- 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
Last year I heard Judith Beveridge interviewed by Bronwyn Lea at the 2014 Queensland Poetry Festival. Aside from being left with the enduring impression that Lea should have her own TV show, I was also struck by a number of Beveridge’s revelations regarding her praxis. Beveridge confessed, for instance, that she does not like listening to music. Nevertheless, she described the process of writing poetry in a way that resonated with the classical foundations of lyric verse in music. Beveridge revealed that she begins writing by mobilising rhythm, rhyme, feeling and alliteration to bring forth the words and images of her poetry. She begins, in other words, from an embodied experience of language – as the philosopher Maurice Merleau-Ponty describes it in The Phenomenology of Language – that is essential to us all.
It is a tribute to the quality and readability of Bronwyn Lea’s poetry that a selection of her work forms the second volume in the new George Braziller series (edited by Paul Kane), which aims to introduce contemporary Australian poets to American readers. True to lyric poetry, Lea’s poems are musical in their composition, and they can be intimate in their subject matter. However, Lea’s work is never just about crafting agreeable verse, and it is never just about her personal experience.
One of the most prominent features of these two recent titles – by two of Australia's most successful poets, published by one of the country's most exciting literary publishers – is their emphasis on the erotic. By engaging with unambiguously sexual themes and imagery, Bronwyn Lea and Kevin Hart have produced texts that beguile and entertain their reader through the evocation of, or a yearning for, romance and sensuality, whilst also running the risk of reducing allusion and openness in meaning by describing a definite, rather familiar, concept.