- FREE: 20 Poets anthology
- 89: DOMESTIC with N Harkin(submit now!) 88: TRANSQUEER with Q Eades and S Barnes(coming soon!) 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Reality On-demand
- What We Know About Her
- Winners for the Val Vallis Award for an Unpublished Poem 2018
- Review Short: Cary Hamlyn’s Ultrasound in B-Flat and Other Poems and Jill Jones’s The Quality of Light and Other Poems
- Review Short: Judith Bishop’s Interval
- Liam Ferney Reviews Kate Lilley and Pam Brown
- Submission to Cordite 89: DOMESTIC
- Review Short: Corey Wakeling’s The Alarming Consevatory
- Daniela Brozek Cordier Reviews Dominique Hecq
- Introduction to DIFFICULT
- An Unwitting Pariah: Kathryn Hummel in Conversation with Kaiser Haq
- Four Translated Vasile Baghiu Poems
- Why Reading Sharon Olds Makes You a Better Person
- Two Translated Marcos Konder Reis Poems
- The Unaugmented Reality of Transgender Discrimination: ‘Do more, do better’
- Experimental Confessionalism: The Personal Turn in American Post-conceptual Poetry
- Punk Calligraphy: A Primer on Asemic Writing and Scribbles
- What the Repetitions of Poetry Might Help Us Remember about Home, Belonging and the Self
- Sonic Twin? A Poetics of Poetic Radio
- 11 Works by Paola Balla
- Do more, do better
- 11 Works by Hoda Afshar
- forgetting as commodity
- Gathering the Rocks
Holly Isemonger is a promising new talent and it will be interesting to see her art develop from here. Though this chapbook doesn’t achieve the full potential of its ideas, Isemonger manages to showcase a surprisingly broad range for such a short collection. Like Isemonger, Cham’s poetry is juxtaposed against images, though here they appear to be the author’s original photographs. The poem is written seemingly as part of an email to independent filmmaker, musician, and actor Vincent Gallo.
Louis Armand’s poetry is unbending in its loyalty to the aesthetic and moral responsibilities of the avant-garde. In these new chapbooks, both published by Vlak Records, Armand mines culture for its buried messages, showing how fraught with uncertain track is any search for truth and authenticity in a world made knowable by language.
Luke Beesley’s long-term preoccupations with film, visual art, writing and literature, return to the fore in Jam Sticky Vision, with the poet now expanding the scope of his work to include 90’s alt-rock bands, like Silver Jews and Pavement. With allusions to filmmaker David Lynch and lo-fi rock musician Bill Callahan couched unselfconsciously beside poems about James Joyce or Henri Matisse, Beesley’s poems may seem to be drawn from something of an eclectic palette. What links the poems nicely together, though, is a close examination of the here and now. In the epigraph from John Dos Passos’s essay ‘The Writer as Technician’ (1935) this idea is more precisely expressed as ‘a time of confusion and rapid change like the present, when terms are continually turning inside out and the names of things hardly keep their meaning from day to day’.
The challenge for any author in writing a book about death is to somehow make the subject seem both itself and new at the same time. Death is familiar, but poetry about death should not be. A good poet will give death impact without slipping into easy sentimentalism. Maria Zajkowski – winner of the 2011 and 2012 Josephine Ulrick Poetry Prize – undoubtedly succeeds in this regard with her debut collection The Ascendant, creating a vulnerable portrait of the poet through evocations of possession and loss.