- FREE: 20 Poets anthology
- 91: NO THEME VIIISUBMIT to C Gaskin 90: MONSTERwith N Curnow, coming soon! 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Alex Creece Reviews Marion May Campbell’s third body
- Ivy Ireland Reviews Steve Armstrong
- Magan Magan Reviews deciBels 3
- Claire Albrecht Reviews Manisha Anjali’s Sugar Kane Woman
- Review Short: Simeon Kronenberg’s Distance
- Review Short: Judith Beveridge’s Sun Music: New and Selected Poems
- Melody Paloma Reviews Keri Glastonbury
- Submission to Cordite 91: NO THEME VIII
- Judith Bishop Reviews Phillip Hall’s Fume
- Bella Li on as Associate Publisher
- Alex Creece on as Production Editor
- Review Short: Diane Fahey’s November Journal and Carmen Leigh Keates’s Meteorites
- Review Short: Vahni Capildeo’s Seas and Trees and Jennifer Harrison’s Air Variations
- To Outlive a Home: Poetics of a Crumbling Domestic
- ‘The Rally Is Calling’: Dashiell Moore Interviews Lionel Fogarty
- Jackie Ryan: Teaser to Burger Force 3
- Dispatch from the Future Fish
- Introduction to Cordite 89: DOMESTIC
- 7 Portraits by Ali Gumillya Baker
- Selections from 3 Yhonnie Scarce Series
- Kathy Acker and The Viewing Room
- To Live There: on ‘Dispatch from the Future Fish’
- The Wild Workshop: The Ghost of a Brontëan Childhood in the Life of Dorothy Hewett
- Externalising the Symptom: Radicalised Youth and The Membrane
- On Deep Breaths and Friends Forever: Im/materiality and Mis/communication in Happy Angels Revisited
- Letter to Anne Carson: Work of Remembrance and Mourning
- Translated Extracts from Chantal Danjou
These lines have come from feeding the collection into an online text randomiser. What sounds and looks like decisions made by a person is the work of a consciousless algorithm capable of capturing a question that charges the whole book: What does it mean to be ‘you’?
For Π.O., ‘Fitzroy is what you, bump into/ when you leave home’ (599). It was outside his family’s first front door after they escaped the Bonegilla migrant reception centre in 1954. After sixty years and homes in other suburbs, it is still the place that his poems gravitate towards. If anyone were to attempt writing the biography of Melbourne’s first suburb, Π.O. is the poet.
He grins blindly, attempting innocuous blank and “casual” – a good guy enjoying a bit of banter. No fuss. I imagine his hand, finger bulging against wedding band, reaching for whatever he wants to feel in his palm. Power is …
Early in this collection, Clodia demands to be ‘loved by one of the new poets’ (4). Instead of beginning with the poet’s invocation of a muse, the muse of I, Clodia seems to summon the poet. Over 34 pages, Jackson imagines Clodia Metelli, the witty, promiscuous Roman aristocrat generally believed to have been the subject, ‘Lesbia’, of Catullus’s love poems – his interlocutor – her voice dovetailing easily with his. This biographical sequence is followed by another, observing an unnamed photographer during ‘the worst disaster of her career –/ this photographing of faces, this creation/ of ‘portraits’’ (41). The poet’s potential as portraitist and biographer preoccupies I, Clodia.
There are challenging layers to Alan Loney and Max Gimblett’s twenty-page poem, eMailing flowers to Mondrian. The first may appear self-indulgent, the second impenetrable, and the third overly personal; but, taken as a whole and meditated upon, this aesthetically pleasing saddle-stapled book turns out to be a cunning memoir.
The first epigraph to Selina Tusitala Marsh’s new collection is from Muhammad Ali; ‘The fight,’ he says, ‘is won or lost far away from witnesses – behind the lines … long before I dance under these lights’. Behind Tusitala Marsh’s lines of poetry, there is an immense reserve of strength and grace, enough to sustain the poet through her mother’s death from cancer and to channel her fear and anger into rhythms of the Muay Thai kickboxing ring and the page.
A meditation on city limits – the literal and figurative limits of cities – and the edges of ‘urban’ definition, Lachlan Brown’s first collection, Limited Cities, conveys the extreme contrasts and contradictions of suburban environments via train-window views. Macquarie Fields, Parisian banlieues and Barcelona street scenes: each keen observation of the space through which he moves contributes to a nuanced description of the poet’s perspective, and in turn the reader’s too. What at first appears to be a collection concerned with the external – landscapes and cityscapes – is, in fact, more personal.
This is Π O’s bio note at the end of 24 Hours (1996), a 740-page, self-published epic poem set in Fitzroy, Melbourne. The P and O of his pseudonym are his actual initials and since the 1970s, Π O has been this poet’s stage-name as much as pen-name. In 1977, as Billy Marshall-Stoneking mentions in ‘Π O;An Appreciation’, Π O performed his poetry more than 250 times with Marshall-Stoneking and Eric Beach in and around Melbourne.