We are celebrating 25 years of publishing. Milestones include the 100th issue of Cordite Poetry Review, Cordite Books’s 40th print title and, soon, our free anthology 43 Poets, supplanting 20 Poets.
For 25 years we have kept Cordite Poetry Review credible, lively, diverse, ethical and free: paying authors and doing all we can to pay producers, commissioning and guest editors – careers equally as critical to make our publications happen as authors – against daunting realities. It is a relentless endeavour, but necessary.
We’ve always been known, and will remain, simply as Cordite. The world knows who we are and what we contribute to literature.
*Submissions for Cordite Scholarly are always accepted.
The following conditions apply to all poetry submissions:
- We will only read submissions sent during our official submission periods.
- Cordite maintains a hybrid submissions policy. This means that the guest editor may invite five (5) Australian and five (5) overseas authors directly to submit to the issue. In addition, the guest-editor will anonymously select an additional 30-35 works from Australian authors and use their discretion to select further overseas works. For each issue, the guest editor does not know the identities of the online contributors (via Submittable) until after the final selections have been made.
- Simultaneous submissions? Sure. Just inform us or withdraw if the work is accepted elsewhere.
- Please place up to three (3) poems in one (1) Word or RTF document (unless specifically noted otherwise for special issues), with no identifying details in the document itself.
- We are not able to offer feedback on individual poems.
- Submissions will only be accepted via Submittable …
- Submissions may need to be developed to adhere to our Guide for Indigenous Editing and Writing.
GENERAL SUBMISSION GUIDELINES
We seek first publication rights (print and electronic) for all works submitted. See our copyright statement below for more details. Authors retain copyright of their work.
We accept submissions from any place on earth. Our funding partners allow us to offer payments to Australian citizens or permanent resident contributors.
Cordite Scholarly is a section of Cordite Poetry Review devoted to peer-reviewed research on Australian and international poetry and poetics. Essays published in Cordite Scholarly are reviewed by at least two members of Cordite’s Academic Advisory Board and are also eligible for Department of Innovation, Industry, Science and Research (DIISR) points.
Essays published in Cordite Scholarly will be available in both HTML and PDF versions. The author retains copyright of their material. Research should not exceed 10,000 words, must not be previously published, nor should they be submitted for publication elsewhere while being reviewed by the Cordite Academic Advisory Board or any external reader.
All essays submitted for consideration in Cordite Scholarly must comply with our styling and rights requirements. Read the full Cordite Scholarly Submission Guidelines and House Style Guide. Published research will be unpaid. There are no submission fees.
Except for the purposes of transmittal via the internet, fair dealing and research, no part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means without the prior permission of the author and the publisher.
Works may be republished in other internet collections with permission only and on condition of acknowledgement of Cordite‘s first publisher status. Publication rights for works in media other than internet websites revert to the creator upon publication however as a courtesy we ask that any subsequent publication include an acknowledgement of Cordite‘s first publisher status.
Reviews and articles published in Cordite Poetry Review are accepted for publication on the understanding that they do not necessarily reflect the opinions of the editors or the publisher unless otherwise stated, and on the understanding that they represent and promote fair discussion and commentary on Australian poetry.