- FREE: 20 Poets anthology
- 92: NO THEME VIIISUBMIT to C Gaskin 91: MONSTERwith N Curnow, coming soon! 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Aidan Coleman Reviews New and Selected Poems of Anna Wickham
- Ivy Ireland Reviews Ali Whitelock’s and my heart crumples like a coke can
- Editorial to AFRO AUSTRALIAN
- 4 Works by Guled Abdulwasi
- The Platonic Split
- you have no idea how far i swam
- To the still
- Garden of Grace
- Bloody QnA
- The Physics of Self
- Life Poem
- go ahead, call it magic
- Chalk to Charcoal
- (un) learning
- 3 Sisters
- Blood Fuel
- Raelee Lancaster Reviews Alison Whittaker’s Blakwork
- Alex Creece Reviews Marion May Campbell’s third body
- Ivy Ireland Reviews Steve Armstrong
- Magan Magan Reviews deciBels 3
- Claire Albrecht Reviews Manisha Anjali’s Sugar Kane Woman
- Review Short: Simeon Kronenberg’s Distance
Whatever happened to the Goddam enlightenment? I understand that this grandiose Western intrigue has moved dialectically through succeeding twilights if not dark ages, and the twentieth century was a sort of apocalyptic culmination or quickening of this protracted ‘event’ with the splitting of the atom, the holocaust and turning the idea of the world into a globalised tele-visual circus of war and business.
Last June I had the pleasure of launching Nick Whittock’s hows its at Gleebooks in Sydney. Since then, Michael Farrell’s extraordinary review has been published in the Sydney Review of Books, and Simon Eales’s essay, ‘’Get ready for a broken fucken arm’: The anti-instrumentalism of postcolonial cricket poetry’, discussing Whittock’s earlier chapbook covers, has been published by the UK-based magazine Don’t Do It. It seems that we are in a moment – this one, right here – in which a discussion of Whittock’s poetics and a deep engagement with the critical relationship between reading cricket and writing poetry is emerging. In the spirit of the moment, I have reworked, or rather, rewritten, my speech for Cordite Poetry Review.
1. in watsonia perceptions in the aggregate of bodies 2. in watsonia numbers occur in ordinary sentences 3. in watsonia theres no setting up of a kind of logical inventory formerly imagined 4. in watsonia a dream acquires in the …
The first three poems in Damian Balassone’s Daniel Yammacoona are about women who have been left by men. In each case the man appears to be the hero of the story, yet the woman is not necessarily unheroic; in at least two of the poems the heroism is one of steadfastness.
unison umps stretch fins kind of game children play zaheer sucking pattos bat attention wanders returns finds sehwag on the ground dont worry nothins happened zap! trigger fin! beckons the rammer! expand outwards from a point amass a chronicle a …
One of the sequences produced by the collaborative entity, A Constructed World, renders the phrases ‘No need to be great’ and ‘Stay in Groups’ in a range of media – silk-stitch, screen print, photography and painting. One of the painted versions of the image shows a naked woman covered in yellow post-it notes overseen by a hulking, shadowy male. These figures represent the artists Jacqueline Riva and Geoff Lowe. The image appears again in the form of a photograph and the installation was staged in various places around the world – as if the only way to get the message across would be to subject it to constant repetition in as many different formats as possible. Indeed, a number of the collective’s performances and installations attest to the impossibility of communication – even as these take the form of images that can’t fail to deliver. Avant Spectacle A Micro Medicine Show, 2011, features skeleton-costumed performers inexpertly singing and playing instruments while six knee-high wooden letters – S, P, E, E, C and H – burn like small condemned buildings at front of stage.
top knot (?) bike trajectory wires cut the blue filed somere bunched up others ride wide aberrant onescarse collisions every 30 secs the electricity fizzes m ear m dances the slowest era under the sun bump sunny concrete cracks thoracic …
WARNE MALLEY materialised on the plains surrounding Toldeo during the summer of 2005. Bowling handy legspin and speaking only a unique dialect of the Spanish language he moved quickly south. He currently captains the first grade side for a small club on the coast. He clearly has no sister.