- FREE: 20 Poets anthology
- 88: TRANSQUEER with Q Eades and S Barnes (submit now!) 87: DIFFICULTwith O Schwartz and H Isemonger(coming soon!) 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Review Short: Charmaine Papertalk-Green’s and John Kinsella’s False Claims of Colonial Thieves
- Review Short: Andy Jackson’s Music Our Bodies Can’t Hold
- Review Short: Rachael Mead’s The Flaw in the Pattern and Philip Nielsen’s Wildlife of Berlin
- Johanna Featherstone Reviews History and the Poet
- Submission to Cordite 88: TRANSQUEER
- Review Short: Shastra Deo’s The Agonist
- Review Short: Tracy Ryan’s The Water Bearer
- Review Short: Bulky News Press Chapbooks from Andrew Pascoe, Chris Brown and Marty Hiatt
- Review Short: Susan Hawthorn’s Dark Matters
- 12 Works by Sue Kneebone
- Introduction to NO THEME VII
- Bone Shame: Grief, Te Ao Māori and the Liminal Space where Translation Fails
- Re-imagining Place: A Psychogeographic Reading of Carmine Frascarelli’s Sydney Road Poems
- ‘Geelong checks its modernist warranty’
- John Ashbery’s Humane Abstractions
- Shattered Writing: Four Translated Valerie Mejer Caso Poems from Edinburgh Notebook
- Four Translated Laia Llobera i Serra Poems
- ‘We mirror what we see’: Holly Childs Interviews Cristine Brache
- President Donald J Trump at the Western Wall, Jerusalem 2017
- Diary Poem: Uses of Dreams
- Neutral Bay, New South Wales
- OK GOOGLE
- drawn, made.
- My Mothers, the avian …
- My Dream of Gary Snyder
‘Give we the hills our equal prayer, Earth’s breezy hills and heaven’s blue sea; I ask for nothing further here But my own heart and liberty.’ Emily Brontë Ask everything more of layout under pressure. Ask for depths outside and …
Fruit is the apogee of the pastoral. It’s what the work, the waiting, the ritual and the thanks are for. But the making of fruit is costly and even the ‘natural’ cycle of things will be managed so some factors are privileged over others. In this cycle of post-lyrical poems, Hall questions the form and circumstances of these factors. What are they?
” 18/9/2015 Rosewood, Schull, Co. Cork, Ireland. Difficult and full fortnight of work coming up before I have to travel solo to London on bus, ferry and train.
I think making comparisons between Lisa Gorton’s The Life of Houses and other writers is somewhat distracting of the novel’s achievement. If there was another novelist who came to mind during my reading of this novel it was actually Virginia Woolf, though this was in a distant modernist way, and echoed my reading of To the Lighthouse of almost thirty years ago. (As I write, my partner Tracy Ryan, calls out from her study and reads a piece to me saying Lisa Gorton herself draws this link to Woolf – which I didn’t know when I read the book and thought it.)
Strung out goes hard wired into the signature scarring so shown on arching barks as sampled tolerance slurs and ligatures, he shall have music wherever he goes to stack accumulating pocket money with foxed gatefold and the bells on his …
Ah let’s do new where scarabs click Resonant dust from hashish headlight Forever dream thing sweeps through high brocade And mind is central, serene, lavender mists With a sucker punch below the graft, Below a mortar and pestle imprimatur — …
Coming back to their neck of the woods, a shout was as good as a wolf and a basket as full as a boot full of tarnished medallions and useless keys, pugnacious as costume on a moonlit patio, swilling prosecco …
In the constant tramline motion of his trainers He took the third and added a choice amendment To their wish fulfilment; but don’t doubt he loved — He did, big time and strong, the tall buildings wavering. Sneaker rocker ripping …
1. Play the fluted column. Treasury of the consciousness of Man. Ring the emperors’ bells. The disappearing hat-trick. Replace chipped crockery. One copy among others. Animal furnishings. Will make nature obsolete? And so they cluster. Picture, fresco, miniature and stained-glass. …
Short on shimmy they took to the disco with a resounding whomp of white & solid silver waves of wire; a platform to berate from, a wag the dog diorama; wearing only your shadow & shouting to the stomping throng …
John Kinsella’s most recent book Divine Comedy: Journeys Through a Regional Geography is an incredibly ambitious and meticulous rewriting of that great epic poem of the Middle Ages, Dante's The Divine Comedy. Our guest poetry editor for Epic, Ali Alizadeh, interviewed Kinsella recently, via email. Their discussion ranged from traditional notions of the epic form, and Kinsella's relationship with it, to ecological manifestoes and collaborative projects, and the concept of 'pushing against form'.
Ern is of the park, and occasionally further afield. He channels, divines, and is pretty much an open book. He is losing his ambitions.