- FREE: 20 Poets anthology
- 93: PEACHSUBMIT to L Van, G Mouratidis, L Toong 92: NO THEME VIIICOMING SOON with C Gaskin 91: MONSTERwith N Curnow 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
- Jennifer Mackenzie Reviews Elif Sezen’s A little book of unspoken history
- Introduction to Charmaine Papertalk Green’s Nganajungu Yagu
- Brigid Magner Reviews Michele Leggott’s Vanishing Points and Elizabeth Smither’s Night Horse
- Jack Kelly Reviews Liam Ferney’s Hot Take
- Submission to Cordite 93: PEACH
- Introduction to Cordite 91: MONSTER
- Poetry, Whatsoever: Blake, Blau DuPlessis, and an Expansive Definition of the Poem
- On Being Sanguine: Two Years of Panic and a Response to Terror in Christchurch
- A Deaf Rough Trade: Defending Poetry to ‘regular people’
- 12 Panels by Chris Gooch
- 5 Translated Yosuke Tanaka Poems
- A Buzz in the Retina: On Translating Luljeta Lleshanaku
- ‘That is some crafty bite’: Trisha Pender Interviews Melinda Bufton
- ‘You’re never disembodied from the action’: Dylan Frusher Interviews Judith Beveridge
- Excerpts from Neon Daze
- Chorography and Toute-eau in the Waters of Lower Murray Country
- 6 Poems from Robin M Eames
- Aussi / Or: Un Coup de dés and Mistranslation in the Antipodes
- Every other Friday
- I Still Love Without My Head
- Heath Ledger’s Joker
- Only fair
- small town lazarus
- from Red Black & Blues
Dr. Jordie Albiston is one of Australia’s premiere contemporary poets. She is the recipient of numerous literary prizes, and the author of nine collections of poetry, three of which are documentary in nature.
Nd— experiments are conducted at the e+e− storage ring VEPP-2M in the energy range 2E=0.5- 1.4 GeV by physicists at the Budker Institute of Nuclear Physics Novosibirsk 1982 to 1987 her kids born during that time Norway’s Norsk Data peaks …
In the nonfiction poetry issue of Axon that she co-edited with Ali Alizadeh, Jessica L Wilkinson highlights the impact that Jordie Albiston’s The Hanging of Jean Lee had on her as an undergraduate in 2001. Albiston’s collection is a poetic biography of Lee, the last woman to be executed in Australia. Wilkinson would later be influenced by Susan Howe – whose practice both informed and was a focus of Wilkinson’s doctoral study – to found Rabbit: a Journal of Non-fiction Poetry in 2011; however, a line can be traced from the early impact of Albiston’s book, to the journal, and on to the fledgling Rabbit Poets Series, which began with Albiston’s XIII Poems in 2013.
this room is brain devices whirr in a chiastic arrangement refrain chorus chorus refrain carolling intimate concert with me o! such melodious gadgetry this room is house it’s solid enough for ephemera holding firm with a granite grasp the walls …
John Kinsella is an Australian poet with a high profile and a long record of achievement, including winning the 2013 Prime Minister’s Literary Award for Poetry. He is also an assiduous anthologiser. Most notably, he edited The Penguin Anthology of Australian Poetry (2008), one of the more successful of recent attempts to establish an indicative canon of Australian poetry (although this was not, perhaps, Kinsella’s avowed intention with that book).
XIII Poems might be seen as a snapshot of what Albiston’s main concerns have been since Botany Bay Document (1996) appeared culminating with, I think, Vertigo (2007). Her publications since the mid-2000s reflect on similar concerns but with more biographical tones. Albiston’s main interests have been history, limitations or framed lives, their voices and interpretations of them, often using easily located words to tie groups of poems (‘heart,’ ‘black,’ and ‘white’ feature in XIII Poems).
Jordie Albiston’s the Book of Ethel and Liam Ferney’s Boom illustrate two dramatic obverses in contemporary Australian poetry. Both are cleverly crafted; both have levels of subtlety and manifest strength; both are linguistically sinuous and inventive, taking liberties with conventional style and syntax; both use local vernaculars in contexts of global cultural pressures; both focus, often minutely, on particular individuals caught at moments of historical change and significance and, therefore, articulate and explore ‘political’ consequences and issues; both play – gloriously, ironically, iconoclastically – with language registers as a way of exposing implied ‘bigger pictures’. And yet these two collections are worlds apart in focus, style, nuance, framing and poetic affect.
Jericho walls always fall hard on the ear too many signs luxate too brightly the eye once we believed in a thing call it silence a thing like a thing like a song we believed in a visual dream call …
Studying the Sylvia Plath archival papers at Smith College in 1993, poet, editor and critic Felicity Plunkett intuited that a number of pages were missing from one poem draft. Plath assiduously page-marked drafts of the poems that were to become the Ariel poems. Plunkett was unable to uncover these pages in any of the archives made available to her, which were still in the process of being organised. One night, in dream, she ‘receives’ a phone call, made from a black, period-piece telephone, words delivered in Plath’s idiosyncratic trans-Atlantic diction – ‘look in the yellow folder’.
When you first arrive, the doors are shut, Big white doors, space off limits, nothing To see here, wrong day, wrong time, Interior closed to outsiders, go home. She is somewhere in there, you are not. When you return, a …
The sonnet according to ‘m’ by Jordie Albiston John Leonard Press, 2009 To read Jordie Albiston’s The sonnet according to ‘m’ is to play the part of the village agnostic watching the reliquary in the local saint’s procession. “In this …
Vertigo: a cantata by Jordie Albiston John Leonard Press, 2007 One might think a collection devoted entirely to a break-up could become tedious or lamentably repetitive, but Jordie Albiston ensures that each poem in Vertigo: a cantata has a unique …