- 85: UNPRINTABLEwith J R Carpenter and Benjamin Laird (coming soon!) 84: SUBURBIAwith Lachlan Brown and Nathanael O'Reilly(submit away!) 83: MATHEMATICSwith Fiona Hile (coming soon!) 82: LANDwith James Stuart and Jane Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with Fiona Wright and Omar Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with Matthew Hall and Sophie Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with Kent MacCarter and Shane Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with Louis Armand and Helen Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with Josephine Rowe and Michael Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Review Short: Jill Jones’s Brink
- Review Short: Shane Rhodes’s Dead White Men
- Introduction to Jeanine Leane’s Walk Back Over
- Introduction to Anne Elvey’s White on White
- Winners for the Val Vallis Award for an Unpublished Poem 2017
- Buying Satin Dresses at Yu Garden
- (after) HER: dating app adventures
- The Future of Music
- His Master’s Voice
- Quietly, on the way to Mars
- Submission to Cordite 84: SUBURBIA
- Signs from Asemia: Yasmin Heisler Reviews asemic 15
- Review Short: Aileen Kelly’s Fire Work: Last Poems
- Review Short: Brian Castro’s Blindness and Rage
- LAND Editorial
- The Land as Breath: Can Poetic Forms Be Metaphors for Landscapes?
- Concrete: A Shikoku Pilgrimage
- World of Feelings: Ghassan Hage, Bruce O’Neill, Magic Steven and the Affective Dimensions of Globalisation
- Un(dis)closed: Reading the Poetry of Emma Lew
- Architecture, Poetry and Impressions of a Bendigo Chinese Doctor, James Lamsey
- Possession, Landscape, the Unheimlich and Lionel Fogarty’s ‘Weather Comes’
- Placeways in the Anthropocene: Phyllis Webb’s Canadian West Coast
- 12 Pigment Prints on Paper by Tony Albert
- ‘a serpentine | Gesture’: The Synthetic Reconstruction of Ashbery’s Poetic Voice
- Vorticist Portraiture in Mina Loy’s Anglo-Mongrels and the Rose
- Petrus Augustus de Génestet’s ‘Peaen to the Netherlands’
- Three Translated Takako Arai Poems
This is the last collection by a major Australian poet, and it is a firework in the tightness and effervescence of its poems. Like Aileen Kelly’s previous book, The Passion Paintings: Poems 1983-2006, it concentrates the work of many years.
This new, book-length poem by David Musgrave remembers the life, and especially the voice, of Bill Maidment, who taught English Literature at the University of Sydney. Firmly in the tradition of poetic memorial, and given the character of its protagonist, it becomes a book concerned with the broader memory of a culture and the ways that a human being can inhabit it.
Eating My Grandmother is the first collection of poems by novelist and short-story writer Krissy Kneen. As its blurb announces, it is a book written out of a sense of necessity: the imperative to record and to make sense of grief. These poems are autobiographical and confessional: their ‘I’ presents itself as the voice of the poet, and a photograph of the poet’s grandmother appears after the last poem.
Philip Salom’s Alterworld is much more than a standard ‘new and selected’. Two major books, Sky Poems (first published 1987, FACP) and The Well Mouth (2005, FACP) are reworked, and a new collection completes the three.
1: Wryneck Name: Wryneck. Description: The head is small but with a long beak, somewhere between an ibis and a toucan. The body is a coiled spring, feet long and avian. Movement: A jaunty, fairground rhythm with a little hop …
For all their contemporaneity, both of these books work with themes, or better, anxieties, that have always been at the heart of lyric poetry. In different ways, they are concerned with avoiding easy comfort in language and shying away from time and mortality.
The Antigone Poems is a collaborative work, made up of poetry by Marie Slaight and drawings by Terrence Tasker. Created in the 1970s when the writer and artist were living in Montreal and Toronto, and published in 2014, it is an attractively produced book. The drawings, most depicting faces like tragic masks, divide the five chapters.
Readers of Australian poetry will expect a new collection from Chris Wallace-Crabbe to be a work of erudition and wit. In this they will not be disappointed. Wallace-Crabbe is entirely in command of his craft and possessed of intelligence that does not waste itself in trivialities.