CONTRIBUTORS

Liam Ferney

Liam Ferney's most recent collection is Hot Take (Hunter Publishing). He is a media manager, holder of the all-time games record for the New Farm Traktor Collective and convener of the Saturdays readings in Brisbane. Reading Phife Dawg's verse from "Check the Rhime" in The Source changed his life.

Never Be Alone Again: Hip-Hop Sampling as a Technique in Contemporary Australian Poetry

One of those most important battles of hip-hop’s first two decades wasn’t waged between two MCs at a cypher. And it wasn’t a couple of b-boy crews popping and locking at a block party. Instead, it pitted a hip-hop clown against a puffy-sleeved Irish balladeer.

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It’s Challenging

i.m. christa mcaullife Folks I don’t plan to change my plans. It’s mourning in America. Melania and I are given to meme the tragedy of the challenger. We share no pain with no one. This is truly a national loss. …

Posted in 95: EARTH | Tagged

Liam Ferney Reviews Kate Lilley and Pam Brown

In 1915, H G Wells published Boon, a satirical novel that featured long passages pastiching the literary style of his erstwhile friend, Henry James. It kicked off an epistolary barney over what art should be about.

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OzPo(st)

our rock music might be shit but we invented the 21st century out of our favoured delusions. mid-thirties & the weekend’s dopamine costs more than the coke. we are the shrinkage & our favourite movies don’t come true, instead we …

Posted in 86: NO THEME VII | Tagged

Sunburnt Jukebox

‘We can write what we want to write.’ John Farnham, ‘You’re the Voice’ I want to tell you a story I come from a saltwater people Waiting on the weekend, set of brand new tires Is running in your veins …

Posted in 84: SUBURBIA | Tagged

Liam Ferney Reviews Cassie Lewis

Based on the poems in The Blue Decodes, Lewis is an artist who values silence as much as noise. The book’s ninety pages, which include a number of poems published in her chapbooks, represent well over two decades’ worth of work which provides an interesting purchase on the question of why write poetry in the first place, particularly if it seems like an adjunct to an already full life?

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Kiss Kiss Bang Bang

Seriously, spree killings are part of the furniture. Once you get used to it you’ll hardly notice, besides that new paleo place is. the. bomb. Don’t mention the free advice you get from strip mall shonks, just relax into your …

Posted in 56.0: EXPLODE | Tagged

Stampede, the Many Small Big Men of History

“It’s Time, It’s Time” retranslated and the smell of her obese slander and propaganda. A republic of disappointment. We may never escape our consumption, a tractor beam of destiny. The optimist says he bulls-eyes womp rats in a T-16. The …

Posted in 51.1 : UMAMI | Tagged

63 no

Play suspended for rest of day due to PJ Hughes’s head injury at 2.23 local time A day as deadly as the bulletin’s Cassandras broadcast. It hits home like a windshield spidered on the SE Freeway. Macca’s sign erased/ lead …

Posted in 51.0: TRANSTASMAN | Tagged

Review Short: Ania Walwicz’s The Palace of Culture

The Palace of CultureAnia Walwicz’s first book in more than twenty years, Palace of Culture, confirms her reputation as one of Australia’s leading conceptual poets. It consists of fifty (almost) prose poems, each between two and five pages length. The poems use the suggestion of narratives as a key organising principle. But suggestion is as far as any of the narratives get.

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Guernica

obviously “I was born on the day they dropped the bomb on Nagasaki.” She says that in the pool room as though she wanted to avoid a conversation about war. There is nothing left of his night. Jarred empathy made …

Posted in 44.0: GONDWANALAND | Tagged

that thin mercury sound

after the fire escapes and security guards it is good to be beyond CCTV amidst the howling sirens whipped wind the thin mercury sound sculpted on sand the base jumper poised like a civilisation on a precipice of wasting military …

Posted in 42.0: NO THEME II | Tagged