- FREE: 20 Poets anthology
- 89: DOMESTIC with N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Introduction to TRANSQUEER
- The Kindness of Strangers: On New Zealand’s Literary Journals
- Three Translated Xhevdet Bajraj Poems
- Four Translated Ángelo Néstore Poems
- ‘There is nothing more shared than language’: Carolyn DeCarlo Interviews Gregory Kan
- ‘Language can multiply itself and form secret and unusual patterns’: Andrew Pascoe Interviews Ania Walwicz
- Owen Bullock Reviews Rachel Blau DuPlessis
- Joan Fleming Reviews Fiona Hile and Luke Beesley
- Winnie Siulolovao Dunn Reviews Tayi Tibble
- Holding Pattern
- It Is Happening Again
- 14 Works by Ms Saffaa
- Silence (Maria the first)
- don’t look down
- Dear Mr. president
- The Doctors Say
- Looking for Hot GAM
- THERE ARE ONLY 16 GENDERS
- At Rome
- Argo Notes
- Finding Herbert
- I Look at My Body and See the Source of My Shame: Ecstasy Facsimile
- (with(in)side) out
On 2 July, 2017, my father sends me an article about Jewish Australian poet Fay Zwicky’s passing in Perth.
Lord and Lady Clapham are tired, and let’s face it, enwreathed in a genteel decrepitude. They’ve lodged in the small houses with the people so long now. Little people are the ones that caused the most perturbation even though Lord …
Louise Nicholas’s The List of Last Remaining very satisfyingly brings together a substantial body of her work. Its five, intelligently ordered sections each rise up to enact their shimmering, persuasive world and then fade out to make way for the next. As the author herself notes in the poem ‘Picture’, there is ‘something filmic’ afoot here.
‘The dog ran in there / It had been a mistake / to take up his old trail.’ The bold lines that open ‘The Old House’ (48) from Lucy Dougan’s latest collection, The Guardians, deliver a fine sample of Dougan’s deceptive simplicity. What better emblem for the concept of guardianship than the family dog? But the sentimental cocktail of love and loyalty embodied by this familiar friend is immediately crosscut by the ‘mistake’ of memory, an error of the senses that leads directly to the unheimlich.
After you shout at the child we drive past pine branches stacked on the side of the road and I want to make a home of these materials in which she can live. You will be faraway or incommoded as …
John Kinsella is an Australian poet with a high profile and a long record of achievement, including winning the 2013 Prime Minister’s Literary Award for Poetry. He is also an assiduous anthologiser. Most notably, he edited The Penguin Anthology of Australian Poetry (2008), one of the more successful of recent attempts to establish an indicative canon of Australian poetry (although this was not, perhaps, Kinsella’s avowed intention with that book).
Fay Zwicky tells the story that in the early weeks of 2005, in the aftermath of the Indian Ocean tsunami, she was invited as one of WA’s ‘Living Treasures’ to write a public poem about the disaster, and to read it at the opening of the Perth International Arts Festival. She declined. It was too soon, she thought. This was ‘not a time for poems’ – was it? But already the politicians had weighed in with their ‘fine abstractions’ and preachers were parading their concern. Perhaps it was important, after all, to come out and speak with the words of the tribe about ‘true guilt’ that is ‘tongueless’.