- 104: KINwith E Shiosaki 103: AMBLECOMING SOON with E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
When people say ‘difficult’ and ‘poetry’ in the same sentence they are usually referring to the experience of reading a certain type of poem.
Poetry for Cordite 87: DIFFICULT is guest-edited by Oscar Schwartz and Holly Isemonger. Says Holly: Poems can be spiky, sassy, cutting and frustrating – difficulty is built into how we perceive them. Probably as a result of schooling – a …
my main argument is as follows: the purpose of a short cut is that it is a shorter distance to the destination and it takes up less time to get there in this sense a short cut is objectively good …
i met you just after you started a new diet every day you would eat only that which was related to a food memory sometimes you would tell me the story behind your diet for the day for example there …
I went to visit Chris Mann in his apartment in Manhattan at the beginning of July 2012. Half of his apartment was covered with plants. There were trees, ferns and flowers hanging from every landing. Mounted on the walls were wood-framed bookshelves, completely packed. The other half of the apartment had a wooden table, kitchen, grand piano, and beyond that, some rooms for sleeping.
Th E Ma N Fr Om Sn Ow Ri Ver | (16:53) [audio:http://cordite.org.au/audio/farrell_schwartz.mp3|titles=Th E Ma N Fr Om Sn Ow Ri Ver – Michael Farrell and Oscar Schwartz] Michael Farrell and Oscar Schwartz
I meet Del Ray Cross at a bar lounge in Downtown San Francisco, in the middle of afternoon rush hour. He orders us both a Blue Moon: an American beer served with a slice of orange. We sit at a table opposite the bar, and Cross tells me that he only started enjoying beer after a recent trip to Japan.
Earlier today, I visited City Lights bookstore. I get the sense that to be a poet in San Francisco is to be a poet in the centre of the world.