A surplus of appendages.
A register of distorted perceptions.
Shoved into the circular opening of the device,
waves of magnetic composition flutter the flesh.
You use your personality to get the honey out.
Metals in the blood reconsider their assumed
fidelity to the body the blood supports, it communicates.
Radically rooting for the opponent.
It feels like divine intervention, but
might just be an inferior kind of fabric.
What do you even want to be?
I think of something as vague as our genitalia,
as if they could be differentiated.
Of the order of velveteen, velour, rayon.
What if I told you, you have to appear
at the government agency, face to face
with the good burghers, their smiling offspring.
I said I was a catalogue, a trace.
There exists an unbroken line of narrative,
a conversation, between fashion and war.
My flight landed hard on the pykrete carrier.
For the first time since the peaceful autumn,
the fall, we are presented with the opportunity
to approach the skin as a fabric.
Woah, I couldn’t handle the goods.
The sovereign is that which decides to suspend its relation.
I think of your sex, of its wealth, our surfaces
as vague arrangements.
Say you work less than twenty hours.
No, say it.
You attempt to purchase the street magazine sold by the homeless,
but fall short by forty cents.
The destitute console you.
Did you shake the book?
Did you reassign the relevant officers?
I voted to send the citizens to contain the police.
I vote to erase the citizen.
Is it possible to use sex as a kind of manipulative solvent?
Leaning intently onto the joints.
I never wanted to be a part of your series:
people you love in embarrassing headwear.
Would you like milk, sugar, milk with sugar, or just milk, or just sugar?
I was doing my being confidence trick.
I evolved two nasal openings, and the rest followed suit.
Gradually, I acquired the capacity to read, then put it on the market.
We began to open by appointment only, like in nature.
Tell Me Like You Mean It v5
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- 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones