant-gardist, Australian multimedia artist Mez Breeze, a.k.a. Mez, a.k.a. Netwurker. The word mezangelle is adjective, noun and verb: mezangelle can refer to or describe the language in …