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James Stuart

James Stuart

About James Stuart

James Stuart’s first full-length collection of poems, Anonymous Folk Songs, is published by Vagabond Press (2013). His other book is Imitation Era (Rare Object Series, Vagabond Press, 2012). He was a 2008 Asialink literature resident in Chengdu, China and works as acommunications manager.

Website:
http://www.nongeneric.net/

LAND Editorial

Images courtesy of the editors When we chose to edit an issue of Cordite Poetry Review around the theme of ‘Land’, it was with an interest in the inherent openness of the word. Similarly, we came without a strong affiliation …

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Submission to Cordite 82: LAND

LandDisturbed land. Conserved land.

Whose land? Yours, mine, the landlady’s?

Landlocked.

Land unlocked.

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After Fu Baoshi

Something so immediate like a heart attack requires decades of preparation: the artist hovers outside the frame & in front of Prague Castle waiting for a gesture to mark the times. Above the games, further east, a bomber pilot absently …

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Review Short: Outcrop: radical Australian poetry of land

Outcrop: radical Australian poetry of landAs I write this review, sunlight filtered through a pall of smoke casts a dull orange glow over my kitchen bench. The Blue Mountains are burning. Sydney’s haze resembles downtown Beijing’s and it’s only October. Such an apocalyptic scene – part of the ‘Australian experience’ I am assured by our Prime Minister – provides context for the world into which Outcrop and its ‘radical poetry of land’ emerges. This is not to suggest that the anthology’s outlook is primarily environmental, but that alternative ways of examining land are sorely needed.

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Fall in love. Do it now. (사랑에 빠져 버려라. 지금 당장.)

Nutritionists. Openly 9 out of 10 recommend a lifestyle & know the thick-shakes in all tastes & sizes are coming so recommend the following: (with the exception of the following because the following cause: Barbecued food Deep fried food Food …

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Sudden Rain, Tilba Tilba (갑작스런 비, 틸바 틸바*)

We no longer go out to paint, unless the object to be represented is such that it cannot be transported. – Lang Shi Ning (Giuseppe Castiglione, Qing Dynasty court painter) The fly-screen door has only just banged shut & already …

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The Fire Ants Variation

Invariably described as an ecological disaster, fire ants are the evolved antithesis of market garden poets. Recently, a lyrebird's corpse was found littered with crimson pustules in bushland adjoining a continental herb patch. The ants infiltrated this land obscured in …

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The Lyrebird Variation

What is branding? The lyrebird has created this system & preaches it like a benevolent ruler, emphasising freedom of choice, speech, expression. Its plumage is made of melody, a jingle of colour shifting through all the seasons of the bush. …

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Constant Haze (Notes From Chengdu)

Five weeks and I have still not visited Mao's statue, which stands at the heart of Chengdu's First Ring Road. On the map in one of the city's English language magazines his presence has been reduced to a vector-based outline, …

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Tibetan Internet Shield

Chinese text 03:     Near the city centre's First Ring Road a bus explodes like a repressed memory: a shoddy job, done fast & dirty many years ago; in an alleyway, an outline knives a young Han couple. For …

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The White Horse

Chinese text 01:     Wanting so much to learn the classifier for poems about classifiers, I sought out the wisest teacher; she handed me a black ceramic pot the spout of which now daily flowers into smog. I needed …

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James Stuart reviews Words and Things

Despite my slightly over-the-top and easily pregnable assertions about what are to my mind the lesser works enclosed therein, it became clear to me as I read (looked?) that Words and Things had a significant contribution to make to our understanding of contemporary poetics. Foremost among these is the question of what constitutes a concrete poem and, more generally, what constitutes visual poetry.

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