Chinese Silence No. 40

After Hayden Carruth, “Of Distress Being Humiliated by the Classical Chinese Poets”

Hey mister, can you tell me where to get a good mock duck in Syracuse–you know,
the kind consumed by Chinese vegetarians
Willing to make a great display of their virtue at the expense of taste?
I miss the one they used to have at Yu Hu’s New York Chinese Café.
What’s the matter, cat got your tongue? Oh, I forgot your language consists entirely
of silences;
Your minds are the minds of men who think you can eat duck without meat in it.
I can see in your eyes the serenity of an ancient culture contemplating the white
man’s sterility.
Even now the headless horseman of progress is galloping down the interstate toward
you, reeking of hamburger.
You will sit there quietly and let yourself be trampled.
Bummer. But before you die, tell me
Where I can find an orange chicken that is so good that it will fly forever through the
nauseous twilight
Of my endless appetite.

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What’s more

Nature, to give due credit, was deeply abducted by the 1960s.
Betty and Barney, for example, revealed under hypnosis how they
got Barney’s binoculars to dot UFOs: it was simply a matter of
training science to spot their amazed eyewitness accounts.
Studying the interior of their ship, one is struck by
the “Oz factor” which often sets out to accompany such encounters,
only to abandon them to their fate. Or if not them, someone:
a small being with whitish skin and large, cat-like eyes.
After conducting various tests, said Betty, the aliens,
joined by dotted lines in ways that drove her batty, just
couldn’t be described. But properties could be ascribed to them,
and Barney could have his penis inserted into their suction device,
if it helped. Maybe that way they could get down to Bedrock,
take nature along for the ride.

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Fifteen Façades

i.

things you say, when
corner of primavera and invierno
and you, in black and white
and you, all sunglassed up

lintel on crumbling
adobe jagged shore line

and is a facade something for
saying here, look, again

ii.

through this suspended
dinosaur backbone and you know
like albino rainbow
into the ravine some kind of steel

when it suited, let’s not have a scene?
don’t you remember that coffee table didn’t
go over the edge and nothing was broken
when you returned black on black

a hundred spindle splinters, stars

iii.

hypocritical, lying bastard
that i am, and then …?

i would like to lick you rub you
against my cheek, eat off you
and fall asleep next to you forever

iv.

whereas i look for the line, the shape
stick legs and brussels sprout knees
elbows, fall to my

how they carry those barrel
bodies let alone people
to the waterfall
if you can conceive of this

v.

plumed serpent and i was more than one
of my throws away from the river
trickle. the ring went into the bushes
and dirt down there. whereas i wondered

what does green look like to you
who grabbed my hair in your fist
like a clump of grass or a puppy
what is it?

but you were an unlikely guru man
but there is more not your more my more

vi.

or shiny kettle drum
tail swish bridle swoop
and how it picks its footing

like sorting apples or how
it will not run at a life. i never

knew, what you thought
somethin’ stoopid but for sure

vii.

i knew you could be touched by
some of these passing things

i said, holy rooster, with custard stripe
beer fumes and feathers
crack pipe charred, alley rolled
catherine wheel sparking

you were gone but still with me
like alabaster and hazy bay. throws
like this are anticlimactic
gravitational force i mean
they just plop and what an object

i divined from a small piece of crystal

swamp goose, last thing i knew
she went to puebla to get her kids
and she already had two by the river.

i couldn’t understand it. i have
no children.

not every year
but sometimes it rains here
even in december

viii.

bucerías is not just highway hardware stores
and gas stations although that’s where
i waited for you and once we broke down
and you got peanuts there

ix.

i think, something for feeling thumb
joint and finger cradle grazing
palm how like candle, sacrament
blackened rooster hands

i would like to lick you,
rub you against my cheek, eat off you
and fall asleep next to you forever

x.

too big too little too happy too
sad too alive and too dead, starfish
when you sing this is what

you do to us. too soon it’s over
even as warming beers cigarettes
and the dying of our hopes
of someone, gliding in some
seascape with stripes and bubbles

xi.

i do not regret the craziest things
i’ve done or the dumbest, but how it got
after, all that grey

xii.

who knew us once
with tales of regenerating

arms or reminiscing
but you were a wild man

in some kind of preserve
gleaming toothless, pickled

xiii.

slow motion arcing past
guava trees and red roof sand

knocking over driveway posts
spinning wheels and what the hell.

xiv.

ducking your hit and waiting for your beckon.

xv.

or if you would tell me
this green is not god

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No title (Last year at Marienbad)

The fur and glue were not enough. They were pretty
enough. Just not clear enough. Or maybe
too clear. No. It was the blind glue they used. The kind
preservatives and artificial sweeteners know best
how to avoid. It was the opaqueness of the trees
along the path. It was the déjà vu; the maze of Modernist,
lost shadows stuck structurally before a phase. It was
intensely tender – too tender – little bits of fur
kept coming off. The glue stuck to my hands
like blood, the feet wldnt stay down, beside their own
shadows. My hands were literally not mine any more,
only the coating of hands.
Little stupid hands.
It was enough to fill a whole night
with the memory of grief, but not a whole year. Definitely not two.
and it was treasonably sweet. It was a glimmer,
then a squeak of hope but, finally, snuffed out in daylight
with a simple ‘Would you look at that!’

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Colosseums of the Future

i
through time-lapse, rivers twist like worms to lure
a catch, procured up-tide of futures brooked
mouths open —look!— in lust-spawned fury, hooked
intent by crook of dawn to leap ashore
in writhing force, pursuing dusk’s endure
and swim no more, thus, cursèd, men forsook

ii
one river watched them scrabble up its banks
dispersed in frantic, atavistic cull
from minuscule beginnings, mud-dripped, dull
to sift through sullied genes and thin their ranks
while proving blank the canvassed air, give thanks
where, trinkets dangled, pressed the living skulls

iii
soon, buildings flanked the river, tall and proud
a mingled, crowded smother, curling true
behold! what views, we said, floor thirty-two
besotted, truant, leases forged in cloud
we sped, empowered, grand, selection cowed
through empty boundaries, swelled to ponds anew

iv
its temples empty, still the river flows
no cult on show, just husks of worship spent
old condos, penthouse must, bare, stripped of rent
cast ghosts in bent despair through passing motion
fools’ tinctured, gold-dripped bloodlines, new-born oceans
man chortles faux where ripples blind are sent

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Cosmic Primness

They settle on me like a dress, or lobby. The more gestures
Manners of an astronaut? The richness comes out eventually.
The close star wood promises being and eternity, but turns
managers. Princess talk turns into legislation; knowledge is
coming out his ears, he digs a passageway for retired hens.
the more there seems to be only one. I’m in the park where

Something grows: a grey primrose. Gamble everything. Head
out it’s the prawn-coloured toothpick in your eye. There’s
a form of poison. A bed of jonquils or a new variety of yoghurt
The fox can somersault for olives for all the lovers care. Perhaps
no one does; the days of a pink moon. We’re all driven together
witch or wicked musketeer trades an apple for a robin’s gear.

no one that you know of in the sky. Serve the ground or the
named after Justin Bieber. Harmony’s when you want different
they were born that way, with the face of Mark Twain reversing
like employees, if this was allegory, or Mass. ‘Oh, art’, galahs
We’re in Disney country, where the pain is so slight it lasts
whisper of a health axe in your mind (a whisper from today’s

things. The old man will be united with the old woman but
from a bush. After a month, maybe. Anyone can walk there.
say, or ‘O heart!’. As if there’s humility in thinking everything’s
for hundreds of years. Colour is another word for coldness
newspaper). When I move a brick it’s like moving a hero’s
this is the icing on the bird’s back. There’s no coast either.

Even in the centre of town there are no donkeys or virgins.
for my benefit. Why else spend years on the toilet reading
I think. Use your judgment. The rogues are at your cheeks.
thigh, or tired dolphin through the forest of apprentice wealth
When it’s safe the sentinel does the rounds. With 7am steam
You try the thing Obama said was bad. A booking for something.

They settle on me like a dress, or lobby. The more gestures
the more there seems to be only one. I’m in the park where
no one does; the days of a pink moon. We’re all driven together
like employees, if this was allegory, or Mass. ‘Oh, art’, galahs
say, or ‘O heart!’. As if there’s humility in thinking everything’s
for my benefit. Why else spend years on the toilet reading
Manners of an astronaut? The richness comes out eventually.

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Is This

high end fascism or
bomb blast nostalgia
at the season’s shoulder
each day an analogue
of the one that came before it
as though we could somehow
avoid spring’s litigious blue skies
or those evening stars like talk show
applause alongside a bewildered
moon who arrived too early
and now has to sign off on
terms and conditions he has
hardly read you know they
are important these ninety seven
pages because language is
important copyright is important
intellectual property law is
important surveillance
and privacy are important
your rights are important
click here
and here
and here
if you agree

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Words such as Ordinary or Ordinate …

Words such as Ordinary or Ordinate to Begin and Clog/
Sieve Towards Construction Constraint

after Finnegans Wake

Prop boundary portal node
enfant incorrigible cohort
slather porous nascent inordinate

slouch for uncoordinated
haberdashery treacle irrelevance.
Pulchritudinous lovers mock

fuck on soldier whirr &
sales role boules prop-
ortionate wrestle only

rusted unsentimental illusory
vested participant shore direction
float pack pebble socket

arm pitch reference muscle.
Half pitch encyclopaedic
oration stand up

or pitch dark half after-
noon correlation psych
stitch up? Blue wick scar

hours tone dig three
section carpark
anecdote which, over

secretariat blunder, for
shibboleth coronary flake
shop newspaper

inarticulate, comes for
ache-ended titter
section aggregate sum up.

Parlour armour, ours
tourers, fox lick irregular nail
polish ordinate ocular stop.

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from Jerilderies









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pennant

world politics gone queasy
the oligarch skates through
reclaimed savannah in his
alopecia jumpsuit, improvisation
shrewd as a hoodwinker monk −
time to hoist the vinyl archived
at the alpine sanatorium, all night
jam sessions over lake bassoon;
eventually treaties discreet as miniature
cutlets, abacus beads abandoned like
out of date beluga a quartet of
cartographers flown in like sympathy
cards

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Wholly? Holey? Holy

sea? See
there they’re their
world: whirled
weal … We’ll wheel
weather, whether
awe or ore
(pattern paten).

.

Know no
praise preys (prays
I
). Eye,
for four fore-
ways, weighs …

.

Know no
rays raze. Raise
rays
. Raze
your yore—you’re
raw: roar!

.

Know. No
seize sees, seas
purl pearl—
there they’re their
there; they’re
holy—wholly holey,
holey wholly.

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IQ

IQ
coding embroiled
similarities exquisite
block design boiled

enchanted bed wet x ray

There are interactional stressors to consider.

EQ
sensory expert
sensitive botching
lemongrass memory

one remarkable boy
made of Lego and honey
posted in public areas

P&Q
how headbands smell
} Kindly print or fwd.
hobbling doors

little metal attachment on spin
delicate period of parental ambivalence

FU
Indicative ADHD.

grief of graffiti ambling
hung up in your notebook
kindly close me
+ milk until menopause

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The Perversity of Shadows

You hit the ground sunning-
a flat aspect;
veinless, non-arterial.

Whilst, being;
the mass grave
of my cells.

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Tastemaker Allowables

(15 signs I’ve become middle class)

  1. I don’t save anything for good
  2. a. I don’t save anything for bad

  3. Mind the poorhouse, cantilever side split
  4. 60 slow on the know how
  5. Berate with the swordfish mouth/kisser
  6. Orchestrate
  7. Take them down any way you like
  8. Jazzercise.
  9. Jazz ballet. Jazz jazz.
  10. Cry with diamonds, but keep gold in
  11. The spirit is upon us in our gleaning head
  12. Calibrate with the joypin, or knuckedust the foundling
  13. I’m never impressed by _______ .
  14. Control
  15. Cussons Imperial Leather
  16. Slate
  17. Round vowels round vowels dirty mind
  18. Relinquish thread
  19. Turncoats line the graduation queue
  20. Marmoset coat, and the way we were
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T. Eliot Nixes Sex in Toilet

Aim a Toyota tatami mat at a Toyota, Mia.
No ON
A TOYOTA
(not a banana baton).
Dr Awkward
put Eliot’s toilet up.
Yo Banana Boy,
are we not drawn onward, we few, drawn onward to a new era?

Poor Dan is a droop:
as I pee sir, I see Pisa –
sore was I ere I saw Eros
yawn in a more Roman way.
He did, eh?
Pull up if I pull up.
No lemons, no melon.
Not New York, Roy went on.

Did Hannah see bees? Hannah did.
Hannah, Hannah, Hannah!
Bombard a drab mob!
Hannah, Hannah, Hannah!
Strap on no parts,
Evil Olive,
Olson is in Oslo.
(Ten animals I slam in a net)

Was it a bat I saw?
(test tube butt set)
Was raw tap ale not a reviver at one lap at Warsaw?
(test tube butt set)
Lager, sir, is regal.
Was it Eliot’s toilet I saw?
Don’t nod,
Dr Awkward.

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Equuleus

This hideaway nebula: calculable as method. Western ratio; ration, myth. Bushrue, mistletoe. A limpid border demarcates palm trees. You travelled inside the screen lugging jugs of cherry vinegar. O sublingual address, please speak. My station. Therefore in the wheeling I was a slash mark, the sun held open. Sonorous portico. Vellum envelops velum. A furrow where the boundary deepens into sky when you close your eyes. Lucid, parcel-shape cloud: cirro cumulo stratus. Something ~~~~~~~ (like this), but not so.

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OK’s and Equals (part 3)

Figures walking toward you in the fog look like they are here to conduct an
intervention.

Trees (birch – poplar – ash?), noughts and crosses of dusty dusk, stacked up (thank
you Klimt, for birches as a forest of upright, shed-snake-skins untwisting themselves
to form omens of indifference.)

Shadows flat as marks, and/or newly minted coins (as matter-of-fact, as cheaper-
looking than the coins of your childhood, but still worth collecting, keeping
and trading.)

Charcoal is 100 percent animal sleep (charcoal never sleeps); it does not hesitate
and neither should you.

Winter splits out of that seasoned wood when your hatchet bites it in half without
looking.

Thursday: mountains around here are hollow, skies are made of burnished wood
wallpaper; ergo, everything has false grain (but that is still a comfort around here.)

When children come home, the day starts all over again, everything’s crystalline,
which is to say slow, eventual, willing to separate in increasingly complex ways …
(Turn the heat on.)

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Unsanitary, or: The Candy-Coloured Clown

Solo for Dennis Hopper

Light everlasting! Jacked-up on a century’s backwash, knee-deep
in it. The Cambodia of their dreams lay on a dirty mattress,
amputated at the hips. A whole nation could bury its heartbreaks there
& never know they existed – the pictures don’t prove anything.
You think there’s something behind the door, an ear listening
to the conversation in your head – like flies in a room.
The Sandman mimes into a lampshade. He’s a genius.
All this you can have for free – the rest is priceless, like
vaseline in outer-space. I’m only dancing, the radio complains.
It’s bleak out there: only a disappointed psychopath
could’ve created such a place & call it… But the name got lost
when they put the bypass in – Straight to Heaven, on the big neon sign.
Man, now she’s suckin’ diesel. Grinning into the hand-held & saying
for a few dollars more you can go all the way to California.

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Sunday Best / Saturday Twelve

The cheese platter is getting me semi
hard, mould crowing, washed and trained

with morning black coffee to your door
without asking. Oh they contain the corner

of your comparison, wrangle chaos and look
outside! A bloody helicopter shining lights

and I’m trying to sleep and scared now
some freak! M seriously vomits, Germany’s

unleashed DB’s biggest challenge and what
it’s like to work with James Franco OK

world! Facciamolo! Quay for kebabs
and glamour.

It took me a while to catch the rhyming sequence
because it is such a video everyone needs

to see, speechless and fit, an open letter.
Her fans: the Red Cross and the Association:

offered workers for peace, thighs and Bali
screeches, and the femme, some femme

one for rose candy, actually held her
heroes more than Melbourne males

(any ethnicity) looking for Dragon. Our first
lobby in Timisoara, Holland and the North

Sea (last call); it rained and rained and
was beautiful.

4 am. Receive a cool t-shirt and a party
with fun but if you email. He’ll be putting in

an order, something floral for Sunday
kiss kiss to transform totally the

bridge via six hundred Mondays, a casual
quiz, a happy jig in the lit kitchen

spoons, thrills, and the end of Cons
cription. Ikea. It’s like they wrote it for

me. Goating at Paradise Cove in love in
Malibu! Happy! Dodgeball! Watermelon!

Contests! And wheat in Norfolk! Let’s call it
a glimmer.

We’re always being told the only limit is
the motion of light on water, philosophy

in New Zealand and female protagonists but
today one day only—thank you for coming—

we’re to be addressed before trust in priest
hood. Popcorn pilots (legendary (you should

check it out (the greatest ever made))) were
good news for convicts, and for tourism, the

cured Mississippi baby’s footprints pampered
distant galaxies 13.3 billion light years

400 million years or so after the bang (as
scientists would expect), daily objects, distant

objects, a lunar perigee. And Millie’s first
flower.

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Reading Nietzsche at Twilight

Under the smallish light of the only lamp
she works to incorporate words, time, the
disadvantages of history for life. But the
promise of this moment, Yes, is blocked:
most impossible of knots.
The air is stopped, the clock’s sound
cycles, Gone, Gone, Gone. If happiness lies
in forgetting, this house is doubtless doomed:
excess of history suffuses every darkened
room. The present’s liveness lies there with
the past, so that “feeling unhistorically’’
is wrong: a doctrine eternally undone by
concrete facts of action, finite experiences
making inner-worldly whirrings she calls love.

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The Island of Love

Vague human masks pipe out a
sweet coverture.
The isle is swarmed over by their
bird proxies

pillaging while seeming to
bestow the crystal wink, all such
imitation
takes its aspect from nature.

Chisels shape a loaf of rockwool,
chipping at a coast
song bandages.
Tulips streaked black

jostle amidst deepest clefts –
and to appearances flop.
Silver balls roll away.
So intervene at last: stems

thirsting for their flowers, bleep
after five seconds,
inside polythene they crisp with
emergency hydration:

the syrup drawn off is their ichor
winks clear and metered.
What increase,
what a good package, what joy –

once he pierces the spongy pink
economy.
Dress this table perhaps. Truss
one snipe or plover each,

divert from lip to cistern lip
until his pursed mask collapses.
Leaving nothing
for it but to trill, trill sort-of,

nothing for it
but to make light of
spoliation, of its spillage
slathered on the island of love.

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where are the gifts of space once in the twinkle of a good teacher

rogue thoughts everywhere split the second
to contain mid-air changes excessive rotation
feet in wrong shoes
a bumblingstumble toe-twist in plastic
missing the depth of turf
a disconcerting inflammation
of concentration sets in
you
have to lean in to hear
like a trailing spouse
searching for discrete components
rhythms the oscilloscope shows
as though in the middle ages
words smother the (p)age
no breaks in the line
especially in times of naggling
aphoristic barbs not entirely kind
overload
frowned on now
like suet

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It Was an Escape

Frozen feets me out.
All the quiet days
I usually neglect.

Sound to sound a sound
The Bed! To bed! In
your new bed!

You know well how I
builds. Or call it: nest.
From our next moment

What else? But bad coffee
It’s such a lovely …
“Oh, this?”

Our clothes for bed, short
mornings meant for dress.
How uncovered gets me over

She says she loves
Then shows me less.
I slurp. Birds chirp.

Then too, some words
fit the shape, and perfect
an ear.

The same gambol, town
a town from town to town.
Cracks find ruins, found here;

a sense that it would.
Banal the inside weather
or not, under she lays.

Lies a prophylaxis. Steps
off a scaffold.
Our first last words

“beh beh?”

It was an escape.

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(Be)fore and Aft(er)

Timespace accords to boat motion.
Am I too bored to miscast a concept?
: Boat motion accords to timespace.
Motiontime arcs to boatspace? Cod
Race to be static in doom. A compost
Rots at bio-pace in me. Coma cots dot
Timespace in boats at Morocco, dot
Abstracted time. Panic coos om too.

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