- FREE: 20 Poets anthology
- 92: NO THEME VIIISUBMIT to C Gaskin 91: MONSTERwith N Curnow, coming soon! 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Aidan Coleman Reviews New and Selected Poems of Anna Wickham
- Ivy Ireland Reviews Ali Whitelock’s and my heart crumples like a coke can
- Editorial to AFRO AUSTRALIAN
- 4 Works by Guled Abdulwasi
- The Platonic Split
- you have no idea how far i swam
- To the still
- Garden of Grace
- Bloody QnA
- The Physics of Self
- Life Poem
- go ahead, call it magic
- Chalk to Charcoal
- (un) learning
- 3 Sisters
- Blood Fuel
- Raelee Lancaster Reviews Alison Whittaker’s Blakwork
- Alex Creece Reviews Marion May Campbell’s third body
- Ivy Ireland Reviews Steve Armstrong
- Magan Magan Reviews deciBels 3
- Claire Albrecht Reviews Manisha Anjali’s Sugar Kane Woman
- Review Short: Simeon Kronenberg’s Distance
Experimental filmmaker, choreographer, dancer, film theorist, poet, lecturer, writer and photographer, Maya Deren was a seminal figure in twentieth-century avant-garde art and theory. To begin with Deren’s words is to follow in the footsteps of Pascalle Burton’s and Nathan Shepherdson’s UN/SPOOL and A gram of ideas on art, form and film – twinned works that are simultaneously homages to, and dialogues with, Deren’s own work and ideas, and entirely new and original pieces of art.
for B.R. Dionysius cut with postmodern wit i can carry the million pound tag that will not release me back into the wild draw your outline on the glass as you decipher the self (in formaldehyde) to witness again how …
When I was invited by Cordite to curate this chapbook, my mind filled with one word … presence.
Presence can be defined as:
The state or fact of being present; current existence or occurrence.
Immediate proximity in time or space.
The area immediately surrounding a great personage, especially a sovereign.
A person who is present.
A person’s bearing, especially when it commands respectful attention: ‘He continues to possess the presence, mental as well as physical, of the young man’ (Brendan Gill).
The quality of self-assurance and effectiveness that permits a performer to achieve a rapport with the audience: stage presence.
A supernatural influence felt to be nearby.
for simone gelli what the streetlight is thinking is over her head her body a tongue depressor on the white line silence enclosed in silence is not silent enough when we realise she is not dead nor are we alive …
• he is convinced his bullet points are new moons • even today when people use the term ‘narrative arc’ Noah leans forward • not belonging to anything in this world this world belongs to anything • i cut myself …
0.07792208 that i didn't realise that you didn't realise did you realise this 0.16233767 and letting go of your hand i realised that you had no hand 0.25324677 i never realised how difficult it would be to register sleep as …
blue grass by Peter Minter
Salt Publishing, 2006
Sweeping the Light Back into the Mirror by Nathan Shepherdson
University of Queensland Press, 2006
Peter Minter's latest book blue grass and Nathan Shepherdson's début collection Sweeping the Light Back into the Mirror work with extraordinary images to convey the demands made on memory for accuracy in its language. Both poets set out, deliberately, to interrogate such a language and its subsets naming, recognition, and the calculation and politics of categories. For while as writers and readers, we have limitations on the material claims we can make to increase emotional satisfaction in our lives, we have an unlimited capacity to request answers from what appears to be immaterial the memory of words spoken by both loved ones in absentia and barely remembered friends. We not only demand these words, but also try to challenge their immateriality with concrete language.
1st answer a man walks through the door picks up a broom and sweeps all the heads into the corner he is paid to clean the factory floor of memory and as he appears to us he will vanish as …