- FREE: 20 Poets anthology
- 89: DOMESTIC with N Harkin(submit now!) 88: TRANSQUEER with Q Eades and S Barnes(coming soon!) 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Garcon-Mills on as Indigenous Engagement Editor and Guide for Indigenous Editing and Writing
- Reality On-demand
- What We Know About Her
- Winners for the Val Vallis Award for an Unpublished Poem 2018
- Review Short: Cary Hamlyn’s Ultrasound in B-Flat and Other Poems and Jill Jones’s The Quality of Light and Other Poems
- Review Short: Judith Bishop’s Interval
- Liam Ferney Reviews Kate Lilley and Pam Brown
- Submission to Cordite 89: DOMESTIC
- Review Short: Corey Wakeling’s The Alarming Conservatory
- Daniela Brozek Cordier Reviews Dominique Hecq
- Introduction to DIFFICULT
- An Unwitting Pariah: Kathryn Hummel in Conversation with Kaiser Haq
- Four Translated Vasile Baghiu Poems
- Why Reading Sharon Olds Makes You a Better Person
- Two Translated Marcos Konder Reis Poems
- The Unaugmented Reality of Transgender Discrimination: ‘Do more, do better’
- Experimental Confessionalism: The Personal Turn in American Post-conceptual Poetry
- Punk Calligraphy: A Primer on Asemic Writing and Scribbles
- What the Repetitions of Poetry Might Help Us Remember about Home, Belonging and the Self
- Sonic Twin? A Poetics of Poetic Radio
- 11 Works by Paola Balla
- Do more, do better
- 11 Works by Hoda Afshar
- forgetting as commodity
- Gathering the Rocks
‘… the poem / will cover a multitude of signs.’ This line, appearing early in West Australian author Tracy Ryan’s ninth poetry collection, can be read as connecting directly to what’s been posited as the very purpose of poetry: to confound or thicken language, to free it from its mere communicative dimension, as Walter Benjamin might put it, and allow it to bump up against things-in-themselves.
Award-winning Melbourne poet Susan Fealy’s first full-length collection is an engrossing and richly resonant volume, one that – like all good artworks – reveals greater connective complexity with each subsequent encounter. The work is divided into two parts, with section one’s epigraph drawing the first sixteen poems into a meaning formation that takes off from a Louise Glück work.
The first poem of Tina Giannoukos’s second collection ends with the line, ‘In space I hold the horn of plenty’. This reference to the classical symbol of abundance foreshadows the poetic landscape that follows in Bull Days, a volume teeming with external allusion and internal reverberation.
‘Her absence is like the sky, spread over everything,’ wrote C. S. Lewis in a work of prose, published soon after his wife died. Under such conditions poets are apt to explore their grief by way of lyricism, and, while it is uncommon in the Australian context, recent years have seen several international male poets producing collections in just these circumstances. From the United Kingdom, for instance, we have Douglas Dunn’s Elegies and Christopher Reid’s A Scattering, and, from the United States, Donald Hall’s Without.
Celebrated South Australian writer Ali Cobby Eckermann’s fourth volume of poetry, Inside My Mother, is her most substantial and diverse collection to date. Although the book includes a handful of reworked earlier pieces, most of the seventy-three poems are new. Across four sections, these poems enrich and intensify the politically urgent subject matter that Cobby Eckermann’s oeuvre has, over the past decade or so, addressed so effectively. As an Aboriginal descended from the Yankunytjatjara language group, Cobby Eckermann’s chief concern is to express what she sees as the untold truth of Aboriginal people, both in terms of vital aspects of their culture, as well as regarding the (ongoing) detrimental impact of European colonisation. In this new work, Cobby Eckermann’s personal story provides a strong substructure in relation to which these larger issues are artfully explored.
Melbourne poet L. K. Holt’s third collection, Keeps, is an expansively intertextual and complexly layered work. Published as part of a substantial volume that includes the reissue of her two earlier collections, this is often dense and intellectually oriented poetry. There is, however, an intriguing personal thread interlacing the ensemble, wherein the poet – perhaps more so in this collection than in her earlier works – offers a view into some of her deeper existential concerns.
Wrote an extensive treatise insisting Life is change, having canvassed the canons, philosophy, science, so on, but centring on one life— I renounce it all. Should not have changed. Should have stayed cleanly bathed in my light- house gaze, casting, …
Under the smallish light of the only lamp she works to incorporate words, time, the disadvantages of history for life. But the promise of this moment, Yes, is blocked: most impossible of knots. The air is stopped, the clock’s sound …