- FREE: 20 Poets anthology
- 94: EARTHSUBMIT to M Takolander 93: PEACHCOMING SOONwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
- Submission to Cordite 94: EARTH
- NO THEME VIII Editorial
- ‘A means of resistance’: Susie Anderson Interviews Alison Whittaker
- 10 Works by Richard Bell
- Shipwrecks in Modern European Painting and Poetry: Radical Mobilisation of the Motif as Political Protest
- 4 Self-translations by Danijela Trajković
- Brutalism: Poems by Alex Creece
- Imperfect Growth: a Travel Log
- 4 Translated Kim Seung-hee Poems
- Residence: Dwelling with The Shards (an essay)
- The Shards
- in yr swimming pool
- Sonar for Conception
- The slow clock
- nanny on the water
- Vernal Funks & Bluffs
- I’d Have Called Her Sooner
- Call of Summer
- Sunday, call me a squid
- Mother Bird
- The Wrong Colour
- Milk River
- House fitting : surprisingly
When I was invited by Cordite to curate this chapbook, my mind filled with one word … presence.
Presence can be defined as:
The state or fact of being present; current existence or occurrence.
Immediate proximity in time or space.
The area immediately surrounding a great personage, especially a sovereign.
A person who is present.
A person’s bearing, especially when it commands respectful attention: ‘He continues to possess the presence, mental as well as physical, of the young man’ (Brendan Gill).
The quality of self-assurance and effectiveness that permits a performer to achieve a rapport with the audience: stage presence.
A supernatural influence felt to be nearby.
I had the privilege of working with angela rawlings in 2010 when she was an invited guest of QLD Poetry Festival. With that, I came into this interview with some insight into the wonder she could create on and off the stage, so when Cordite tapped me on the shoulder to do this interview, you couldn’t wipe the smile off my face. Now, having done the interview and again enjoying the privilege of working with rawlings, seeing her inject energy and wisdom into the community, it’s a smile that has only grown wider.
I do not find myself in shop windows or the bottom of a martini glass but in the slick mouth of rivers — the unpolished face of a wave flecked with foam before it curls and breaks. Something of me …
The approaching dusk could be anybody’s dark lover but here you are by the river, begging for spare change. I have a pocketful of Kleenex and the key to my mother’s house. At your feet: top hat, a crow feather, …
In 1982 Neil Postman first noted that the concept of childhood was disappearing in his book, The Disappearance of Childhood. It's highly unlikely that we'll be saying anything new if we claim that poetry is disappearing from the classroom. And though it is, and has been doing so for decades, poetry itself survives. It's just going to other places. To the small press, to cafes, to cyberspace, even to public transport. Perhaps, if we want poetry to be heard and read in other places too, our society needs to bring it back to schools.