- 100: BROWNFACESUBMIT NOW with W S Dunn 99: SINGAPORECOMING SOON with A Pang and J Ip 97 & 98: PROPAGANDAwith M Breeze and S groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
South Australian poet Rob Walker’s latest collection, Tropeland, is exceptionally playful. Puns and wry twists in language are balanced with humour and a self-conscious sense of otherness, the speakers always slightly displaced from their subjects. Walker is not pessimistic in this process however; there is a consistently optimistic tone throughout Tropeland, as well as a canny awareness of failings and ironies in life.
in the Pacific your point of origin a speck of pollen but a diaspora delivered you to every beach resort your trunk adolescent slim-muscled, smoothskinned with occasional acne and zits your substitute leaves scimitars of baby claws, stockwhips for the …
If your face was a piece of wood I wouldn’t know which way to plane it I say. The right side of his mouth curls into a ghost smile. Yeah he says my grain goes all over the place. I …
before dawn even flowers are grey till magpies, monochrome flautists, pipe in the colours
first rain in months what little hair i have plastered on my scalp as i cross the wet city to leave some copies of micromacro at the dark horsey growing from the grating framed in red brick and aluminium is …
expressed digitally the answer to everything is one. or nothing.
Ethel Malley is the sister of Ern Malley.
Burwood, New South Wales Dear Editors, I am not certain that I am eligible for your competition, but please bear with me. You see, I am the sister of Ernest. I feel compelled to point out a grave error in …
The climax of this epic ode to Science is an entire section of works on The Big Bang. The concept of The Beginning of Time blows a tiny mind (like mine). Page's allusion to the theory of Before the Birth of Time reminded me of my own ever-circular childhood musings and awkward questions in Sunday School of what God did the day before he decided to create The Heavens and The Earth.
These are big questions.
Deb Matthews-Zott recognises that good sex begins in the head, so to speak. She zeroes in on the psychological seduction, avoiding the temptation to sound all Mills & Boon, or like some page torn from a textbook on gynaecology.
Someone once said that you shouldn't use poetry to tell a story. Either Les hasn't heard this, or he chooses to ignore it. Much of his work consists of poetic snapshots which are acerbic cross-sections of the narratives of ordinary people; and it's the very ordinariness of Wick's characters which elevates them to heroic status.