- FREE: 20 Poets anthology
- 87: UNPRINTABLEwith J R Carpenter and B Laird (coming soon!) 86: NO THEME VIIwith Lisa Gorton(submit away!) 85: PHILIPPINESwith Mookie L and S Lua(coming soon!) 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Review Short: Ken Bolton’s Lonnie’s Lament: Towards a History of the Vanishing Present
- Review Short: Kate Middleton’s Passage
- Alan Wearne Reviews Ross Gibson
- Introduction to Helen Lambert’s Echoland
- Introduction to Siobhan Hodge’s Justice for Romeo
- Introduction to Lindsay Tuggle’s Calenture
- Introduction to Pascalle Burton’s About the Author Is Dead
- SUBURBIA Editorial
- Ghost Flowers in the Word Machine: Poetry, Pessimism and Translation in the Age of Technology
- ‘a homemade world’: On the Dandenong Line
- Ken Bolton’s Suburbia, an Introduction
- No Safety, No Submission? A Survey of New Zealand Small Presses
- Wright Vociferous – ‘Birds’ and ‘Skins’ – Physiognomy, Identity and the Wild Spoken Word
- But Why Am I Telling You this? You Are Not Even Here: Against Defining the Suburb
- 12 Works by Lara Chamas
- 4 Machines by Robert Andrew
- Five Translated Eileen Chong Poems
- Two Translated Kim Yideum Poems
- Four Translated Geng Xiang Poems
- ‘Refusing to be published, refusing even to perish’: Amelia Dale Interviews Ouyang Yu
- ‘Myth is not merely decorative’: Prithvi Varatharajan Interviews Michelle Cahill
- Sandra D’Urso Interviews Fiona Hile
- ten atmospheres
- The Lowlands (West Melbourne Swamp)
- Stony Creek
- Moonee Moonee Chain of Ponds
- Walking West
Poet, if you’re looking for your name in this essay, jump ahead a couple of pages. There I begin talking about poets collected in this anthology. Those of you interested in a review about contemporary Australian poetry, let’s begin here.
The doggedly metropolitan Frank O’Hara wrote in ‘Meditations in an Emergency’: ‘I can’t even enjoy a blade of grass unless I know there’s a subway handy, or a record store or some other sign that people do not totally regret life.’
In the introduction to On Bunyah, a career-spanning collection of poems about his home township 300 clicks north of Sydney, the stubbornly pastoral Les Murray writes, ‘this book concentrates on the smallest habitats of community, the scattered village and the lone house, where space makes the isolated dwelling into an illusory distant city ruled by its family and their laws.’
Half a decade on from appearance of the elongated shadow figure that adumbrated Les Murray’s last collection, Taller When Prone, the poet returns with stature intact and a magisterial resounding of strata and reach.
This anthology’s editors are forthright about its flaws; in their introduction, Catherine Barnett and Tiphanie Yanique admit that their partition of the Anglophone world (excluding the US and UK) into seven parts is ‘woefully inadequate,’ (xiii) and that their decision to concentrate on Ghana, South Africa, Australia, New Zealand, Canada, the Caribbean, and India left out many other regions and nations where English was natively spoken (much of this is simply reflecting the dominant biases of postcolonial study in genera).
Like the country’s arid interior, contemporary Australian ecopoetics is vast and robust. The expressions of Australian ecopoetry are as varied as the antipodean landscape itself, underscoring the intricate connections between language and ecology in this part of the world. The Mediterranean climate of Western Australia’s southwest corner, the Red Centre of Uluru, the tropical rainforests of Queensland, the temperate Tasmanian old-growth forests and the alpine reaches of the Victorian High Country signify this: rather than a contiguous desert or a terra nullius (as some readers both inside and outside of Australia may still believe), the Australian environment is a mosaic of biota, climates, topographies and regions.
Selected Poems by Les Murray Black Inc., 2007 One of the most revered, most hated, most praised and most criticised figures in Australian literature, Les Murray is Australia's best-known living poet. He has been awarded the Mondello prize, T.S. Eliot …
While it has its weaknesses, The Biplane Houses reminds us of Murray's strengths and the reasons for so much Australian poetry being measured against his output. The emotional and personal concerns aired in ?The Tune on Your Mind' and the strengths of this collection tell me that, despite the fact that Murray is rounding on 70, his best works may be yet to come.
Les Murray Live at the Melbourne Writers Festival 24 August 2002 Paul Mitchell was a guest of the Melbourne Writers Festival in August this year, but only because he paid some cash to get in. While waiting for the opening …
In narratology, the narratee is the imagined person whom the narrator is assumed to be addressing in a particular narrative. Narrative poetry belongs to the class of poems, including ballads, epics, and verse romances, that tell stories. (Dramatic and lyric …
The moon’s riddled Earth day carried above black trees puzzles birds into trilling, makes beetles fly their cars. The lake on the dark side of that world is airless steel; its dry plate never records our brushstrokes of re-entry but …
Blats booted to blatant dubbin the avenue dire with rubbings of Sveinn Forkbeard leading a black squall of Harleys with Moe Snow-Whitebeard and Possum Brushbeard and their ladies and, sphincter-lipped, gunning, massed leather muscle on a run, on a roll, …