- 85: UNPRINTABLEwith J R Carpenter and Benjamin Laird (coming soon!) 84: SUBURBIAwith Lachlan Brown and Nathanael O'Reilly(submit away!) 83: MATHEMATICSwith Fiona Hile (coming soon!) 82: LANDwith James Stuart and Jane Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with Fiona Wright and Omar Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with Matthew Hall and Sophie Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with Kent MacCarter and Shane Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with Louis Armand and Helen Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with Josephine Rowe and Michael Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Introduction to Jeanine Leane’s Walk Back Over
- Introduction to Anne Elvey’s White on White
- Winners for the Val Vallis Award for an Unpublished Poem 2017
- Buying Satin Dresses at Yu Garden
- (after) HER: dating app adventures
- The Future of Music
- His Master’s Voice
- Quietly, on the way to Mars
- Submission to Cordite 84: SUBURBIA
- Signs from Asemia: Yasmin Heisler Reviews asemic 15
- Review Short: Aileen Kelly’s Fire Work: Last Poems
- Review Short: Brian Castro’s Blindness and Rage
- LAND Editorial
- The Land as Breath: Can Poetic Forms Be Metaphors for Landscapes?
- Concrete: A Shikoku Pilgrimage
- World of Feelings: Ghassan Hage, Bruce O’Neill, Magic Steven and the Affective Dimensions of Globalisation
- Un(dis)closed: Reading the Poetry of Emma Lew
- Architecture, Poetry and Impressions of a Bendigo Chinese Doctor, James Lamsey
- Possession, Landscape, the Unheimlich and Lionel Fogarty’s ‘Weather Comes’
- Placeways in the Anthropocene: Phyllis Webb’s Canadian West Coast
- 12 Pigment Prints on Paper by Tony Albert
- ‘a serpentine | Gesture’: The Synthetic Reconstruction of Ashbery’s Poetic Voice
- Vorticist Portraiture in Mina Loy’s Anglo-Mongrels and the Rose
- Petrus Augustus de Génestet’s ‘Peaen to the Netherlands’
- Three Translated Takako Arai Poems
- Three Translated Nguyễn Man Nhiên Poems
- Four Translated Gerhard Fritsch Poems
Headwaters is Anthony Lawrence’s fifteenth collection and his first with Pitt Street Poetry, whose website memorably suggests the humble reader should ‘Find yourself a shot glass, take a seat, and take a shot.’ This is the first time I’ve seen a publisher suggest their books be read thus, though in their defence, they do so in relation to lines from Lawrence’s ‘Wax Cathedral’. Ah well, when in Rome … a thimble of Lagavulin scotch as required and I’m finally ready to review. Non-drinkers may read on as they are.
The Odour of Sanctity is New Zealand poet Amy Brown’s second collection, and a substantial one too, weighing in at 240 pages. It is a speculative work which postulates the potential canonisation of six historical figures, three granted sainthood (St Augustine of Hippo, St Rumwold of Buckingham, St Elizabeth of Hungary) and three non-saints in Margery Kempe, Christina Rossetti, and contemporary American indie rocker Jeff Mangum. The Odour of Sanctity takes these six subjects through six sections of the sainthood process, finishing with a seventh sestinesque envoi section in which the subjects converse in three pairs.
Waves, gravitational mind-mussings teem, plunge for the jewel in the clouds and hit clean. Car-roar obvious, Where can it bring? You Yangs are slumbering, no slumbering thing. Refineries, youths to the ultramarine excite to become what they thought they could …
Some months back, I ended up sitting next to a fairly eccentric white-bearded bloke on a Sydney bus. Upon hearing I was an Australian poetry researcher, my new acquaintance exclaimed ‘Australian poetry!’ with obvious distaste, followed by ‘Fu–ing Anthony Lawrence!’ He went on to detail how feral Aussie upstarts like Lawrence and ‘bloody Adamson’ were bastardising the great tradition of English Romanticism. As he rose to hop off, I asked for his name. He cheerfully declined.
For the briefest of moments, a glimmering sketch, I incline my right cheekbone one degree, untransfixed by the knowledge of him, the frame of his arm, his crumpled penumbra, a whisker perhaps. As much in character as anything else, I …