mez breeze



The Writing: Benjamin Laird

Melbourne-based Benjamin Laird writes computer programs and electronic poetry, which he discusses here in the first of a new, occasional blog series looking at the writing practice of contemporary Australian poets.

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Tiny Steps: the Electr(on)ification of Cordite

Cordite 36: Electronica has been a fascinating and challenging issue to put together. It contains forty new poems, fifteen spoken word tracks, a dozen features and, for the first time, a selection of multimedia or ‘e-lit’ works. Bringing together these disparate types of content raises an interesting question for Cordite as an online journal. Have we finally broken through that invisible barrier between ‘text-based journal’ and ‘online journal of electronic literature’?

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David Prater Interviews Talan Memmott

Talan Memmott is Assistant Professor of digital media and culture in the Digital Culture and Communications program at Blekinge Institute of Technology and an internationally known practitioner of electronic literature and digital art with a practice ranging from experimental video to digital performance applications and literary hypermedia. In June 2011 I met with Talan to discuss the history of beehive Hypertext Hypermedia Literary Journal, which he founded and edited.

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The Anti-Logos Weapon: Excesses of Meaning and Subjectivity in Mezangelle Poetry

Mezangelle poetry is a form of electronic code poetry popularized by the avatarised avant-gardist, Australian multimedia artist Mez Breeze, a.k.a. Mez, a.k.a. Netwurker. The word mezangelle is adjective, noun and verb: mezangelle can refer to or describe the language in …

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