Kenneth Gaburo



Nighthawk, Part 1: Use of Additive Sequences for Generating a Cut-up Poem

In 1973, I was a post-graduate student at the University of California, San Diego, working on my Master’s degree in music composition. My principle teacher at the time was Kenneth Gaburo, well known for his work in compositional linguistics which crossed boundaries between music, language, writing, performance, and dance.

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