- FREE: 20 Poets anthology
- 88: TRANSQUEER with Q Eades and S Barnes (submit now!) 87: DIFFICULTwith O Schwartz and H Isemonger(coming soon!) 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Introduction to Marjon Mossammaparast’s That Sight
- Introduction to Elena Gomez’s Body of Work
- Review Short: Oscar Schwartz’s The Honeymoon Stage
- Review Short: Philip Mead’s Zanzibar Light
- Carmine Frascarelli Reviews Nguyễn Tiên Hoàng
- Review Short: Therese Lloyd’s The Facts and Helen Heath’s Are Friends Electric?
- Review Short: Selina Tusitala Marsh’s Tightrope
- Review Short: Charmaine Papertalk-Green’s and John Kinsella’s False Claims of Colonial Thieves
- Review Short: Andy Jackson’s Music Our Bodies Can’t Hold
- Review Short: Rachael Mead’s The Flaw in the Pattern and Philip Nielsen’s Wildlife of Berlin
- Johanna Featherstone Reviews History and the Poet
- Submission to Cordite 88: TRANSQUEER
- Review Short: Shastra Deo’s The Agonist
- Review Short: Tracy Ryan’s The Water Bearer
- Review Short: Bulky News Press Chapbooks from Andrew Pascoe, Chris Brown and Marty Hiatt
- Review Short: Susan Hawthorn’s Dark Matters
- 12 Works by Sue Kneebone
- Introduction to NO THEME VII
- Bone Shame: Grief, Te Ao Māori and the Liminal Space where Translation Fails
- Re-imagining Place: A Psychogeographic Reading of Carmine Frascarelli’s Sydney Road Poems
- ‘Geelong checks its modernist warranty’
- John Ashbery’s Humane Abstractions
- Shattered Writing: Four Translated Valerie Mejer Caso Poems from Edinburgh Notebook
- Four Translated Laia Llobera i Serra Poems
- ‘We mirror what we see’: Holly Childs Interviews Cristine Brache
- President Donald J Trump at the Western Wall, Jerusalem 2017
- Diary Poem: Uses of Dreams
I don’t know. Does Eileen Myles think this much about her jeans? Probably not. Creating the perfect poetry jeans is not as hard as you think. It requires patience, skill, habitat and armoury. How to be Parisian seems to be …
Nathanael O’Reilly’s Distance is threaded with daily objects and locations pressed carefully against each other for maximum coverage within minimum space. O’Reilly’s poems can travel whole countries in a couple of phrases, or emotional landscapes that dart from comfort to the homesickness we glimpse via the sparse beats charged with its evocation.
(15 signs I’ve become middle class) I don’t save anything for good a. I don’t save anything for bad Mind the poorhouse, cantilever side split 60 slow on the know how Berate with the swordfish mouth/kisser Orchestrate Take them down …
Melinda Smith’s Drag down to unlock or place an emergency call is her fourth collection, her work including substantial anthologisation and a number of prizes. Smith’s self-described aim is to for her poetry to ‘educate, inform and entertain … but mostly entertain’ (being the subtitle of her blog, Melinda Smith’s Mull and Fiddle).
The title of Melinda Bufton’s debut collection, Girlery, asks be read ironically, but is in fact quite apt, bringing to mind a repository of all that is ‘girly,’ in the same way that a reliquary houses relics. Alternatively, it could be a verb: something close to a feminine form of tomfoolery. One imagines a stern injunction to ‘cease this girlery at once!’ With titles such as ‘Dealbreaker,’ ‘Bumper Book for Girls,’ ‘Lollyshop’ and ‘I will call you smitten because it suits your crazy eyes’ among the twenty-three poems collected here, both these associations are appropriate.
3pm French service at the church of OMG dear secret vision board I have Franco’d up my stays into pearl restraint There are no zips as zips untrusted And you, my friend, with your hitherto plans your golden irises to …
It can be argued that one way to begin to make your ‘mark’ is to settle on a theme; in marketing, it’s a handle or a simple angle. In creative realms, it can be an oeuvre or a period, with a descriptor. Ideally, it should never be held too close to its object/subject for fear of typecasting, but for an emergent poet, it may well be the thing that reassures readers and helps them with a doorway into your work. For a first chapbook, a theme can also be the way to find publication. Jo Langdon’s Snowline is the 2011 winner of the Whitmore Press Manuscript Prize, a welcome initiative for emerging poets from the Geelong-based Whitmore Press. It’s a deserving winner, and a pleasure to experience.
Me: Yeah, no, I write too … Person: Really, great! What do you write? Me: Poetry Person: ‘…’ Sometimes that person actually lowers their eyes, bows their head, as though I have somehow reached too far into their minds and …
Sadly, I begin this post by announcing the departure of Emily Stewart from GUNCOTTON, and I’d like to thank her for the great posts during her time at Cordite. But the world of editing and publishing calls for Stewart with …