- 100: BROWNFACESUBMIT NOW with W S Dunn 99: SINGAPORECOMING SOON with A Pang and J Ip 97 & 98: PROPAGANDAwith M Breeze and S groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
TrainRide by The John Moran Corperation Puzzle Factory Sound Studio, 2009 Since renowned works such as Kenneth Slessor's The Night-Ride' and Judith Wright's The Trains,' trains have been natural subjects and carriers of Australian poetry. TrainRide by John Moran and …
In our latest feature, Stephan Delbos recalls some highlights from the inaugural Prague Micro Festival Poetry Series, held in Prague and Brno between 14-18 April 2009. To accompany the words and images, Cordite presents five live recordings of readings by Australian poets Jill Jones, Philip Hammial, Michael Farrell, Pam Brown and Louis Armand at the Globe Bookstore on 15 April 2009.
Going Down Swinging No. 28: Waging the Word edited by Lisa Greenaway and Klare Lanson
Going Down Swinging Inc., 2009
Indigo: Journal of West Australian Writing Volume III edited by Donna Ward et al
Tactile Books, 2009
At the level of function, a literary journal produces a collection of writing on a periodical basis. However, a journal is also another kind of machine, an apparatus which generates a readership, presents writers, exercises its own ideological assumptions (however loosely formed or evolving), and which makes claims to a certain cultural space. At this discursive level, Going Down Swinging and Indigo are very different animals.
On January 25, 2003 – the hottest Melbourne day since 1939 – David McLauchlan and Michael Ward began the practice of filming poetry readings for the Channel 31 TV program “Red Lobster”. As of late 2006, this process continues, and …
Australian Dream, a double CD featuring the poetry of newcomer Mohsen Soltany Zand spoken and sung by the likes of Bryan Brown, Thomas Keneally, Claudia Karvan and a host of other famous Australians, may one day be seen as a landmark of this relatively new, and seemingly promising, medium/genre of contemporary poetry.
Swelter by Louise Waller and Kristin Hannaford Interactive Press, 2004 It was with anticipation and trepidation that I approached Swelter, an audio and text CD compilation of Louise Waller's Slipway and Kristin Hannaford's Inhale. At first I expected some type …
But what is a poet? Attach the adjective hip-hop, Nobel Prize-winning, experimental, spoken-word or journalist to that noun — and 'poet' is still the word commanding respect.
Def Poetry Jam 13th January 2004 Metro Theatre, Sydney Considering Melbourne has, arguably, the most active and vibrant spoken word and hip-hop scene in Australia, it's a real pity that this show didn't come further down south. I attend quite …
It seduces with its surfaces, impresses with the breadth of its knowledge of popular culture (although who around here doesn't have a vast amount of pop influences to draw on?), even as it makes a claim to some sort of academic credibility with a few snazzy literary allusions, but for me, it's a face with no heart. To this offering you might smile, say 'Thanks for a great night', and go on trawling.
Ian Ferrier speaks to people lured by the sounds of jamming jazz musicians — the lyricist with a voice deep in sound and thought — inspiring a crowd gathered round in the smoke-filled room, all in different phases of their journeys but nodding to each other.
Chris Mansell lives for poetry, or so it is implied in all she writes and all she does behind the scenes, like one of those superhuman dynamos without whom poetry in this country would simply stop breathing altogether.
My apologies to the musicians: this won't be a music review. The music's purpose – from the point of view of the words, or lyrics, is serious, not ironic, though several of the tracks are happy-sounding, almost jaunty, emphasising that Clemens is enjoying himself. He's doing a fragment at least of what he wants – being a few monkeys. For the time being, we'll have to make do with anecdotes of ten thousand monkeys till Clemens works out how to be them, for that I think is his vision of freedom.
He ranted and raved. He was fabulous. Ranted and raved and spat and shouted for 20 minutes and grew and grew until he was Alice in Wonderland after she drank the bottle (add a little bit of stubble) and he …