- Oliver Shaw Reviews Michael Aiken
- Review Short: Ivy Ireland’s Porch Light
- The Sydney Launch of Harkin, Gibson, Loney and Hawke
- Review Short: Maria Zajkowski’s The Ascendant
- Review Short: Nathanael O’Reilly’s Distance
- Review Short: Philip Hammial’s Ticket to Ride
- Review Short: Judith Beveridge’s Hook and Eye
- Review Short: Laurie Duggan’s East & Under the Weather
- Libby Hart Reviews Kate Newmann, Robyn Rowland and Jessica Traynor
- Heavenly Emporium of Benevolent Knowledge, duet ii of v
- Luke Beesley Reviews Christopher Kelen
- Submission to Cordite 52: TOIL Open!
- Robert Wood Reviews Duncan Hose, Jean Kent and Alyson Miller
- Cordite Book Launch: Loney, Gibson, Hawke, Harkin
- Review Short: Bel Schenk’s Every Time You Close Your Eyes
- Review Short: Les Murray’s Waiting for the Past
- Benjamin Solah Reviews Jeltje Fanoy
- Review Short: Evan Jones’s Selected Poems
- Review Short: David Brooks’s Open House
- NO THEME IV Editorial
- Fuori le mura: Seven Vicki Viidikas Poems
- ‘Can I Do My Words?’: On the Poetics of Deafness
- Six Film Photographs from Isa Lausas
- Interview with Dorothy Hewett (O’Keefe remix)
- Interview with Brett Whiteley (O’Keefe remix)
- Bonny Cassidy Interviews Sophie Collins
- Johns Forbes & Tranter: Reading and Discussion at Forbes Street Studios
>>Beginnings: A Library, An ‘A’ and a ‘B’ When I was in my late primary school years, I was shunted into an accelerated reading program. This program was designed for kids who had either outpaced their schoolmates in terms of …
Melbourne-based Benjamin Laird writes computer programs and electronic poetry, which he discusses here in the first of a new, occasional blog series looking at the writing practice of contemporary Australian poets.
Cordite 36: Electronica has been a fascinating and challenging issue to put together. It contains forty new poems, fifteen spoken word tracks, a dozen features and, for the first time, a selection of multimedia or ‘e-lit’ works. Bringing together these disparate types of content raises an interesting question for Cordite as an online journal. Have we finally broken through that invisible barrier between ‘text-based journal’ and ‘online journal of electronic literature’?
Talan Memmott is Assistant Professor of digital media and culture in the Digital Culture and Communications program at Blekinge Institute of Technology and an internationally known practitioner of electronic literature and digital art with a practice ranging from experimental video to digital performance applications and literary hypermedia. In June 2011 I met with Talan to discuss the history of beehive Hypertext Hypermedia Literary Journal, which he founded and edited.
Mezangelle poetry is a form of electronic code poetry popularized by the avatarised avant-gardist, Australian multimedia artist Mez Breeze, a.k.a. Mez, a.k.a. Netwurker. The word mezangelle is adjective, noun and verb: mezangelle can refer to or describe the language in …