Tell Me Like You Mean It v5
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- 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
서운산 숲 속에 들어왔다 비로소 내 집이다 긴 숨을 내쉬었다 그늘이 그늘 위에 쌓여 있다 가지고 온 몇 줄기 취한 불빛을 놓아주었다 밤이 왔다 어느 나라에서나 자유는 늘 끝에 있었다 백 년의 허접쓰레기들도 하나 둘 놓아주었다 아침에는 빈 거미줄에 이슬들이 …
비가 오다 책상 앞에 앉다 책상이 가만히 말하다 나는 일찍이 꽃이었고 잎이었다 줄기였다 나는 사막 저쪽 오아시스까지 뻗어간 땅속의 긴 뿌리였다 책상 위의 쇠토막이 말하다 나는 달밤에 혼자 울부짖는 늑대의 목젖이었다 비가 그치다 밖으로 나간다 흠뻑 젖은 풀이 나에게 말하다 …
Compared with Korean poetry, there is an avalanche of translations available of the Chinese and Japanese poets, and most poetry-readers would have some familiarity with Li Po, Tu Fu, Wang Wei, Basho and others. But how many have heard of Hwang Jin Yi, Han Yong Un, Pak Mogwol, Ko Un, Kim Chiha?
Ko Ŭn is a literary giant who has gathered together a suite of folk stories, anecdotes, vignettes and asides in order to construct the monumental edifice of his Maninbo. The title translates literally as the ‘family records of ten thousand lives’, and the poet seems compelled to record the details of those who might otherwise be erased from history.
On a hazy autumn day in Seoul in October 2009, Cordite editor David Prater spent an all-too-brief hour with Ko Un, one of Korea's best known poets and the author of a true twentieth century epic, Maninbo [Ten Thousand Lives]. Ko Un's chief English translator An Sonjae acted as interpreter during the conversation, which ranged across various topics including silence, epic poetry and democracy in the twenty-first century.