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Recent Posts
- Review Short: Tusiata Avia’s The New Adventures of Nafanua, Samoan Goddess of War
- Review Short: Michelle Cahill’s The Herring Lass
- Review Short: Susan Fealy’s Flute of Milk
- Review Short: Brook Emery’s Have Been and Are
- NEW CARIBBEAN Editorial
- Deconstructing Decolonisation: Victor Questel’s Collected Poems
- She’ll Chew You Up: Notes on Safiya Sinclair’s Cannibal and Tiphanie Yanique’s Wife
- Selections from ‘The Face: a feeling’: 8 Portraits by Kwesi Abbensetts
- Delicious Pick
- How to Exhale
- Cracked
- Tony’s Taxi Service
- After Olive Senior, ‘Flying’
- Messages to Bush Children – Building
- Stormy Night
- Beyond the River Road
- Crystal Chandeliers
- Anointing
- Exorcism / Freeport
- Straight
- College Degree in Tourism and Service
- Under the Tamarind
- Norene’s Laugh
- “We the Dirt”
- Finishing Your Work
- The Day He Got It
- Poem for a Gunman
W.H. Auden
‘The birds of paradise sing without a needing a supple branch’: Joseph Brodsky and the Poetics of Exile
During his lifetime, Joseph Brodsky – political prisoner, exile, Nobel Prize winner – was virtually unknown in his native, Soviet-era Russia. Following the collapse of the Soviet Union, in the early 1990s Brodsky’s poetry became officially available to the public for the first time in the country, which had hitherto so furiously rejected him. By then already an established poet and essayist in the West, his quick (albeit posthumous) homecoming fame shortly followed, positioning Brodsky firmly in the minds of first-time Russian readers as a political martyr, poet-iconoclast and a major symbol of the Russian dissident literary world.
Posted in SCHOLARLY
Tagged Edward Said, Ekaterina Pechenkina, Joseph Brodsky, Svetlana Boym, W.H. Auden
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Love in Contemporary American Gay Male Poetry in the Works of Richard Siken, Eduardo C Corral and Jericho Brown
Gay poets, in the main, are determined to claim difference by questioning orthodoxies that corral issues about sexuality and love − and the functioning of these constructs within an urban, heterosexist reality − issues always pertinent to gay male writers because it is they who must bear the burden of political self-consciousness in a heterosexist world.
Posted in ESSAYS
Tagged Eduardo C Corral, Jericho Brown, Richard Siken, Simeon Kronenberg, W.H. Auden
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Dead Man Modified: A Letter from Vienna
Stefan Zweig and Joseph Roth, 1936. Imagno/Hulton Archive/Getty Images The words of a dead man Are modified in the guts of the living. W.H. Auden, in Memory of W.B. Yeats Just around the block from Vienna’s State Opera, on the …
Posted in GUNCOTTON
Tagged Alice Miller, Clive James, Slavoj Žižek, Stefan Zweig, W.H. Auden
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Poetry as Extorreor Monolothe: Finnegans Wake on Bakhtin
I was out drunk with friends one night in Perth, Western Australia. My father had just died. We were walking home, so to speak, and our path took us past the Church of Christ. At that, I launched myself at the wall of the church, found a toehold and lunged up into the air. I grasped the ‘t’ decal and with all my weight managed to prise it from the wall. The Church of Chris looked down upon us all. I continued on my way home, or rather to here, but not without the occasional somewhat gratified memory of the incident. I cannot help thinking of the sudden appearance of the Church of Chris as a sort of revelation, with something to say about the truth of something. That is what reading Finnegans Wake is like.
Posted in SCHOLARLY
Tagged Jacques Lacan, James Joyce, Kevin Brophy, Michel Foucault, Mikhail Bakhtin, Paul Magee, W.H. Auden
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