Recent Comments
- National Anthems (2)
- pscottier: Imagine if ‘Waltzing Matilda’ had been voted in as Australia’s anthem…hard to...
- Bradley Roberts: So true, Craig! This made me smile when I remember the actual words to La Marseillaise are quite...
- Cordite Scholarly Submissions (1)
- Naomi Beth Wakan: I have just been sent two volumes from Alba Press for review. They are David Cobb’s...
- Front page alternate (2)
- Kent MacCarter: H there … Yes of course, you are welcome to submit. We have people from around the world...
- samcilla baakojr: how does a poet from Africa submits a piece or two? Thanks.
- Suspensions of the Real (3)
- Gina K: Thanks for the awesome article / summary / recount / poetic inspiration, Jacinta. Your equation referring to...
- Felicity Plunkett: Thanks for such an evocative summary, Jacinta. A lot to reflect on — and congratulations to...
- Kristin Hannaford: A really interesting re-cap of the symposium. Wish I was there!
- Submission to Cordite 43: MASQUE is now open! (1)
- Emblem: Is the phantasmagoria of north-north-west masked poetic fare suggested here rijidij; or when it comes to it...
- Pacific Solution 3 (2)
- ezo: Naru is in Nagasaki, nauru in the pacific – a symbolic reference to second world war??? Nauru has never...
- IWD: Murder, She Wrote (2)
- Sharaon Mousmini: Yes I have just got a copy of Women’s Work through Pax Press and I was also at the launch...
- Nativism and the Interlocutor (2)
- Josephine WIlson: I want to thank the writer for this fine piece. It deserves many readers.
- On Not Having Encountered Snow, Aged 43 (1)
- Justin Lowe: Brilliant mate.
- Postcards from ‘The Neon Cactus’ (2)
- Bradley Roberts: Great poem. I lived in Finland or eighteen months. Wonderful land
- Bradley Roberts: Great poem. I lived in Finland or eighteen months. Wonderful land
- Five O’Clock at the River (6)
- Martha Landman: Profound! Rich with images. Imaginative; so human.
- National Anthems (2)
CONTRIBUTORS
Patrick Jones
Daylesford Food Commons Map
Return to Wandering through the Universal Archive: A Chapbook Curated by Fiona Hile
Two Poems by Patrick Jones
Winter’s pharmacopeia t He fruits and weedful plants that swell through frost and sl Eet and occasional snow who lovingly b Are themselves to us at Local when we require them most when i T is cold and we fall …
Carless
we have spent money cleaning it and having it worthy of the road. we’re a little tense as it’s raining and one of us, eight years old, is not so aware or interested in the effects of mud on upholstery. …
All Rights Relinquished: Permapoesis
While writing this work I have been eating wild foods, vegetables from my garden and a small amount of transported agricultural product. I am in transition, along with my family and some community friends, to relocalise food and energy resources and address the degree to which our participation in a hyper-mediated society degrades the ecologies that support us.
Patrick Jones: ebay activism
Patrick Jones is a conundrum: installationist, artist, provocateur, former bookshop owner and – yes, let's say it – poet. Readers of Cordite would be familiar with Patrick's contributions to the magazine over a period of years, including his cover image …
Patrick Jones: Graffiti Wall on the move
Patrick writes: “With Melbourne City Council's zero tolerance of graffiti and the war that the Herald Sun launched on graf artists [leading up to the Commonwealth Games], a work was devised that both celebrated graf art and mocked the corporate …
Patrick Jones responds to James Stuart
When a poet works with a designer, publisher, artist, typesetter, printmaker, stone mason (in Finlay's case), earthmover, or sign writer there is the potential for the poem to materialise (a shift from transformation), and keep us on our feet.
Patrick Jones: Hector's Insult: war music prohibition signs
Previous issues of Cordite have featured several pieces by Lyonville-based artist and poet Patrick Jones. His “Monument for the Unmanned” (one of a series of “deserter memorials as public works”) was in fact the cover image for Issue 11.
