- FREE: 20 Poets anthology
- 90: MONSTERSUBMIT TO N Curnow 89:DOMESTIC COMING SOON with N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Introduction to Louise Crisp’s Yuiquimbiang
- Review Short: Ken Bolton’s Species of Spaces
- David Gilbey Reviews Adam Aitken and Elizabeth Allen
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- Pam Brown Reviews Kait Fenwick
- Kishore Ryan Reviews Paul Croucher
- Submission to Cordite 90: MONSTER
- Introduction to TRANSQUEER
- The Kindness of Strangers: On New Zealand’s Literary Journals
- Three Translated Xhevdet Bajraj Poems
- Four Translated Ángelo Néstore Poems
- ‘There is nothing more shared than language’: Carolyn DeCarlo Interviews Gregory Kan
- ‘Language can multiply itself and form secret and unusual patterns’: Andrew Pascoe Interviews Ania Walwicz
- Owen Bullock Reviews Rachel Blau DuPlessis
- Joan Fleming Reviews Fiona Hile and Luke Beesley
- Winnie Siulolovao Dunn Reviews Tayi Tibble
- Holding Pattern
- It Is Happening Again
- 14 Works by Ms Saffaa
- Silence (Maria the first)
- don’t look down
- Dear Mr. president
- The Doctors Say
- Looking for Hot GAM
- THERE ARE ONLY 16 GENDERS
Kristen Lang’s SkinNotes articulates an intense poetry and poetics of the body through a holistic series of lifelines in which skin, bone and organs are not so much dissected as regarded, reassembled and given human or other animate agency.
Ken Bolton’s most recent collection expresses an intense sociability, co-mingling personal and communal memory to create poetry that draws on moments of apparent ordinariness, and ever so subtly transforms them into lines of understated enchantment.
Aden Rolfe’s False Nostalgia presents a collection of memories and corresponding vagaries of forgetting, which stimulate and unsettle in unpredictable and oblique turns of thought and phrase. His work includes philosophical, lyrical and confessional voices, the overall discourse serving to recreate and recover highly original self-objects in time and space.
From the cover, let alone the first lines, the title appears apt: a sense of levitation, humming along wires, strands of illumination flickering through a work of direct and intimate voices, understated in its deftness and density, with light touches that lift the lexis, and air pockets in its seams of meaning. Spread out across the pages are samples of complete, if not absolute contemporaneity interspersed with work that decries the shortcomings of an age in which culture is so often presented as a commodity. Pam Brown’s latest collection showcases self-objects and articulates responses to salient concerns, providing masterful representations of the everyday and outré that take their time to settle into the spaces and absences within which they are framed.
In his third collection, The Ladder, Simon West presents a series of poems with the tensile strength of filigree and flower stems, split seconds where meaning occurs as a wavelet suspended above the mosaic particles that make up a beach. After my first reading, I feel sure that I have also felt sunlight glancing off the skin of a grape, tendrils curling around a wooden table leg, sunlight, wine and citrus. Meanwhile from back at the frontispiece, falls the delicate adumbration of half distinct colour from the ‘eyes turned to beautiful eyes’.
Half a decade on from appearance of the elongated shadow figure that adumbrated Les Murray’s last collection, Taller When Prone, the poet returns with stature intact and a magisterial resounding of strata and reach.
Brush, the latest collection of poetry from Joanne Burns consists of layers juxtaposed in a profuse and generous abundance, styles not fused so much as flipped over and filed into an album as much as an anthology. What may appear to be random sections and selections on closer inspection consist of a gathering that implies a duty of care, assembling shared cultural and oneiric artefacts stripped of extraneous affects and putting on record that which is weird and wonderful and way out there.