Rain

One thousand birds fret in damp trees
the leaves shiver
these fragments disturb me—
except for the repetition of the doves.

I remember your eggshell body
an odour of almonds
our words spilling
splashing white walls
red flagstones.

Again and again you saw me leave
when the steam in the kitchen silvered the windows
when the wine spread on the tablecloth.

This is not a sad story—
it is only difficult, and it does not end.

Later we said: we would spend the last of our lives together
as the rain pressed out the clouds
and continued its dull business in the garden.

Once, I saw myself, insubstantial as water
reflected in your other woman’s mirror.

Light blew in and out of the windows
your hand settled like an angel
on my shoulder.

Because we are never enough—
we repeat
over and over.

Slips of paper lie scattered at my feet.

It is still raining.

Posted in 86: NO THEME VII | Tagged

drawn, made.

after Louise Bourgeois (Topiary IV)

you rotate a hardened wasp nest
grown nut-brown, wooden pear,
and brain jelly is blue like
nothing in nature
except the exceptionally vulnerable
which uses blue to indicate
poison or possibility of poison

you sprout suggestions
rather than make your face, separate,
your cold body, typhoid erotic,
it could mask the scent
pulsing, chemical, off the hive above your crutch
draw the conclusion
pain or possibility of pain

Posted in 86: NO THEME VII | Tagged

Formant

Smell of egregious hours the petulant fridge.

Water lilies panting the gradient: app bursts under thumb.

Unfurling on wine more blue than onerous.

Moggie has something to say: it takes effort to listen

and it’s less satisfying than you’d think.

Charred timbre on the account of beauty and of the trees,
tries heavy repose, black magic. We, as in he,

and his eroding limbs, are stained with a preferred Saint:

press the genus, formant. For activity means

the tibia can narrow. A place to dance like a fresco

waning egg white: the morning bites.

Posted in 86: NO THEME VII | Tagged

My Mothers, the avian …

When all ceases
And hands and feet twitch in sleep
The guttural bird groans
Perched on a pole behind I-am-afraid’s house,
She couldn’t sleep, she couldn’t doze.

In the day, I-am-afraid sells bean cake
My Mothers asked her some, she declined …
She forgot the eyes that govern at night!

The guttural bird sits now
Atop the pole behind her house
Preventing her sleep it grunts
The eerie call of the deathbird, Kowee!

Eagles strangely, shrill in the dark, shriek!
The guttural birds groan, the deathbird cries: Kowee!
Let those who tend their sick beware
Let them stay away for Death prowls outdoor
Let them stay awake and clog the ears of their sick birds
With cotton dipped in palm oil …
Lest their spirits wander off to the calls
Summons of my Mothers’ birds!

Have you, I-am-afraid, ears?
If you survive this day
If you last through tonight
Two hundred wraps of bean cake
You must take to the Mothers …
Have you ears, young woman?

Posted in 86: NO THEME VII | Tagged

My Dream of Gary Snyder

one for Joe Mills

In mine, I gaze upward at a REM-state version of that spacy restaurant at LAX,
the disk with a 360-degree diadem of windows, and I’m ascending a staircase
on one elegant, arched white strut curving to the apex of a saucer-shaped suite

suspended beneath the ivory nexus. On the top step, when I ease open the door
of that lofty coastal lookout for the traffic of the air, Snyder is there, watching

television, black and white, solid-state, in a carved mahogany cabinet. The fare
is re-runs of Gilligan’s Island, a show that wasted more than enough of my time

in my teens: Ginger flaming my fantasies and the Professor providing my only
role model beyond an utterly witless sailor and a captain who ran his ship
aground three hours from Hawai‘i, marooning his goofy crew and passengers

for three years of prime time between the Executive Assassination of Youth
and the Summer of Love. Snyder slouches on a couch in the same clothes,

haircut, and youth he wore on the cover of Riprap. My arrival doesn’t divert
his attention. His arms are crossed behind his head. He’s chewing bubble gum.

My eyes drift to the flickering comedy, and my mind floats from the situation
until, amazed at my own ears, I hear myself say, “Oh, here comes the good part.”

Posted in 86: NO THEME VII | Tagged

The Photographs

Resolution

She takes upon herself his varied visions.
She serves his art as priestess, holding still
for the long minutes needed as the shapes
impress themselves upon the coated glass.
He turns his lens on every part of her:
the hollow of the collar-bone, the belly’s
swell, the dark declivities, the creases
at the corner of an eye. His pictures
show her most and least herself, absolve her
of herself, resolve her. How we long
for resolution, revelation, form,
and here it is. The shutter clicks. Art lifts
the fleeting moments out of time.
We hold them still in images and rhyme.

Dissolution

This is the photograph I love the most.
No artifice, no poses, just her face,
shadowed and softened, looking out at us.
No, not at us, at him. I know that look.
She’s been dissolved by love and making love,
made simple, opened up by intimacy.
She who was guarded is unguarded here,
the boundaries are blurred. I think of Blake,
his lineaments of gratified desire,
which was, he said, what men and women seek
in one another. Soulful animals.
There’s melancholy here and merriment.
Despite the shadows something is transparent
and even luminous: she’s fully present.

Book

The book of photographs – of course I bought it –
is large and elegant, thick ivory paper,
verso pages blank beside each print.
We were in Boston. Windows framed grey sky,
bare wind-whipped trees, but in the gallery shop
it was all gleam and glory. Music too:
one of the Strauss Last Songs, expansive, grand,
as if a ship sailed from a fjord out
upon the open sea. And so I felt,
and so I feel, remembering. The pages
blurred before my eyes. Why tears? Because
of music and of art. Because a bond
as difficult and doomed as ours could make
this moment and this monument, this beauty.


Georgia O’Keeffe: A Portrait by Alfred Stieglitz
Published by the Metropolitan Museum of Art, New York, 1978, revised edition 1997.

Posted in 86: NO THEME VII | Tagged

How Mirror Stores Operate

You know that cages
are ornamental
and orders are called menus.

You sat through the training
now you’re trained.
A major symptom is elevation.

You find the blanket
to be satisfactorily
romantic.

Fake grass is the image
you were looking for.
Inchoate drawing in a broke off

voice message, broken off
from your professional voice…

You include cinnamon
in the oats
and order more beer.

It’s morning and evening somewhere.
You wonder how mirror
stores operate.

Borne out by tickling
is antiquated
and plain wrong. Even so

you bore it
for the manacled daughter
of the house who broke off

all engagements to wear that dress.
You notice the plover’s nest
in the courtyard opposite

and how awful
it must be
to circle.

Posted in 86: NO THEME VII | Tagged

Invasion Day 2

For Ali Cobby Eckerman & Lionel Fogarty

I slept last night within your kiss and woke up invaded by a stroking hand.
On our patio last night Ali & Lionel talked about dreams and reality;
A conversation of spirit and friends who find they are united by love and dignity.
We are expatriate voices,
Tortured birds that write poems for liberation.
Lionel writes verses against terra nullius
& Ali has kissed the flesh of her sister who flew above the earth.
Juan is still reading his poem ‘I look like an Aboriginal’.
Around the table the candles light our faces and the wind plays with the flames.
Our bodies are embracing the smoke of words; tongues tangling
With accents of life & exile.
We are surviving the words & accents of struggle and resistance;
The sound of English is not a celebration.
We are birds trapped in the broken branches of the flesh of the ancestors’ sorrow.
Here we are, in unity, just a night away from Invasion Day.
Candles illuminate the accent of our laughter.
The smoke is lost in the sky. We laugh. We are warriors and poets.
We are brothers and sisters in this invaded land.
We are pulling out the Mayan calendar for 2012.
We are going to die and be born again in our common struggle for freedom.

Posted in 86: NO THEME VII | Tagged

Should go outside more

should go outside more
to
watch the life cycle
of the camellia
triptych
of bud, bloom and half-buried in the dirt
painted every September afresh
and close-by
(to the pair of them, one with big floppy flowers
like coral
the other
with tight, streaky ones
finely detailed cameos)
the half-dead cherry blossom
whose limp rotten fingers drop and litter the ground
(or at least, did
until I swept them up yesterday)
(O, I see one I missed
nosing through the leaf-litter and low weeds
poking through
the gravel
like a cute little shark
come to suck in
air) knobs
of sap glistening darkly
towards the west (it’s afternoon)

looking up, a few clouds have wisped their way
into the window of sky above me,
previously solid blue
and a strange white aircraft is in motion,
must be far away because so small
but round? maybe a helicopter…
no,
a helium balloon (I can see its string
as it spins),
and, I realise,
not so far away; just small
then it’s out of sight
replaced
by a milling gang of gulls
who go the same way as the balloon
as do the clouds
solid blue again

I’ve been living here for four years,
why
haven’t I done this more
my housemate Leanne’s
plastic green recliner
called me today, in the sun
(though I moved it into the shade after a while, rather than find
my sunglasses, or risk sunburn,
tired
of shielding, obscuring
my sight with my arms)
Now,
I am in the shade
wondering how much longer
I will live here
whether
I will have a backyard
one that I don’t have to share
(with the rest of the building)
in the next
10 years
even though
this one is almost entirely concrete
and
not much bigger
than the kitchen

playing Grouper’s Ruins through a portable speaker
plugged into
my phone, Liz’s
utterances
via voice, via piano, via
recording of her space
weaving gently in
with the utterances of Seddon
on Sunday,
mainly
whistling, unseen birds
(small parrot-like things, probably)
cars pulling in and out of parking spots
and swishing by in the distance
(though quieter now—well past the brunching hour)

I’m enjoying my weekend
too much
soon, I will go inside
sit at the dining room table
and
mark assessment tasks
(“corrections”, as the older teachers still say)
(what’s better, the jargon or the euphemism?)
but first
I will move
into the sunlight
lie back,
suspended by a chair woven of green strings
and watch
what floats by
on a Sunday
in September

Posted in 86: NO THEME VII | Tagged

Letters to Accompany Four Movements for Two Pianos

dear mr glass,
do you wish
for there to be people at the pianos, or are you comfortable
with the two pianos being alone together?

dear mr glass,
please write a composition for three hands,
as i have lost my fourth one
in an auto accident

dear mr glass,
the pianos have had an argument
and one of them has gone out of tune.
do you mind terribly if they face away from each other during the performance
so as to avoid further unpleasantness?

dear mr glass,
the four-handed pianist is requesting two cups of coffee (black)
and a piano with six pedals
as well as a cushion for the bench

dear mr glass,
the third movement is also requesting a coffee (black)
but we are concerned
that it has had enough caffeine already

dear mr glass,
the eight-handed pianist is here again. would you like me to direct him
to a more recent composition

Posted in 86: NO THEME VII | Tagged

Bag Man

stepping outside, the police are arresting a man with plastic zip lock bags, turning his pockets inside out like his pants had ears, we’re against the marble columns and he tells me that since Lenin died he’s worn through two jackets and a pair of pants, something about the embalming fluid, and how once a year they strip him naked, swab black spots from his body, I nod, but it’s too dark for him to catch the gesture, and the shorter cop has dropped his fur hat and they’re both kicking the fuck out of the zip lock bag man, and did I know that his jacket goes to the dry cleaners in a motorcade and when they shake it off small clumps of skin fall onto the floor

Posted in 86: NO THEME VII | Tagged

I Gave My Love a Cherry that Had No Stone

The marble façade of the apartment building appears pear in pollen light and then orange. The peach ripens. Even the pit from which the green leaves unfurl is not a beginning. Imagine a time-lapse. Terracotta pot. Vermiculite. Promise us telos. Fold each of us into each other. I’m having trouble locating. The night sky sifts down darkening a small dot of trees. Go down. Come down. From the loft. Onto the sidewalk to discover the green tempered shards of the GM station wagon window. I should have flown to my Aunt’s funeral. I’m quarreling with myself again. I’m writing and using words like quarreling. I’m second-guessing my predilections. The Holy One smote the angel of death, who slew the slaughterer, who killed the ox, that drank the water that extinguished the fire that burned the stick. This time I have traveled through the whole day without touching its darker permeations holding still in preparation. The sky persists—opal or pearl, rose quartz or turquoise.

Posted in 86: NO THEME VII | Tagged

Feel Like I’m Somehow Related to Everyone on the Internet

I am outraged / have been as long as I can remember
The sky’s a projector & the moon was brought here by aliens
To keep us informed of the shitstorms going on
I am outraged / been a member for as long as I can
Crushes are nice until you realise how hard you’re crushing
On the shitstorm that keeps you informed of
Slang for political or social awareness
Crashing at night till we realise how hard we’ve crashed
Zeitgeist moves all the way down
Slang for political or social airyness
Intending to automate replies to those who
Drowned in the waves of a zeitgeist
R we just gonna ignore the fact it’s been raining 9 days straight
Intoning an automated replay to those who
When you want to get trashed get recycled instead
Today we’re just gonna straighten out the rain’s 90 ignorant facts
The government uses the lottery to catch time-travellers
You want to recycle but trash it dead
White beatniks appropriating black culture
The lottery of time-travel caught the government out
Continued to bubble to the digital surface for the next 50 years
White beatniks appropriating black culture
In both ironic & non-ironic ways on all platforms
Continued to bubble to the digital surface for the next 500 years
The sky’s a projector & the moon was brought here by aliens
In both ironic & non-ironic ways on all platforms
Feel like I’m somehow everywhere / relegated to the internet now


(sources: #staywoke, Twitter)

Posted in 86: NO THEME VII | Tagged

Pilgrim Brother

My Other reminds me of a Viking prince
piloting a hot air balloon
in Central Desert cumulus.
Currency-lad come good,
no need to spend his rent on a nicked Beemer.
His old mates take the prize for mayhem.
I see him barefoot in the weekend market,
selling silver charms, and does it charmingly.
In lordiness he has taken up a Device.
Though it burns his fingers he can’t give up.
Sleepless all night he sleeps post noon
in a director’s fold-up chair
in a quiet style that impresses everyone, but
on waking nothing’s guaranteed.
In a re-make of Ned Kelly.
Military talents? The portraitist finds
an Irish lilt in our genes, in his grey blue eyes.
He slaves hard for a rest on Sunday.
A statistic diversity, a fishing rod
with a Kelpie on long term love, slathering
for a chase a bone a biscuit.
Winters he works another 50 mutts for cash
in some western desert town
fond of trailing afterthoughts.
Post-human? Maybe. My little bro
chewing a chip or an apple
5 thousand feet in the air.
His mother held him a long while, and turned the key.
Fluent as a green leaf in a local forest,
total strangers embrace him in the park.
in his garden, and within it sky-gardens of recall.
He sees a beach down there in Lake Eyre
invented just for him.
He will never grow sad, even without me.
He prefers to laugh. He finds it easy.

Posted in 86: NO THEME VII | Tagged

Mysteries of the South Coast

We all need a methodology to live by
To take just one example, Catholics are
rarely ashed on on the sports field, but
public life is another matter. Such
unfortunate exhibitions are not beyond
the episteme of The Sorrowful
Cappuccino, known locally as the
Foamo (and by the next town’s residents
as the Sad Flat White), either. Their own
eateries are nothing to skite about. The
area is known as a place, and as a way
of being, for a number of prelates, Irish-
Italian doyennes, anarcho-royalists …
They are if you like, the local memes
living like goats while hiding their elitism
under a glaze of pseudonyms and
nicknames. Much is projected onto the
local stock. Darth Vader for example, is
a bull possessing his owner’s
temperament (he is referred to as In-Joke
by his owner). He himself only answers to
calls which include the names of food, or
cows. Roan Sarsaparilla is his favourite

When do we get back to the people, I
imagine exasperated readers fuming
sagging like wet matches in anticipation

Get there we will – once they’re out of
their shiny robes and we have paid our
dues to the district geese which patrol
this imaginary outpost of meta-colonial
Europe. Is it dream or allegory?
Marsupial geese!? (Yes they exist. More
strongly than we do in fact.) The
congeries of readers rouse, I like to think
at this point, pushing their catosaurs to
the floor to lick at hair and make their
terrible, but quiet music. We have been
here before of course: ritual is nothing if
not repetition; the geese as white as milk
flung on car ice. (Do I feel anything? Am
I frigid, too?) Geese exact tribute and
take it in their pouches, flying like
winged puddings or possums over
eucalypt orchards with their amazing fruit-
leaves. (So jammy!) What miracles we
live by and under on the south coast
made mundane by the poets, who must
beat it into our heads so our heads have
something to think with. This can only
be an overview, which much
fragmentation can also be read as. Geese
time has such a lovely wing-beaty quality
whatever the dropped young say. A
former pope lies on a couch by a window
(actually a bunch of quilted orange crates)
and reads Dumas to the other furniture he
has made. The pathos would be stronger
if decontextualised, and we saw not Darth
and Sarsaparilla going at it like pistons of
love on a float demonstrating emotions or
perhaps the wrong way to find a snake in
a hole. Not by just sticking your arm in. I
feel it is worth overstating, given the
chance of saving a life. But popes and
candlestick makers and dental floss
merchants from Cork all die more often
by falling out of trees and breaking their
falls with ropes, or trying to dry up their
uncried tears with pills and so on, any
wren will tell you humans don’t wait for
someone to knock on their front door
with an axe. If you’re human you already
know that. It’s not usually part of the
intro but something morbid’s gotten hold
of my tongue tonight, maybe a little ghost
peg. Maybe a little grey pear moth trying
to have its say – but a good spit should
send it on its way. I’m really just trying to
evoke something of the life on the green
hills or ridges, I don’t mean to exaggerate
the slopes that wind to the houses that
have no reason for being there really
except that people live in them. Anyone
would think they were castles or chapels
the way people hold onto them, and give
them names like Chartres, or Medici
View. As indeed the Medici Creek does
run by this address. It’s known as the
Bloodstream to the school kids, who
like to mock. Medici is a local
abbreviation for medicine, and the
waters are miraculously healing when
consumed in sensible amounts, and if
sourced upstream of sickening bathers

A Duchess, who had a Milanese aura
some said, and was in hiding from some
love affair of another century, or
flirtation with devil worship, or perhaps
was sensitive to the fumes of cars, or the
sounds of punk bands and pooper
scoopers on city cement, and who liked
to while away her leisure hours making
badminton rackets from leftover chicken
coops or unwatched apple trees, was the
owner of Sarsaparilla, but luckily had no
drama-generating notions of keeping
Darth and Sars apart. ‘Lettuce sandwich’
she would call, ‘cheezels’ and the two
would come jogging in her direction to
be fed, not necessarily on those things
cited, but whatever was handy and vego

You see how, if we carry on long
enough, the mysteries fall away, and the
monks come out of their collective
wombat holes. Their disregard for money
illustrated by the bags of ducats and
doubloons that are stored and go
untouched in the area’s damson trees. A
word I once thought was the male version
of damsel, and whenever there were
lightning storms, and the counts – and
countesses – went slashing with their
cutlasses through the gardens and yards, I
would giggle to myself, damsons in
distress! damsons in distress! Readers
may wonder why I never touched the
moneybags, or presume I was scared to
but that would be to misunderstand the
different realms that we inhabit. Or to
put it another way, it would disorder
everything. When I go into The
Sorrowful Cappuccino and talk to the
waiters, whose names are Mark and Jo
but are known by rather vulgar
nicknames, and call themselves Pablo
and Dora, I don’t let the food items
know that I can hear them complaining
or that the chair supporting the cushion I
sit on would rather be reading Ferrante
by the absorption method: I stay strictly
within the fictonormative bounds
because tentative new, or fantastically
old realities are fragile, and I want the
geese to stay put in the sky and the hills
and ridges, and the phony, or time-
travelling analogies, with their midnight
chess matches, and their Borgia cuisine
competitions, and their spontaneous foot-
path lectures on gruel etiquette and crypt
aesthetics, to stay alive, in all the poetic
senses of the word

Posted in 86: NO THEME VII | Tagged

OzPo(st)

our rock music might be shit
but we invented the 21st century
out of our favoured delusions.

mid-thirties &
the weekend’s dopamine
costs more than the coke.

we are the shrinkage
& our favourite movies don’t come true,
instead we tune the last analogue radio

to other people’s music:
it was what we wanted
when we wanted it.

our phrasing follows the degradation of the space bar.
in boom i asked where is my jetpack?

the seller’s already marked it posted
but daily the posty just brings junk.

Posted in 86: NO THEME VII | Tagged

Summer Meditation on Autumn Meditation (3)

after Du Fu

Thousands of apartments honeycomb these towers, lit by angled
sunlight and increasing valuations. I sit on the hill of our GDP.
In the harbour the fishing boats return from exhausted seas, floating
in bewilderment. China Southern expands its routes, directing
the world through Guangzhou. I’ve not yet been profiled for an in-flight
magazine or been asked how I’d spend 72 hours in Copenhagen.
But all of us have that one friend whose start-up goes nuts, whose modest
business is now risky and infinite. Auction this scene to the highest bidder.

Posted in 86: NO THEME VII | Tagged

Cloud Mountain

At night there were lines of fire along its mid-horizon.
Morning & then in the evening, it was moving around, with the others.

The third voice—  behind my right shoulder, & all the way back—  said,

‘Do not think that this is sad.
 It is not sad. Even sadness is not sad.’

On the zinc roof of the little white house, whitewashed cinder block & mortar—
with the evening goats down in the dirt yard, chewing on their tongues—
I was real fucked up.

It felt just like I imagined, to be rejected by the past.

One of my teachers says, You must dislodge a deep hiddenness. The sky was opening for Orion,
across the valley, over the mountains. The standing out mountain drew in its own dark blue energy.

My grief was humiliating.     The walking state of having climbed out.

Have you ever questioned trauma, asks a friend?     Yes, I say. No one doesn’t live there.

I rolled the pale tobacco in fine white paper on the roof. The blue gums across the barbed wire were rustling in their rows.

My friend had died, his head in my arms & my lap,
in the glass & the gravel, & yellow grass, on the edge of the road.
On the backs of our necks & sun. Plenty of people were shouting.

On the zinc roof, what felt a long time later, as the moon came up on the mountain to follow Orion—

The Wounded Healer stepped forward, from the night sky memory palace.

Like the third voice like my teacher like my friend—  he was wanting to impart tone
to my body. Tonify. A very particular flutter. I cannot be a person, was my weeping.
The tone, very clear, was, Comply, comply, comply.

Posted in 86: NO THEME VII | Tagged

Joseph Banks Sees Smoke

1770 It was a day of pleasant weather and fair wind when Joseph Banks
on the ship ‘Endeavour’ watched penguins swimming alongside
keeping up and while they were at it making noises something like
the shrieking of a goose
.
Diomedaea demersa? he wondered
on the 4th of March – I cannot be certain.
Three weeks later, having read his Abel Tasman, Joseph Banks recorded
At night came to an anchor in a Bay
in some part of which
it is probable
that Tasman anchor’d
.
Another three weeks and
they were sailing with a brisk breeze of wind and cloudy
unsettled weather
. Joseph Banks saw Land again.
He watched as three waterspouts formed and dissolved
moved to each other and
away, all between us and the land.
The pipe itself was perfectly transparent
and much resembled
a tube of glass
.
On April 20th at noon
Joseph Banks saw smoke again.
The country this morn
rose in gentle sloping hills which had the appearance
of the highest fertility, every hill seem’d
to be cloth’d with trees of no mean size
a smoak was seen
a little way inland and
in the Evening several more
.
The next day Joseph Banks, after seeing
smoke again and again, concluded
the land was rather more
populous
than first thought.

That night
five fires.


The next day, as the ‘Endeavour’ slapped across the waves
paralleling on port-side
the new coast, Joseph Banks
thought about the people he had seen and concluded
not much in favour of our future friends.
They didn’t make large fires
in order to clear the ground
for cultivation
.
As the ‘Endeavour’ nosed for anchorage and bays
they drew closer to the shore near enough to discern
five people who appear’d enormously black
. Joseph Banks
stood on deck and thought
perhaps so far did the prejudices which we had built
on Dampier’s account
influence us
that we fancied we could see their Colour
when we could scarce distinguish whether or not
they were men
. The next day
April 23rd, was calm. Myself in small boat but saw
few or no
birds
.
Being a man of science
he dipped his net into the new waters
and pulled out Cancer Erythroptamus, Medusa radiata,
Dagysa gemma, Holothuria obtusata,
Phyllodoce Velella and Mimus volutator
cornuta, strumose and pelagica
.
Later, Joseph Banks wrote in his journal
a larger fire was however seen
than any
we have seen before
.
A week or so later, in the place to be known
as Botany Bay, Joseph Banks saw the fires
(fishing fires as we suppos’d)
during the greatest part of the night.
In the morn we went ashore at the houses
but found not the least good effect from our present yesterday: in the house
in which the children were yesterday
was left every individual thing
which we had thrown to them and in the evening Myself with the Captn etc.
were in a sandy cove on the Northern side of the harbour
where we haul’ld the seine
and caught many very fine fish

more than all hands could Eat1

Posted in 86: NO THEME VII | Tagged

Was

Woke
in a hospital bed

a glowing white room
a nurse checks my chart
by my covered feet

This wasn’t where I was before
I didn’t know where that was, but
this wasn’t it

“Am I dead?” I ask her with
a sudden flash of insight
I don’t even say hello first
The nurse scribbles something
briskly clips the chart and
looks at me. “Yes.”
She strode away.

“But who am I?” I asked the next nurse
“What am I doing in this bed?
What do I look like?”
“Would you like a mirror?”
“Am I a man?”
“I won’t offer again.”
I looked in the mirror
I looked ordinary
a relief
“As to why you’re in bed, why don’t you get up then?”

It wasn’t
a corridor or a hospital
(What was a corridor?
What was a hospital?)
I looked back at the bed
If I leave
I’ll never find my way back
I’ll lose every memory
all my words
like memory, my, words

Maybe find my mother?
But her job is done. She won’t
remember me by now
Who was she?

Oh bother
It’s not sad
it’s not even free
It just
is

Posted in 86: NO THEME VII | Tagged

Tsarskoe Selo

by Velimir Khlebnikov

When the Tsars came out,
Because it was winter
Over the roofs of the palace,
Lifting their heads to the stars,
The royal regiment slunk along, like a wolf,
Behind the crowned head
On all fours through the square—
The favorite regiment of the Tsar,
For whom vodka
Was no cure for boredom.

1921


Tsarskoe Selo (the tsar’s village) is a complex of palaces outside Petersburg built by various
tsars to serve as a summer residence comparable to Versailles in France.

Posted in 86: NO THEME VII | Tagged ,

Krebs Cycle

At the point of dissolution, I was wrong.
Anne Elvey

More augur and sere, bloodwood trees raft a mirage
Ahead in the road, a harrier resting on air is breve
not oracle, just resting on white sky filled with heat

Cicada’s rhythm shifts down from sharp staccato
to a dirge, until the whole world falls silent, as though
something has stepped too close and threatens

Tripping a shift, reek of dead kangaroo is its’ only ghost
Our eyes skulk, shadows creeping through shadows
openly flat and shockingly real. This isn’t poetry

You want me to slow down, I want to write to the quick
Space cleared overflows with another, some swarming
ant-like to the rotting eye of a trammeled snake

Tourists come in thousands to see Everlastings quicken
and end in pulsations of wind. Vans wall the highway
Define foreign, the tongue that will say it is your own

There seems to be no grass, until, while you’re not
looking a brushfire explodes and takes what you hadn’t
seen, leaving a smoulder, continuous and petering

In a roadhouse called Last Resort / No Man’s Land
a caged bird swings its legs above its head, ratchets upright
to drag its beak along the wires and a kid dances with it

A newspaper is splayed to a clipped story of the dingo
whelping its own death, poison grafted to a day
two years in the future and its’ dull rupture

Landscape re-mapped by jutting elbows of cats crouched
over blue wrens. No one here calls this place mythic
Voices buried by sound of passing trucks

A controlled burn somewhere and I wonder how much
smoke it takes to cover an ocean. Over the road, two
girls with clipboards measure fuel loads by the acre

Soothsay and spate, as a child finding a natural
clearing in the forest, ground blue with radiations
of Leschenaultia, electric as mirrored sky

Posted in 86: NO THEME VII | Tagged

Beneath a City

Hidden beneath main avenues, bright lights, storefronts, cars, and restaurants lies the heart of a city, the crowded hidden centers bustling to the rhythm of rubbed shoulders and busy feet leading to expansive shop crowded pockets with weaving entrances nestled in unassuming narrow streets, jagged with unplanned architecture, wardrobes and boxes expanding past the sills above the heads of traffic beneath lined with graffiti and fading bills. Each window a life, a struggle, a huddled existence with no personal space flooded with the smell of food, incense, and voices. The same long days laboring with few personal choices replayed in the same way with the sound of an alarm, or with the rising or setting of the sun. Aging furniture, dust, creaking floors, the sounds of adjacent lives in adjacent boxes separated by gaunt cracking walls. From somewhere an infant crying, children screaming in play, a student struggling to make it out from under the cement block among a school of them who will never get away. A single mother, a drug addiction, a suicide, the ding of a microwave, the whistle of a kettle, the din of a domestic dispute. Hiding between crooked doors and cracked windows are the loved and the abused, the wise and the deluded, the faithful and the hopeless upon whose backs the city is raised and who are razed by the weight of supporting ever mounting heights of a never improved view. Because romance lives in the truth, in intimacy, in lives that cannot afford a fictional sterility, lives lived among the early morning sweeping of shop owners and countless men unloading endless boxes of unnamed goods, their coordinating shouts echoing through still empty slanted streets as the fragrances of various kitchens begin to waft into their rightful places just above the noses of passerby. And the midday crowds, the odor of bodies, and the age old selling of wares. The trading of stories, the discipline of children, and the drinking of tea. The training of youth, the counting of tills, and the locking of stalls. And the nights of reverie and personal abuse, of alcohol and late night meals and prostitutes, of the settling of disputes, of the shouts of the overworked and the scurrying of the recluse, of two lovers beginning the cycle anew in shadows of crooked winding walls under thin slivers of sometime starlit skies. And somewhere a newborn cries, and somewhere a mother sister father brother lover child dies, and time passes in front of our eyes, and time passes in front of our eyes as time passively claims our minds and we leave behind a city, not its main avenues, bright lights, storefronts, cars, and restaurants, but its narrow streets and graffiti, aging stalls, winding walls, and its rhythm. And its people, deep, hidden beneath.

Posted in 86: NO THEME VII | Tagged

To sink into a decade

It’s that unsettling uneasy time,
where everything is closed
and people go mad. I fall
asleep as though sinking.
In my dream I email my shrink.
We meet at the hospital.
Not the hospital that stole
my memory, no. It’s the one
that doesn’t lock its doors
and has a hot chocolate machine.
The bed looks comfy—
adjusts to my height. A nest
of baby spiders hatches in the mattress.
Crawl all over me. I am too tired
to move elsewhere. Brush them off.
They do not bite.

Posted in 86: NO THEME VII | Tagged