- FREE: 20 Poets anthology
- 90: MONSTERSUBMIT TO N Curnow 89:DOMESTIC COMING SOON with N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Introduction to Louise Crisp’s Yuiquimbiang
- Review Short: Ken Bolton’s Species of Spaces
- David Gilbey Reviews Adam Aitken and Elizabeth Allen
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- Pam Brown Reviews Kait Fenwick
- Kishore Ryan Reviews Paul Croucher
- Submission to Cordite 90: MONSTER
- Introduction to TRANSQUEER
- The Kindness of Strangers: On New Zealand’s Literary Journals
- Three Translated Xhevdet Bajraj Poems
- Four Translated Ángelo Néstore Poems
- ‘There is nothing more shared than language’: Carolyn DeCarlo Interviews Gregory Kan
- ‘Language can multiply itself and form secret and unusual patterns’: Andrew Pascoe Interviews Ania Walwicz
- Owen Bullock Reviews Rachel Blau DuPlessis
- Joan Fleming Reviews Fiona Hile and Luke Beesley
- Winnie Siulolovao Dunn Reviews Tayi Tibble
- Holding Pattern
- It Is Happening Again
- 14 Works by Ms Saffaa
- Silence (Maria the first)
- don’t look down
- Dear Mr. president
- The Doctors Say
- Looking for Hot GAM
- THERE ARE ONLY 16 GENDERS
In Stephanie Christie’s first collection, Luce Cannon (2007, as Will Christie), language is a fissile material, words are rendered particulate, unstable, always threatening to devolve into their component parts. And while its subject matter is, often, not what you would call exactly bright, its tone is also not sombre, language tumbles along with a kind of free fall intelligence.
Tim Wright Reviews Lê Văn Tài, Nguyễn Tôn Hiệt & Phan Quỳnh Trâm, Edited by Nguyễn Hưng Quốc and Nhã Thuyên
The academic Michael Jacklin who launched the present collection, has written that there is ‘ongoing neglect of literature produced in Australia in languages other than English,’ citing as one example the Australian-based, international journal of Vietnamese writing Tien Ve, which appears to be little known in Australian poetry circles.
Few writers seem to get the viciousness of Perth. John Mateer’s early poems do, and some of Deborah Robertson’s short stories. There’s also Laurie Duggan’s one-liner, ‘you can see why all the really savage punk bands came from here’ (‘Things to Do in Perth’), and for the encyclopaedic and lyrical, John Kinsella’s wonderful, aptly sprawling ‘Perth Poem’.
In this collection of prose pieces, memory and daydreaming are powerful forces, determinants rather than second-order effects. Its theme I take to be the transactions of past and present as they are occassioned by the spaces of a city (in this case, Sydney) or, to use another approach, Sydney’s ghosts. The title of almost every piece is or was an actual place in Sydney. The sites Edmond’s imagination gravitates towards might be seen as typical: the legendary once-sharehouse (‘The Caledonian’), soggy-carpeted nightclub (‘The Manzil Room’), harbour’s edge (‘Blackwattle Bay’). While the pieces mostly derive from Edmond’s personal experiences of the city, some are effected by the work of archival research, amplifying the double vision of the past being tangible in the present.
Keri Glastonbury’s first full-length collection, grit salute, gathers together work written since her 1999 Five Islands Press chapbook Hygienic Lily. Glastonbury’s published poems date from the late 1980s, and as such – and, it has to be said, because of publisher delays – this volume has been much anticipated by admirers of her poetry. Glastonbury is known in the Sydney and Newcastle scenes as a teacher of poetry and cultural studies, and as a champion and enthusiast of new critical and creative writing, particularly by younger writers; one example of the latter being her revival, with others, of the important 1980s Sydney imprint, Local Consumption Publications.
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‘Electronic Literature’ could refer to quite different things: a novel written in the form of emails, a poem in Cordite (poetry is code!), a piece of musique concrète, an interactive installation in a gallery, a thread of You Tube comments, the Wikileaks cables . . . Understood broadly it would include any piece of literature that makes use of an electronic technology – e.g. Microsoft Word – somewhere along the line. ‘What literature today isn’t electronic?’ might be a more productive question to start with.
A Whistled Bit of Bop by Ken Bolton Vagabond Press, 2010 The cover of A Whistled Bit of Bop makes use of a cool, spare design, reminiscent of 60s jazz album covers. It’s a change from the handmade look of …
red sky cast offs to that of a deeper, postcard moon just a flick, a screwed off lid of a jar saved from recycling remaining now as a piece of sound – the one bracketed indication of rain not as …
top knot (?) bike trajectory wires cut the blue filed somere bunched up others ride wide aberrant onescarse collisions every 30 secs the electricity fizzes m ear m dances the slowest era under the sun bump sunny concrete cracks thoracic …