- 84: UNPRINTABLEwith J R Carpenter and Benjamin Laird (submit away!) 81: LANDwith James Stuart and Jane Gibian (submit away!) 80: NO THEME VIwith Judith Beveridge (closed) 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with Fiona Wright and Omar Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with Matthew Hall and Sophie Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with Kent MacCarter and Shane Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with Louis Armand and Helen Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with Josephine Rowe and Michael Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Paul Munden Reviews The Best Australian Poems 2016
- Liam Ferney Reviews Cassie Lewis
- Alice Allan Reviews Watching the World: Impressions of Canberra
- Introduction to Tanya Thaweeskulchai’s A Salivating Monstrous Plant
- Michael Aiken Reviews Dave Drayton
- Owen Bullock Reviews Alan Loney
- Review Short: Holly Isemonger’s Deluxe Paperweight and Jessica Cham’s premium pastoral poetry
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- EKPHRASTIC Editorial: Poetry that Sees
- J S Harry’s ‘tunnel vision’, Vicious Sydney and The Car Story
- Ekphrasis as ‘Event’: Poets Paint Words and the ‘Performance’ of Ekphrasis in Australia
- ‘Often Said Apologetically’: Merryn Sommerville’s Child of the High Seas
- Tunnel Vision
- Interview with Sidney Nolan (Ella O’Keefe edit)
- Is Contemporary Australian Poetry Contemporary Australian Poetry?
- An Extra Oyster for the Doctors
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- APOLLON MUSAGÈTE
- after infatuation—ross bleckner—oil on linen
- Gouache, Sheep Skulls, Fence Bracket
- Anatomy for the Blind
- The Pioneer
- Interior with Figures
- Miro’s Eyes
- Autumnal Cannibalism
‘What difference does it make who is speaking?’ From the beginning, ‘collaboration’ was raised as an interrogation, not an answer: What is poetic collaboration? And does collaboration (whatever it is) make a difference? The very word ‘collaboration’ is ambiguous—grounded in …
Ern Malley Addresses Vladimir Ilyich Lenin: We are stardust, We are golden, And we got to get ourselves Back to the garden, – Joni Mitchell, ‘Woodstock’ (1969 song) I remonstrate with you mon frere, mon petit, Comrade, when I recollect …
The Sons of Clovis: Ern Malley, Adoré Floupette and a secret history of Australian poetry by David Brooks University of Queensland Press, 2011 ‘Ern Malley? Again?’ asks David Brooks at the outset of this new reading of what is, arguably, …
The Ern Malley hoax provoked a debate that was not by any means unique to Australia. Indeed, the Ern Malley affair is simply an antipodean manifestation of a long-standing discussion in Western culture about the best way for literature and art to respond to the impact of modernity on society.
Upon hearing of our Children of Malley II edition of Cordite, one of our readers sent us in an unexpected surprise. Lurking in the wings was a Malley encounter we never expected: we found that the hoax lives on.
During a panel at the 2010 Salt on the Tongue poetry festival in Goolwa, SA, one audience member slammed performance poetry as being ‘more about the poet than the poetry’.
The immediate target of the Malley hoax was Max Harris and those associated with Angry Penguins, but McAuley and Stewart also had ‘bigger fish’, as it were, in mind. Herbert Read in particular, the English poet and critic—whose writings were a significant influence on Max Harris’ own poetry and aesthetics—was very much in the hoaxers’ sights.
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Professor Vogel Malley delivers five schismatic palimpsests for Max, providing an entreat to Children of Malley II.
Ern Malley, the original dromedary of Australian poetry has been anthologised, criticised and mythologised beyond belief. It's perhaps sobering to reflect that while Ern Malley's creators, his twin Gepettos James Macauley and Harold Stewart along with his original sponsor Max Harris have passed from this world, Ern's legend lives on. What is it about Ern Malley that refuses to die?
So what of the journey of Harold Stewart's library, where is it likely to end? Who will have access to all that he read? What will be left of it for us to discover, of his influences and a personality that created many great poems and Australia's most famous literary event and character, Ern Malley?