- 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
The following interview mostly took place between June and October 2015, mainly via email. Luke was traveling in Europe during much of this period.
Rilke’s poetry is known for its brilliance and individuality and, to an extent, for its variability. His early work is largely of a neo-Romantic and religious temper, suffused with generalisations and subjective gestures that frequently strain after significance. Nevertheless, he produced some important early poetry, most notably in his three-volume Book of Hours. In these works, ways of seeing, perceiving and understanding the world are already critical questions for him. However, had these poems been all he left to posterity, he would not now be a household name.
DAS GEDICHT + Cordite = Deutsch Poems of Campbell, Chong, Fischer, Leber, Skovron, Vickery and Wright
Cordite Poetry Review has teamed up with venerable German literary magazine, DAS GEDICHT, to publish translations of Australian works into German. These translations are directly aimed for German readership (this is to say that the English originals are not on …
In Shakespeare’s last great poem, The Phoenix and the Turtle, the owl is banished from the allegorical proceedings of the bird funeral:
But thou, shrieking harbinger, Foul pre-currer of the fiend, Augur of the fever's end, To this troop come thou not near
These poems instantiate a significant cross-cultural and intermedial dialogue between West and East, Europe and Asia, sculpture and poetry, the founder of Buddhism and a Modernist poet. Rilke’s interest in the Buddha was stirred by an Indonesian statue in Auguste Rodin’s garden in Meudon which the French sculptor had procured (along with other Buddha statues) from the 1900 World Expo in Paris.
Hamburg, 2012 A beggar cups his hands and pleads for change while the sun gilds his palms and fingers like a bowl possessed by Charlemagne, standing now in a museum’s vitrine. This gold is superfluous to him but I …