References:
Eades, Quinn. ‘I Can’t Stop Crying: After Yes.’ The Lifted Brow, 17 November 2017, online.
Greer, Betsy. Craftivism: The Art of Craft and Activism. Arsenal Pulp P, 2014.
Martin, Rod A. et al. ‘Humor, Coping with Stress, Self-Concept and Psychological Well-being.’ International Journal of Humor Research, vol. 6, no. 1, 1993, pp. 89-104, online.
National LGBTI Health Alliance. ‘The Statistics at a Glance: The Mental Health of Lesbian, Gay, Bisexual, Transgender and Intersex People in Australia.’ 2016, online.
Nordmarken, Sonny. ‘Microaggressions.’ Transgender Studies Quarterly, vol. 1, no. 1-2, 2014, pp. 129-134, online.
Schueffel, Patrick. The Concise Fintech Compendium. School of Management Fribourg, 2017.
Sue, Derald Wing. Microaggressions and Marginality: Manifestation, Dynamics, and Impact. Wiley, 2010.
Rae White is a queer non-binary transgender writer, and the author of poetry collections
Milk Teeth (UQP 2018) and
Exactly As I Am (UQP 2022). They were awarded the Arts Queensland Thomas Shapcott Poetry Prize in 2017 and have been shortlisted for the Prime Minister’s Literary Awards, Queensland Literary Awards, and Victorian Premier's Literary Awards. Rae won the 2022 Woollahra Digital Literary Award for Digital Innovation for their Bitsy poem-game
stand up, which was also featured in Pride at Play and given an Honourable Mention in the Freeplay Awards. Rae is the Creative Director and Founder of community poetry initiative Uplift, and the Founding Editor of
#EnbyLife, a journal for non-binary and gender diverse creatives.
https://raewhite.net/
Emory Alden Black creates art and writing about gender, mental health and social issues. You will find them hanging out in plant or book shops, covered in cat glitter and avoiding eye contact.
