-
- 111: BABYwith S Deo & L Ferney 110: POP!with Z Frost & B Jessen 109: NO THEME 12with C Maling & N Rhook 108: DEDICATIONwith L Patterson & L Garcia-Dolnik 107: LIMINALwith B Li 106: OPENwith C Lowe & J Langdon 105: NO THEME 11with E Grills & E Stewart 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
CONTRIBUTORS
Matt Hetherington
Plain Western Sun
After David Prater under the plain western sun we’ll mooch around in low-slung casuals point to one hidden moon like rich, tenured buddhas drink coffee like it’s beer then puke on some fish-heads under the plain western sun we’ll understand …
Posted in 110: POP
Tagged Matt Hetherington
Adolesce
still at that dreamy stage where the days have become decades & one finally begins to comprehend the truth of being alone, face-down in the hospital doing my best to keep you in my heart, hypocrite lecturers & fans of …
Posted in 88: TRANSQUEER
Tagged Matt Hetherington
Deep
venetians are closing on another small day and you can see i’m complicated like a conquered face keep on keeping on and round things roll off each other then sink wishes come out like cockroaches that’s midnight for you to …
Posted in 84: SUBURBIA
Tagged Matt Hetherington
The Anxiety of Affluence
can’t hide the tired beard, or unknow? what you’ve seen, absolutely? flat out screening, yes? it takes as much as it gives? even though all five walls are never quite right? but you’re not as guilty as the guillotine in …
Posted in 77: EXPLODE
Tagged Matt Hetherington
Translating Hidayet Ceylan and the Melbourne PEN Freespeak Reading
In his introduction to The Random House Book of 20th Century French Poetry, Paul Auster quotes the great French thinker Maurice Blanchot: ‘Translation is Madness.’ Anyone even beginning to attempt such an activity (perhaps, especially, when dealing with poetry) soon …
Posted in GUNCOTTON
Tagged Hidayet Celan, Matt Hetherington, Melbourne PEN
Matt Hetherington Reviews David Brooks
In a review originally published in Heat #6, David Brooks praised Peter Boyle’s The Blue Cloud of Crying as being influenced by the tradition of Cante Jondo or deep song, and as being more accessible, recognisable, and emotionally engaged than most Australian poetry. He then went on to observe: “There has been something of a tradition of emotional reserve in Australian poetry.
Posted in BOOK REVIEWS
Tagged David Brooks, Matt Hetherington
Sally Malley: Trunk
“I beckon like a lemon, like a feather” ~ Sam Sejavka damn that rose! there you go – alcohol’s typos, elephant trees in boots, the body like a present goes stale in its box i say i am the …
Posted in 42: CHILDREN OF MALLEY II
Tagged Matt Hetherington
Straight from the Tank
On January 25, 2003 – the hottest Melbourne day since 1939 – David McLauchlan and Michael Ward began the practice of filming poetry readings for the Channel 31 TV program “Red Lobster”. As of late 2006, this process continues, and …
Posted in GUNCOTTON
Tagged Matt Hetherington, performance, Red Lobster, spoken word, Television
4 Haiku
the man checking passports has undone sneakers * eating rice looking at fields of rice * little black bug – how long have you been on your back? * corpse awaits cremation – a …
Posted in 25: COMMON WEALTH
Tagged Matt Hetherington
Matt Hetherington Reviews Dan Disney
It's reasonable to suggest that we live in somewhat Tragicomic times. A well-known satirist (whose name I forget) recently complained of being completely unable to mock the American government, since those running the country were already effectively satirising themselves by saying and doing things more absurd and laughable than anything he could come up with.
Posted in BOOK REVIEWS
Tagged Dan Disney, Matt Hetherington
Matt Hetherington Reviews Sea Peach
Someone (not a New Zealander) once told me that there used to be a TV program in the old NZ similar to the Australian show 'That's Amazing!', but which was actually called 'That's Quite Interesting!'. Well, whether that's true or not, that's what I thought after I read this book and listened to the accompanying CD.
Posted in BOOK REVIEWS
Tagged Canada, Catherine Kidd, Jack Beetz, Matt Hetherington, spoken word
Matt Hetherington Reviews Jordie Albiston
Given the small amount of time available between the book’s release and the deadline for this piece, there are still some poems I find impossible to respond remotely in an objective fashion. Two in particular [‘How I Spent Night in Twenty Lines or Less # 2’ and ‘Twelve (Transverse) Octaves, F#’] are difficult for me to inhabit for very long. Which is, of course, a great compliment.
Posted in BOOK REVIEWS
Tagged Jordie Albiston, Matt Hetherington
