- 100: BROWNFACESUBMIT NOW with W S Dunn 99: SINGAPORECOMING SOON with A Pang and J Ip 97 & 98: PROPAGANDAwith M Breeze and S groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
mez breeze
PROPAGANDA Editorial
Loaded term: propaganda. Hardly the mild descriptive tag of its origin, the word now invokes visions of cynical manipulation, grand conspiracies to turn entire populations against their own interests and against each other. Sure, plenty of coordination between bad actors …
Posted in ESSAYS
Tagged mez breeze, Simon Groth
Submission to Cordite 97: PROPAGANDA
Information can be propagated to divide or to unite. It doesn’t have to lie, it doesn’t even have to frame the truth.
Posted in GUNCOTTON
Tagged Kent MacCarter, mez breeze, Simon Groth
20 Poets, a Free Anthology from Cordite Books
The geographic barriers that can, at times, hinder Australian literature are no longer relevant, and poetry communities around the world must be enlightened by the commanding, demanding and exciting trajectory of contemporary Australian poetics.
Posted in GUNCOTTON
Tagged Alan Loney, Anne Elvey, Autumn Royal, Bonny Cassidy, Broede Carmody, Chris Mann, Claire Nashar, derek motion, Javant Biarujia, Jeanine Leane, Jen Crawford, John Hawke, Kent MacCarter, Kris Hemensley, Matthew Hall, mez breeze, Natalie Harkin, Omar Sakr, Rachael Briggs, Ross Gibson, Tanya Thaweeskulchai, Tony Birch, Zoë Sadokierski
Introduction to Mez Breeze’s Attn: Solitude
In the 1990s and early 2000s, Mez Breeze’s mezangelle language needed explication. People who were unfamiliar with internet and new media culture did not get the references. Those who were already immersed in this culture often considered it a separate realm, a cyberspace, and thus had difficulties with the blending of the digital and the physical, technology and embodiment, code and subjectivity in Mez’s writings.
Posted in INTRODUCTIONS
Tagged Alissa Dinallo, Florian Cramer, Lily Mae Martin, mez breeze
acT
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Posted in 75: FUTURE MACHINES
Tagged mez breeze
\oriGaM[e,]i[,+ U]/
Step 1: Start with a 6_itch x 6_itch identity with desire side down. Fold yearnings in half on the fan[boi+gal_ecs]tasy axis. Sleep_crease well and unfold. Step 2: Fold both sides to meet in the [(f)etch-a-]sketch_center. CrE[r]ase well and unfold. Step …
Posted in 70: UMAMI
Tagged mez breeze
>>Sidestepping the Known: A Loose Chronology of Meztext[ing]s
When I was in my late primary school years, I was shunted into an accelerated reading program. This program was designed for kids who had either outpaced their schoolmates in terms of reading ability, or who whizzed through books [while still comprehending them] at a voracious rate.
Posted in ESSAYS
Tagged mez breeze
The Writing: Benjamin Laird
Melbourne-based Benjamin Laird writes computer programs and electronic poetry, which he discusses here in the first of a new, occasional blog series looking at the writing practice of contemporary Australian poets.
Posted in ESSAYS
Tagged Benjamin Laird, Jacinta Le Plastrier, Jason Nelson, john tranter, Maged Zaher, mez breeze, William Denton
Tiny Steps: the Electr(on)ification of Cordite
Cordite 36: Electronica has been a fascinating and challenging issue to put together. It contains forty new poems, fifteen spoken word tracks, a dozen features and, for the first time, a selection of multimedia or ‘e-lit’ works. Bringing together these disparate types of content raises an interesting question for Cordite as an online journal. Have we finally broken through that invisible barrier between ‘text-based journal’ and ‘online journal of electronic literature’?
Posted in GUNCOTTON
Tagged Benjamin Laird, David Prater, e-lit, electronica, Jason Nelson, Jill Jones, mez breeze, site news
David Prater Interviews Talan Memmott
Talan Memmott is Assistant Professor of digital media and culture in the Digital Culture and Communications program at Blekinge Institute of Technology and an internationally known practitioner of electronic literature and digital art with a practice ranging from experimental video to digital performance applications and literary hypermedia.
Posted in INTERVIEWS
Tagged David Prater, mez breeze, Talan Memmott
The Anti-Logos Weapon: Excesses of Meaning and Subjectivity in Mezangelle Poetry
Mezangelle poetry is a form of electronic code poetry popularized by the avatarised avant-gardist, Australian multimedia artist Mez Breeze, a.k.a. Mez, a.k.a. Netwurker. The word mezangelle is adjective, noun and verb: mezangelle can refer to or describe the language in …
Posted in ESSAYS
Tagged mez breeze, Sally Evans
