- 85: UNPRINTABLEwith J R Carpenter and Benjamin Laird (submit away!) 82: LANDwith James Stuart and Jane Gibian (submit away!) 80: NO THEME VIwith Judith Beveridge (closed) 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with Fiona Wright and Omar Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with Matthew Hall and Sophie Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with Kent MacCarter and Shane Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with Louis Armand and Helen Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with Josephine Rowe and Michael Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Chloe Wilson Reviews David McCooey
- Review Short: Lynley Edmeades’s As the Verb Tenses
- Jen Jewel Brown Reviews Dig: Australian Rock and Pop Music 1960-85
- John Clarke’s Complete Verse
- Rachael Mead Reviews Stuart Cooke
- Review Short: Eileen Chong’s Painting Red Orchids
- Review Short: Elif Sezen’s Universal Mother
- Paul Munden Reviews The Best Australian Poems 2016
- Liam Ferney Reviews Cassie Lewis
- Alice Allan Reviews Watching the World: Impressions of Canberra
- Introduction to Tanya Thaweeskulchai’s A Salivating Monstrous Plant
- Michael Aiken Reviews Dave Drayton
- Owen Bullock Reviews Alan Loney
- Review Short: Holly Isemonger’s Deluxe Paperweight and Jessica Cham’s premium pastoral poetry
- Review Short: Anthony Lawrence’s Headwaters
- EKPHRASTIC Editorial: Poetry that Sees
- J S Harry’s ‘tunnel vision’, Vicious Sydney and The Car Story
- Ekphrasis as ‘Event’: Poets Paint Words and the ‘Performance’ of Ekphrasis in Australia
- ‘Often Said Apologetically’: Merryn Sommerville’s Child of the High Seas
- Tunnel Vision
- Interview with Sidney Nolan (Ella O’Keefe edit)
- Is Contemporary Australian Poetry Contemporary Australian Poetry?
- An Extra Oyster for the Doctors
- John Woodcock Graves the younger [with] Truganini
- APOLLON MUSAGÈTE
Whatever happened to the Goddam enlightenment? I understand that this grandiose Western intrigue has moved dialectically through succeeding twilights if not dark ages, and the twentieth century was a sort of apocalyptic culmination or quickening of this protracted ‘event’ with the splitting of the atom, the holocaust and turning the idea of the world into a globalised tele-visual circus of war and business.
Last June I had the pleasure of launching Nick Whittock’s hows its at Gleebooks in Sydney. Since then, Michael Farrell’s extraordinary review has been published in the Sydney Review of Books, and Simon Eales’s essay, ‘’Get ready for a broken fucken arm’: The anti-instrumentalism of postcolonial cricket poetry’, discussing Whittock’s earlier chapbook covers, has been published by the UK-based magazine Don’t Do It. It seems that we are in a moment – this one, right here – in which a discussion of Whittock’s poetics and a deep engagement with the critical relationship between reading cricket and writing poetry is emerging. In the spirit of the moment, I have reworked, or rather, rewritten, my speech for Cordite Poetry Review.
1. in watsonia perceptions in the aggregate of bodies 2. in watsonia numbers occur in ordinary sentences 3. in watsonia theres no setting up of a kind of logical inventory formerly imagined 4. in watsonia a dream acquires in the …
The first three poems in Damian Balassone’s Daniel Yammacoona are about women who have been left by men. In each case the man appears to be the hero of the story, yet the woman is not necessarily unheroic; in at least two of the poems the heroism is one of steadfastness.
unison umps stretch fins kind of game children play zaheer sucking pattos bat attention wanders returns finds sehwag on the ground dont worry nothins happened zap! trigger fin! beckons the rammer! expand outwards from a point amass a chronicle a …
One of the sequences produced by the collaborative entity, A Constructed World, renders the phrases ‘No need to be great’ and ‘Stay in Groups’ in a range of media – silk-stitch, screen print, photography and painting. One of the painted versions of the image shows a naked woman covered in yellow post-it notes overseen by a hulking, shadowy male. These figures represent the artists Jacqueline Riva and Geoff Lowe. The image appears again in the form of a photograph and the installation was staged in various places around the world – as if the only way to get the message across would be to subject it to constant repetition in as many different formats as possible. Indeed, a number of the collective’s performances and installations attest to the impossibility of communication – even as these take the form of images that can’t fail to deliver. Avant Spectacle A Micro Medicine Show, 2011, features skeleton-costumed performers inexpertly singing and playing instruments while six knee-high wooden letters – S, P, E, E, C and H – burn like small condemned buildings at front of stage.
top knot (?) bike trajectory wires cut the blue filed somere bunched up others ride wide aberrant onescarse collisions every 30 secs the electricity fizzes m ear m dances the slowest era under the sun bump sunny concrete cracks thoracic …
WARNE MALLEY materialised on the plains surrounding Toldeo during the summer of 2005. Bowling handy legspin and speaking only a unique dialect of the Spanish language he moved quickly south. He currently captains the first grade side for a small club on the coast. He clearly has no sister.