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- 111: BABYwith S Deo & L Ferney 110: POP!with Z Frost & B Jessen 109: NO THEME 12with C Maling & N Rhook 108: DEDICATIONwith L Patterson & L Garcia-Dolnik 107: LIMINALwith B Li 106: OPENwith C Lowe & J Langdon 105: NO THEME 11with E Grills & E Stewart 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
CONTRIBUTORS
Felicity Plunkett
Closer
A clothesline dandles rows of vacant newborn jumpsuits. The way I made a life for you and you fell away from it. Worn sheets ghost a whipped branch, swing the wind to haunt me, opening folds of loss and hope. …
Posted in 106: OPEN
Tagged Felicity Plunkett
Inclined
The word love is merely a sign that means something like the way to the mountain. Mark Doty, Dog Years What the mountain thinks, you can’t know. When it leans the weight of its shadow on you, tall, how much …
Posted in 86: NO THEME VII
Tagged Felicity Plunkett
Introduction to Rachael Briggs’s Common Sexual Fantasies, Ruined
Cover design by Zoë Sadokierski The polka originated in nineteenth-century Bohemia. A dance for two, it is reputedly simple to learn. Three steps and a hop, in fast duple time, with various steps – Turning Basic, Pursuit and Waltz Galop …
Posted in INTRODUCTIONS
Tagged Felicity Plunkett, Kent MacCarter, Rachael Briggs, Zoë Sadokierski
NO THEME III Editorial
This issue began with the idea of an open house and a couplet from Roethke’s poem of the same name:
My heart keeps open house, My doors are widely swung.
It continued with a few openings and closings of the Submittable gate over summer, and wasn’t long before this imagined poetic house had its doors and windows propped wide; its lawns and verandas filled with voices.
Posted in ESSAYS
Tagged Felicity Plunkett
Submission to Cordite 46: NO THEME III Now Open!
Poetry for Cordite 46: NO THEME III is guest-edited by Felicity Plunkett I am interested in the idea of architecture as a way of capturing the place of a ‘no theme’ issue … amidst Cordite‘s many themed ones. In the …
Posted in GUNCOTTON
Tagged Felicity Plunkett, Kent MacCarter
Launch of Tricia Dearborn’s ‘The Ringing World’
Amidst its many echoes, the idea of a ‘ringing world’ conjures up for me a line from Sylvia Plath’s poem ‘Words’, in which words are axes ‘after whose stroke the wood rings’. This ringing takes the form of words’ echoes travelling off like horses. Late in the poem these horses reappear ‘dry and riderless’ but nevertheless continuing on with their ‘indefatigable hooftaps’.
Posted in GUNCOTTON
Tagged Charles Bernstein, Felicity Plunkett, Tricia Dearborn
Felicity Plunkett Reviews Phyllis Perlstone and Meredith Wattison
Phyllis Perlstone's the edge of everything, which was short-listed for the 2008 Kenneth Slessor Prize, is an imaginative cartography, its careful perceptions laying out ways of looking at the crucial ideas the book returns to: ideas about love and the ways it might fade or be lost; about violence and humanity; about perception itself, and how words work to map its contours.
Posted in BOOK REVIEWS
Tagged Felicity Plunkett, Meredith Wattison, Phyllis Perlstone
Felicity Plunkett Reviews Julian Croft and Yve Louis
Watching waves breaking on the shore, the rhythms that emerge are, of course, only part of the larger pattern of the ever-mobile natural world we seem to observe. The poems in Julian Croft's Ocean Island suggest the occluded and multifarious that lies beneath the surface, gesturing towards the tidal, and larger worlds that dwarf human concerns.
Posted in BOOK REVIEWS
Tagged Felicity Plunkett, Julian Croft, Yve Louis
