Tell Me Like You Mean It v5
50% off your entire book order until 12 December. Entire order. 1 copy per title. Use SUMMER code at checkout.
- 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
I suppose what we’ve been trying to do so far is establish a language space that deliberately alienates anyone and anything that enforces the gender binary. Pretty simple.
Book reviews tend to operate according to some kind of comparative drive: which are the writers whose work this resembles; is this work better or worse than those? Where can it be located in a historical system of literary relationships? Leaning on Harold Bloom’s theories of critical paternity testing and an inverted form of child support, this mode of review is supposed to gives us an idea of what the book might be like, whether we should bother reading it, perhaps even whether it should have been published in the first place.
It’s not easy to relate the tumult and commotion of that night; only that prosopopoeia, with which the preachers represent to us the day of judgement, can present us with some explanation of what physically occurred on the night of the terror: all of the people out of their houses, out of fear they would collapse.
i plunged my fist into your chest and discovered the heart i licked my discovery my knowledge in the cell, in the nighttime, as the moon covers its eye with the shadow, i discover the will in the cell which …
A surplus of appendages. A register of distorted perceptions. Shoved into the circular opening of the device, waves of magnetic composition flutter the flesh. You use your personality to get the honey out. Metals in the blood reconsider their assumed …
hanging my happiness on a boiled egg, i stretch my trunk skyward, and ask you the difference between a glass ceiling and a skylight. from here, i can see all of the foodstuffs raining, the king prawns, all the regalia, …
Ability is not the end cause and justly– not even the original thing can foreclose the horselock I don’t want to tell you I want to say you come here to the main city where all the intense emotions sleeping …
It is refreshing to be introduced to a literature through its contemporary women poets. For that reason, I was extremely happy to receive these two titles, both published by Action Books (a small U.S. publisher doing great things). Neither book, though, is entirely Korean.
Faced with the considerable range of work in Southerly‘s Golden Tongues: The Arts of Translation issue, I have resorted to the what’s hot/what’s not school of literary criticism, identifying what were for me the ten most notable elements in the collection.