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- 111: BABYwith S Deo & L Ferney 110: POP!with Z Frost & B Jessen 109: NO THEME 12with C Maling & N Rhook 108: DEDICATIONwith L Patterson & L Garcia-Dolnik 107: LIMINALwith B Li 106: OPENwith C Lowe & J Langdon 105: NO THEME 11with E Grills & E Stewart 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
CONTRIBUTORS
Ella O'Keefe
double distance
doped up on hills tableaux of four pencil pines in santa hats which someone stood on a ladder to install red nails on a manicule handpainted on the truck’s cab door red handprints at Phyllis Frost traceries of lightning in …
Posted in 105: NO THEME 11
Tagged Ella O'Keefe
Introduction to Ella O’Keefe’s Slowlier
Since 1972, satellites have circled the earth, collecting images of it and sending them back to be catalogued and examined. Conventionally these satellites are called landsats, sometimes EarthHawks.
Posted in INTRODUCTIONS
Tagged Ella O'Keefe, Juliana Spahr, Zoë Sadokierski
fodder
hitchcocked glass baubles waves of melon in perfume of fresh purchase warping unseamed left the city to understand how it all gets eaten that is consumed swapsies to be an all over attitude inconspicuous flowers the socket game arachnophobia spreads …
Posted in AP EWF 2017
Tagged Ella O'Keefe
Interview with Sidney Nolan (Ella O’Keefe edit)
Hazel de Berg’s recordings take place in the homes or work spaces of the subjects rather than a recording studio. This allows something of these places into the recording whether birdsong, traffic or an r&b song playing in the background.
Posted in INTERVIEWS
Tagged Ella O'Keefe, Hazel de Berg, Sidney Nolan
Interview with Laurie Duggan (Ella O’Keefe edit)
Hazel de Berg’s recordings take place in the homes or work spaces of the subjects rather than a recording studio. This allows something of these places into the recording whether birdsong, traffic or an r&b song playing in the background.
Posted in INTERVIEWS
Tagged Ella O'Keefe, Hazel de Berg, Laurie Duggan
culture afloat
this torch requires an evaluation flash of soft politician gums hatless creampuff wearing sunglasses to the inquiry pecuniary metric conversions of a scout hall footage choose 4 nights on the celebrity solstice where a tasteful program of classic dramas will …
Posted in 72: THE END
Tagged Ella O'Keefe
Interview with John Forbes (Ella O’Keefe edit)
Hazel de Berg’s recordings take place in the homes or work spaces of the subjects rather than a recording studio. This allows something of these places into the recording whether birdsong, traffic or an r&b song playing in the background.
Posted in INTERVIEWS
Tagged Ella O'Keefe, Hazel de Berg, John Forbes, Juno Gemes
F in the Mirror
wonderful figment of cotton & boots I think of you when the shape shifts it could be a woman or a dog next to the man on the grass for an unreasonable duration it is a doubled creature, girlhound made …
Posted in 68: NO THEME IV
Tagged Ella O'Keefe
Shared Piazza
two women in the room thinking different things at the same time she takes the pen from her friends’ grasp installs a brush well what do I do with that? all of Minneapolis outside the door will have to wait …
Posted in 68: NO THEME IV
Tagged Ella O'Keefe
O’Keefe on as Audio Producer
Cordite is chuffed to announce that Ella O’Keefe will be our inaugural Audio Producer, and lends a stack of audio production knowledge to the journal. We’re already beavering away on detail for our first 20-30 minute program.
Posted in GUNCOTTON
Tagged Ella O'Keefe, Kent MacCarter
Ella O’Keefe Reviews Claire Gaskin
In Paperweight, her third full-length collection, Claire Gaskin shows her talent for observing fluctuations in the state of things – personal, political and environmental. Within this, she does not turn from the darker corners of the human psyche. ‘Just do the best you can’ opens with a frank acknowledgement of mortality: ‘your death keeps growing/or your life keeps contracting’.
Posted in BOOK REVIEWS
Tagged Claire Gaskin, Ella O'Keefe
Review Short: Luke Beesley’s Balance
The poems in Luke Beesley’s Balance, like Siobhan Hodge’s work in Picking Up The Pieces, tend towards brevity (with a few exceptions). In Hodge’s case we might consider this quality in relation to fragments, where the body and the reader’s attention is cut-up. Reading Beesley, the encounter is one that is instead cut-off – that is to say that this is poetry attuned to the momentary and to the sensing body moving through the world.
Posted in BOOK REVIEWS
Tagged Ella O'Keefe, luke beesley
Review Short: Siobhan Hodge’s Picking Up the Pieces
Picking Up the Pieces is a compact debut of eight poems from West Australian poet Siobhan Hodge. Its publisher, Wide Range Chapbooks, is a Cambridge based small press run by John Kinsella. Wide Range publishes poets such as Redell Olson, Rob Mengham and Drew Milne mixed in alongside young and emerging local poets, many of them students like Hodge (who in 2012 undertook a research residency in Cambridge). The collegial spirit of Wide Range and the relatively modest production values – Hodge’s book comes stapled in a photocopied card cover – suggests a publishing model that favours immediacy and ease of circulation, in a town where poetry and thinking are a constant activity.
Posted in BOOK REVIEWS
Tagged Ella O'Keefe, Siobhan Hodge
Basic Hut Methodology
take your platform boots off Kevin you’ve killed a deer to make your point but our tea and biscuit sensibilities will cope we forgive you you’re charming! hiding from your vanity likening molten glass to tartiflette in the fresh peat …
Posted in 55: RATBAGGERY
Tagged Ella O'Keefe
searching for dancefloor
light-up hip scabbard goosegrass woven jumpsuit syrup blackstrap a dram of honey your moves enact their etymology _sweet lips Q: I just want to know like the basics and specifics on it dancefloor is a swamp or creamcake ligule & …
Posted in 55: RATBAGGERY
Tagged Ella O'Keefe
Notebook Poems I-IV
I e-mail to the deep breaths department five goodberries unsampled the river brackish, or perhaps actual bracken (slides around us) like koi, not good eating first taste of real life exclusion in small gloves couldn’t read the sandlewood fan codex …
Posted in LEE MARVIN
Tagged Ella O'Keefe, ken bolton
