CONTRIBUTORS

Dan Disney

Dan Disney

About Dan Disney

Dan Disney teaches with Sogang University’s English Literature program, in Seoul. A selection of his critical writing, ficto-criticism, co-translations, and book reviews can be found at the link below. Collections of poetry include and then when the (John Leonard Press, 2011), Mannequin’s Guide to Utopias (flying island books, 2013), Report from a border (co-devised with John Warwicker; light-trap press, 2016), and either, Orpheus (UWA Publishing, 2016). He is the editor of Beyond Babel: Exploring Second-language Creative Writing (John Benjamins Publishing, 2014) and co-editor of Writing to the Wire (with Kit Kelen; UWA Publishing, 2016), an anthology of poetry responding to the dehumanisation of people seeking asylum in Australia.

Website:
https://sogang.academia.edu/DDisney

EXPLODE Editorial: Awfully Passionate Egregious Demagogueries … reflections on absolutes, straying, anguish and bees

If poets are in the business of cultivating ‘voice’ then, logically enough, to which ends? Is there an onus not only to learn how to speak but to also become versed in what to speak of? If 20c. English-language poetry can be characterised at least partly as a constellation of non-dogmatic radicalised tropes making response to authorising discourses of power / knowledge, then which impetus remains (if any) to adopt transgression as a foremost rhetorical mode?

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Submission to Cordite 56: EXPLODE

Poetry for Cordite 56: EXPLODE is guest-edited by Dan Disney. [[EXPLODE from ex– “out” + plaudere “to clap the hands”]] the spectacle Oculus Rift the α in their brickveneerdoms howzat Omid Fazal Reza Hamid Leo Lucky Country megafires Maulboyheenner form …

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(iii) after Sherry Turkle + John Cage

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Dan Disney Reviews the deciBels Series

These ten tiny tomes each speak (squawk, swoon, glitch, muse, lyricise, confess) of how there is something not ticking precisely inside the reality machine. Or perhaps these books shine light onto how we’ve all gone slightly spectral within our anthropocenic phantasmagorias, lost and unmoored in an experiment that’s become dreadfully strange. Some of these books turn exclusively toward the world, others perhaps come from particular critical engagements; each serves to extend conversation both on what poets do, and what poems are for.

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Review Short: Christopher Barnett’s when they came/ for you elegies/ of resistance

when they came/ for you elegies/ of resistanceChristopher Barnett is an enigmatic figure: an exile and outsider, an active and proud Socialist, Australian but long based in Europe because of feeling, as Mark Roberts asserts in the book’s foreword, ‘profound disillusionment with Australian society’ (ix)

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Review Short: Cameron Lowe’s Circle Work

IntercolonialThe poems in Cameron Lowe’s Circle Work swing across each page at a strangely measured, athletic tilt. The scope is local and vast, the gaze muscular, and Lowe sweeps the vistas (from Corio to the universe) for details apprehended as preternatural. His rapture typified in the lines, ‘the body’s cruel admission// that close is never close enough’ (56), these poems skirt edges of realness without entering the domain of things. Lowe’s is a poetics of evanescence, not arrival, and Circle Work frames the contours of human habitats as noise-filled within <> of silence. This book, a ‘stage of surfaces’ (31), watches carefully the play of order: birds and cats and dogs, flower-filled gardens and houses, dark bays and intersected hills and, everywhere, sound and light tinged by season or time.

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Notes from Yerevan, Armenia

First impression: Yerevan undulates out the semi-desert, ringed with what look suspiciously like nuclear reactors. Flight SU1860 jolts down at (the recently privatised) Zvartnots airport, and we pass a dis-assemblage of passenger jets in various states of stripped-down decay. In …

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A Series of Fives: Notes from Seoul

This is a country of ghosts and robots. A country of seven thousand living poets – none of them talking to one another. The once-hermit kingdom, where all but gentry were garbed in white, now spills the neon of frantic …

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‘You’re alive, and I’m alive’: Resistance and Remembering in Ko Ŭn’s Maninbo

Ko Ŭn is a literary giant who has gathered together a suite of folk stories, anecdotes, vignettes and asides in order to construct the monumental edifice of his Maninbo. The title translates literally as the ‘family records of ten thousand lives’, and the poet seems compelled to record the details of those who might otherwise be erased from history.

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Trains (an Essay)

A man might spend his life in trains and restaurants and know nothing of humanity at the end. Aldous Huxley, Along the Road: Notes and Essays of a Tourist The world is medium-sized. Michel Houellebecq, Lanzarote Romania (Part 1) We've …

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… I once asked a deaf magician the famed question: if a tree falls in the forest, will it always make a noise? He wrung his hands wretchedly, then signed “yeah; but what’s a man to do?” Earlier, he’d pulled …

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