Kent MacCarter



Submission to Cordite 80: NO THEME VI

Poetry for Cordite 80: NO THEME VI is guest-edited by Judith Beveridge. Here’s what I’m looking for: poems of fewer than 100 lines, on any theme or style. So that’s about as succinct as you can get. Judith worked Cordite …

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Alex Kostas in as Cordite’s First Summer Intern

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DALIT / INDIGENOUS AUSTRALIAN Editorial

This special issue of Cordite Poetry Review has its roots in a project Mridula Nath Chakraborty has been working on for the last three years.

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Cultural Partnership with Monash University and North American Book Distribution

We are pleased to announce that Cordite Publishing Inc. and The School of Languages, Literatures, Cultures and Linguistics at Monash University have entered into a major new cultural partnership. As Jaya Savige, Poetry Editor of The Australian, wrote in his …

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Submission to Cordite 57: CONFESSION

Poetry for Cordite 57: CONFESSION is guest-edited by Keri Glastonbury. I must confess I’ve made a mess of what should be a small success Courtney Barnett, ‘Pedestrian at Best’ Whether you’re more influenced by Delmore Schwartz’s ‘The Heavy Bear Who …

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Things We Inherited: Voices from Africa Curated by Liyou Libsekal

The African continent, being home to thousands of languages and hundreds of varying cultural identities, has richly diverse forms of poetic tradition. The world’s growing focus on the varied African cultures has created new platforms and new avenues open to African artists, writers, poets, musicians and filmmakers, etc.

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Submission to Cordite 56: EXPLODE

Poetry for Cordite 56: EXPLODE is guest-edited by Dan Disney. [[EXPLODE from ex– “out” + plaudere “to clap the hands”]] the spectacle Oculus Rift the α in their brickveneerdoms howzat Omid Fazal Reza Hamid Leo Lucky Country megafires Maulboyheenner form …

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Poetry of the Eye: The Visual Aspects of Poetry

Image by Tim Grey Presented by Cordite Publishing Inc. and Australian Poetry, and hosted by poet Toby Fitch, this workshop at the 2016 Emerging Writers’ Festival will open your eyes to the potential of the poem on the page. By …

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Alice Whitmore on as Translations Editor

We are chuffed to announce that Alice Whitmore will be Cordite Poetry Review‘s Translations Editor from the 1 August 2016 issue. Alice is a Melbourne-based writer, literary translator and is completing a PhD in translation studies at Monash University. She …

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BAY AREA Editorial

Neither distance, the Pacific Ocean, nor the equator can quite explain the fact that poets in the activist San Francisco Bay Area and poets in Australia with corresponding and complementary concerns, both aesthetic and socio-political, are pretty much totally unaware of each other.

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Submission to Cordite 55: FUTURE MACHINES

Image by Joshua Comyn Poetry for Cordite 55: FUTURE MACHINES is guest-edited by Bella Li. To conceive of future machines is to imagine what haunts the boundary, always fluid, always negotiated, between the possible and impossible. To figure the distance, …

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Introduction to Tony Birch’s Broken Teeth

Cover design by Zoë Sadokierski Don’t think you’ll get away with lightly reading these Tony Birch poems. They are not just words whistling on the wind. They come laden with other gifts. With a whole place: Melbourne. With a long …

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Introduction to Jen Crawford’s Koel

Cover design by Zoë Sadokierski The koel is called after its call – its name is onomatopoeic, from the Greek ὀνοματοποιία: ‘ὄνομα’ for ‘name’ and ‘ποιέω’ for ‘I make’. The koel becomes itself as it sings out and is heard …

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Introduction to Autumn Royal’s She Woke & Rose

Cover design by Zoë Sadokierski She Woke & Rose introduces us to a poet, Autumn Royal, who is unafraid to spark light in the darkest of places. The poems in this impressive debut collection illuminate the uneasy space of the …

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Introduction to Claire Nashar’s Lake

Cover design by Zoë Sadokierski In Lake, Claire Nashar navigates the connections between people and between person and place in a striking elegy not only for her grandmother, leading geology academic Beryl Nashar, but also for Tuggerah Lake, an estuary …

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Introduction to Javant Biarujia’s Spelter to Pewter

Cover design by Zoë Sadokierski In Javant Biarujia’s poetry, language matters – matters as in important, and matter as a unifying substance, a material to be transformed, and in so doing, becomes transforming. Particles of language are pounded out, splintered, …

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Introduction to Rachael Briggs’s Common Sexual Fantasies, Ruined

Cover design by Zoë Sadokierski The polka originated in nineteenth-century Bohemia. A dance for two, it is reputedly simple to learn. Three steps and a hop, in fast duple time, with various steps – Turning Basic, Pursuit and Waltz Galop …

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Submission to Cordite 56.1: EKPHRASTIC

Poetry for Cordite 56.1: EKPHRASTIC is guest-edited by Paul Hetherington and Cassandra Atherton. NOTE: due to the nature of what we’re seeking, we’re going to be accepting submissions to this special issue for a considerable amount of time; submissions close …

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Submission to Cordite 54: NO THEME V Open!

Poetry for Cordite 54: NO THEME V is guest-edited by Fiona Wright and Omar Sakr. This issue will be a glorious miscellany – no theme, no rules, no agenda, (no pants?) – a beautiful ambiguity. We want all of the …

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Lucy Van in as Short Reviews Editor

I am pleased to announce that Lucy Van has joined the Cordite Poetry Review masthead as Short Reviews Editor. She will assume duties near the end of 2015, starting with all new short reviews commissioned at that time. Lucy Van …

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Lawn Boy Gestalt (v2.0)

Jim’s Meowing is Jim’s Cheesemaking and Jim’s Datum Pointing was Jim’s Nappy Service or Jim’s Husbandry for Jim’s Prescriptive Burning where Jim’s Reptile Handling at Jim’s Pawnbroking and Jim’s Wedding Portraits became Jim’s Plate Tectonics before Jim’s Flagpole Sitting or …

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Judith Beveridge’s Twelve Highlights from 2014

Throughout 2014, Judith Beveridge selected one poem per month to spotlight in Cordite Poetry Review, and she delivered excellent choices … writing a bit to each selection. We have compiled them all here in one article. Enjoy!

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Submission to Cordite 53: THE END Open!

Poetry for Cordite 53: THE END is guest-edited by Pam Brown. Read Corey Wakeling’s interview of Pam from 2012. Let me start at the very end, the dead end, the living end, at wit’s end, the end of the line. …

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The Sydney Launch of Harkin, Gibson, Loney and Hawke

OBJECT: Australian Design Centre, Thursday 25 June, 2015 I’m pleased to say that I was at the launch of the very first issue of Cordite Poetry Review, way back in 1997. Good heavens, is that eighteen years ago? The journal …

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