- FREE: 20 Poets anthology
- 91: NO THEME VIIISUBMIT to C Gaskin 90: MONSTERwith N Curnow, coming soon! 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Alex Creece Reviews Marion May Campbell’s third body
- Ivy Ireland Reviews Steve Armstrong
- Magan Magan Reviews deciBels 3
- Claire Albrecht Reviews Manisha Anjali’s Sugar Kane Woman
- Review Short: Simeon Kronenberg’s Distance
- Review Short: Judith Beveridge’s Sun Music: New and Selected Poems
- Melody Paloma Reviews Keri Glastonbury
- Submission to Cordite 91: NO THEME VIII
- Judith Bishop Reviews Phillip Hall’s Fume
- Bella Li on as Associate Publisher
- Alex Creece on as Production Editor
- Review Short: Diane Fahey’s November Journal and Carmen Leigh Keates’s Meteorites
- Review Short: Vahni Capildeo’s Seas and Trees and Jennifer Harrison’s Air Variations
- To Outlive a Home: Poetics of a Crumbling Domestic
- ‘The Rally Is Calling’: Dashiell Moore Interviews Lionel Fogarty
- Jackie Ryan: Teaser to Burger Force 3
- Dispatch from the Future Fish
- Introduction to Cordite 89: DOMESTIC
- 7 Portraits by Ali Gumillya Baker
- Selections from 3 Yhonnie Scarce Series
- Kathy Acker and The Viewing Room
- To Live There: on ‘Dispatch from the Future Fish’
- The Wild Workshop: The Ghost of a Brontëan Childhood in the Life of Dorothy Hewett
- Externalising the Symptom: Radicalised Youth and The Membrane
- On Deep Breaths and Friends Forever: Im/materiality and Mis/communication in Happy Angels Revisited
- Letter to Anne Carson: Work of Remembrance and Mourning
- Translated Extracts from Chantal Danjou
Justice for Romeo, as a title, will seem both accurate and misleading for most readers; this is a book decidedly concerned with justice, and Siobhan Hodge’s sense of ethical responsibility pervades the poems. Hodge’s book includes as epigraph the exchange between Romeo and a servant in Act I, Scene ii of the most famous love story of all time; the servant asks, ‘I pray, can you read any thing you see?’, to which Romeo replies, ‘Ay, if I know the letters and the language.’
Contemporary Australian Feminist Poetrypresents a compelling cross-section of feminist voices, experiences and engagements in Australia, picking up from where Kate Jenning’s 1975 feminist anthology Mother, I’m Rooted: An Anthology of Australian Women Poets left off.
David Gilbey’s long-standing connections with Japan take centre stage in Pachinko Sunset, a collection that embraces simple, direct form to explore a layered series of issues linked with this relationship. The titular ‘pachinko’ refers to a popular Japanese game akin to pinball, in which a cascade of small metal balls are released to strike pins and be channelled off into different locations, with different prize implications for each. This image is a fair comparison for the text as a whole, as Pachinko Sunset delivers a sequence of poems in constant activity, heading in numerous directions at once, yet intrinsically caught up in the anxieties and ironies of travelling, translating, and relating Australia to Japan.
Gina Mercer’s latest collection, weaving nests with smoke and stone, is a delicate assembly of sights and sounds, visually rich and focused on the natural. Mercer’s repetition of the word ‘fossick’ throughout the collection aptly summarises the poetic processes involved. This is a collection of quick, searching movements. Lyrically deft, musical and richly preoccupied with natural elements, the poems construct meeting points for nature and humanity, ceding more and more with each piece along the way.
Dr Shari Kocher’s The Non-Sequitur of Snow is her first full-length publication, following nearly two decades of feature poems in a range of Australian and international journals. There is an airy sense of activity throughout this volume. Kocher’s poetic settings range freely between the material and the imagined, forging connections across generations, yet coming through with surprising steel in some pieces. Structurally the collection is diverse, flowing, and occasionally more experimental.
South Australian poet Rob Walker’s latest collection, Tropeland, is exceptionally playful. Puns and wry twists in language are balanced with humour and a self-conscious sense of otherness, the speakers always slightly displaced from their subjects. Walker is not pessimistic in this process however; there is a consistently optimistic tone throughout Tropeland, as well as a canny awareness of failings and ironies in life.
To read poetry in translation, no matter how ‘close’ the rendering is to the original text, is to necessarily involve another figure in the reading and interpreting process. Readers of translations are not only receiving the work of the original …
Susan Bradley Smith’s newest collection, Beds For All Who Come, is a delicate investigation into the lives of multiple historical figures, transitioning between the public and the personal. The collection is an excellent example of écriture féminine in that a range of individual female voices write to one another, but also acknowledge a fringe of male figures, assessing imagined and historical feelings and experiences, while also exposing some potential issues with this model.
Each horse in this frieze is unique in temperament and personality. No horse is a duplicate of any other; the arrangement of head, neck, body, and limbs differs in each, even if only slightly… – “Horse Care as Depicted on …
When in transit and upon receipt, to whom does a postcard and its contents belong? This is one of the questions at the forefront of Speaking Geographies, a collaborative poetry collection by Siobhan Hodge and Rosalind McFarlane. This collection, composed …
Each step is measured in potential thrust rivets twist and divide all strain banks curve away, harshness of lines ascend from hours lung squeeze we span miles all centred floats ghosting ferryways shift territory we revise borders steel shanked and …
How should we perform this act of – connection – ? Belief and bridges: ( a journey of suspension but the supports ) are a dissipating concave into this dragon harbour. Can we cantilever ^ this ^ uprising? Or perhaps …