CONTRIBUTORS

Divya Victor

Divya Victor is the author of KITH (Fence Books/ Book Thug), a book of verse, prose memoir, lyric essay and visual objects; NATURAL SUBJECTS (Trembling Pillow, Winner of the Bob Kaufman Award), UNSUB (Insert Blanc), and THINGS TO DO WITH YOUR MOUTH (Les Figues). Her chapbooks include Semblance and Hellocasts by Charles Reznikoff by Divya Victor by Vanessa Place. Her criticism and commentary have appeared in Journal of Commonwealth & Postcolonial Studies, Jacket2, and The Poetry Foundation’s Harriet. Her work has been collected in numerous venues, including, more recently, the New Museum’s The Animated Reader, Crux: Journal of Conceptual Writing, The Best American Experimental Writing, and boundary2. Her poetry has been translated into French and Czech. She has been a Mark Diamond Research Fellow at the U.S Holocaust Memorial Museum, a Riverrun Fellow at the Archive for New Poetry at University of California San Diego, and a Writer in Residence at the Los Angeles Contemporary Exhibit (L.A.C.E.). Her work has been performed and installed at Museum of Contemporary Art (MoCA) Los Angeles, The National Gallery of Singapore, the Los Angeles Contemporary Exhibit (L.A.C.E.) and the Museum of Modern Art (MoMA). She is Assistant Professor of Poetry and Writing at Michigan State University and Editor at Jacket2. She is currently at work on a project commissioned by the Press at Colorado College.

CURB 2

Mesa Star Chevron Gas Station Mesa, Arizona to bend to edge to bow to restrain to end tall grasses brittlebush camphorweed pricklyleaf paperflowers a knee a handful a nod a sheaf & sign give way to yards folded mulch red …

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CURB 6

Residential Neighborhood Manteca, California green veer touches gray pavement touches black asphalt touches saffron turban touches black hoodie touches grey jeans touches white patka touches cream kurta touches brown foot touches gray pavement touches black asphalt touches grey jeans touches …

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Introduction to Jen Crawford’s Koel

Cover design by Zoë Sadokierski The koel is called after its call – its name is onomatopoeic, from the Greek ὀνοματοποιία: ‘ὄνομα’ for ‘name’ and ‘ποιέω’ for ‘I make’. The koel becomes itself as it sings out and is heard …

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