- 99: BROWNFACESUBMIT NOW with W S Dunn 98: SINGAPORECOMING SOON with A Pang and J Ip 97: PROPAGANDACOMING SOON with M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
Damen O’Brien is the winner and the runner up to the 2019 Val Vallis Poetry Award, managed by our longtime partner, Queensland Poetry Festival.
Lisa Brockwell’s Earth Girls and Tamryn Bennett’s phosphene are both compelling first collections in their own right. Reading them side-by-side, however, an equally compelling contrast emerges. Where Brockwell looks for clarity and direct engagement with her audience, Bennett invites interpretation, offering many clues and few concrete answers. This contrast reveals something else: the strengths of one approach do not threaten, or cancel out, those of the other.
If Paul Carter’s debut collection opened with a dedication, perhaps it would read, ‘For the gaps in history and those that have tried to fill them.’ Threaded with Carter’s critical work on the palimpsest of public spaces, Ecstacies And Elegies creates a fabric of human traces that patches the holes in our histories. From myth and exile, to design ecology and radio static, Carter’s poetics is archaeological, piecing together the hidden maps and inventories of existence
‘MUSIC OF SHAPE’ | from, HOW TO BE EVERYWHERE, 2007 | Warren Craghead III | pencil on archival paper In 1979, Cecilia Vicuña (Chilean poet, activist and artist) tied a red string around a glass of milk and spilled it …
The Sun we make ourselves stories bright as fire from teeth and stone and feather * ‘in all poetry a word is like a sun’ – ernest fenollosa * it starts with sound a seed a stone cast into carbon …
Invoking Chaucer’s Canterbury Tales, in structure and with a ‘motley crew’ of pilgrims, Volk’s Passion Play: The Oberammergau Tales assembles a cross-section of modern society cloaked in secrecy and scepticism. Where Chaucer’s travellers are drawn together by a story-telling competition, Volk’s pilgrims are united by a four-day bus tour to the German town of Oberammergau for the ritual of the Passion Play.