Nathan O’Reilly

Aidan Coleman Reviews New and Selected Poems of Anna Wickham

Devotees of Australian literature are unlikely to possess more than a half-dozen single volumes by poets born before Federation, and their reading of such poets is generally limited to anthologies. The problem, I’d suggest, is one of availability more than desire.

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Review Short: Lorne Johnson’s Morton

Morton is Lorne Johnson’s first published collection. However, Johnson’s work should be familiar to avid readers of Australian poetry, since it has been published and commended in prizes for over a decade now. Johnson’s poetry has been published in many of Australia’s leading journals, including Mascara, Wet Ink, Island, Meanjin, Rabbit and Regime.

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Review Short: Nathanael O’Reilly’s Distance

Nathanael O’Reilly’s Distance is threaded with daily objects and locations pressed carefully against each other for maximum coverage within minimum space. O’Reilly’s poems can travel whole countries in a couple of phrases, or emotional landscapes that dart from comfort to the homesickness we glimpse via the sparse beats charged with its evocation.

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