- 84: UNPRINTABLEwith J R Carpenter and Benjamin Laird (submit away!) 83: MATHEMATICSwith Fiona Hile (submit away!) 82: LANDwith James Stuart and Jane Gibian(coming soon!) 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with Fiona Wright and Omar Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with Matthew Hall and Sophie Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with Kent MacCarter and Shane Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with Louis Armand and Helen Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with Josephine Rowe and Michael Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Tell Me Like You Mean It: New Poems from Young and Emerging Writers
- my mother told this story of the white girl in the library
- My Kitchen Counter Said
- Wangal Morning
- Blue Carbon, Intertidal
- seepage swan lake
- Tax Return
- The Feet that Don’t Stop Will Come to Know Shame
- The Spanish Revelation
- ante meridiem
- I’d Like to Take a Minute of Your Time to Discuss Short Cuts
- Workplace Injury Compensation Form
- nine minutes two seconds
- Cut and dried if only.
- American forests are moving west and nobody knows why
- New Town
- Sad Witch Psalms
- The Brandis Diaries
- Gabriel García Ochoa Reviews Poems of Mijail Lamas, Mario Bojórques & Alí Calderón
- Review Short: Andrew Sant’s How to Proceed
- Review Short: Tusiata Avia’s The New Adventures of Nafanua, Samoan Goddess of War
- Review Short: Michelle Cahill’s The Herring Lass
- Review Short: Susan Fealy’s Flute of Milk
Disturbed land. Conserved land.
Whose land? Yours, mine, the landlady’s?
Something so immediate like a heart attack requires decades of preparation: the artist hovers outside the frame & in front of Prague Castle waiting for a gesture to mark the times. Above the games, further east, a bomber pilot absently …
As I write this review, sunlight filtered through a pall of smoke casts a dull orange glow over my kitchen bench. The Blue Mountains are burning. Sydney’s haze resembles downtown Beijing’s and it’s only October. Such an apocalyptic scene – part of the ‘Australian experience’ I am assured by our Prime Minister – provides context for the world into which Outcrop and its ‘radical poetry of land’ emerges. This is not to suggest that the anthology’s outlook is primarily environmental, but that alternative ways of examining land are sorely needed.
Nutritionists. Openly 9 out of 10 recommend a lifestyle & know the thick-shakes in all tastes & sizes are coming so recommend the following: (with the exception of the following because the following cause: Barbecued food Deep fried food Food …
We no longer go out to paint, unless the object to be represented is such that it cannot be transported. – Lang Shi Ning (Giuseppe Castiglione, Qing Dynasty court painter) The fly-screen door has only just banged shut & already …
Invariably described as an ecological disaster, fire ants are the evolved antithesis of market garden poets. Recently, a lyrebird's corpse was found littered with crimson pustules in bushland adjoining a continental herb patch. The ants infiltrated this land obscured in …
What is branding? The lyrebird has created this system & preaches it like a benevolent ruler, emphasising freedom of choice, speech, expression. Its plumage is made of melody, a jingle of colour shifting through all the seasons of the bush. …
Chinese text 03: Near the city centre's First Ring Road a bus explodes like a repressed memory: a shoddy job, done fast & dirty many years ago; in an alleyway, an outline knives a young Han couple. For …
Chinese text 01: Wanting so much to learn the classifier for poems about classifiers, I sought out the wisest teacher; she handed me a black ceramic pot the spout of which now daily flowers into smog. I needed …
Despite my slightly over-the-top and easily pregnable assertions about what are to my mind the lesser works enclosed therein, it became clear to me as I read (looked?) that Words and Things had a significant contribution to make to our understanding of contemporary poetics. Foremost among these is the question of what constitutes a concrete poem and, more generally, what constitutes visual poetry.
Davies does not truly develop from the ambitious ?´Totem Poem'. For the most part his love poems, some of which rhyme and flow better than others, are snapshots recounted in a language which, while tender, flounders upon certain images, such as when he compares the glow of his lover's cheeks to that of a lantern, or when he notes the lovers floating in a river with their ?´midday blisses' and the sun blessing their ?´watery kisses'.