CONTRIBUTORS

Ann Vickery

Ann Vickery

About Ann Vickery

Ann Vickery is Senior Lecturer in Writing and Literature at Deakin University. She is the author of Leaving Lines of Gender: A Feminist Genealogy of Language Writing (2000), Stressing the Modern: Cultural Politics in Australian Women’s Poetry (2007), The Complete Pocketbook of Swoon (2014), and Devious Intimacy (2015). She co-authored The Intimate Archive: Journeys through Private Papers (2009) with Maryanne Dever and Sally Newman, co-edited Manifesting Australian Literary Feminisms: Nexus and Faultines (2009) with Margaret Henderson, and co-edited Poetry and the Trace (2013) with John Hawke.

Un(dis)closed: Reading the Poetry of Emma Lew

As with contemporaries like Claire Gaskin (Paperweight) and Kate Lilley (Versary, particularly ‘Mint in Box: A Pantoum Set’), Emma Lew has turned to fixed poetic forms like the pantoum and the villanelle. Constraint is both formally enacted and thematically explored.

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On Not Giving an Account of Oneself

for Dann & bindlestiff cyberpunk I am telling a story without prehistory. Pocket rockets of pink, the go to temple of gum blossom. Rays of morning sun settling on the driver’s side. By way of warning, I would say I …

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Popping Candy by the Kerb

This suburb is getting crowded. Trying to Pokémon Go with a Baudelaire avatar and running into the usual night terrors. Replaced footpaths, replaced neighbours, discovering how to accessorise with greys. Can we have a plebiscite vote over the return of …

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An Object exists only as it might exist to Another

The melancholia of not being Anne Boyer. The melancholia of melancholy, of listening for factories out there in the sea when everyone else was searching for whales. The melancholia of a word without a poem, of the poem as pristine …

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Introduction to Claire Nashar’s Lake

Cover design by Zoë Sadokierski In Lake, Claire Nashar navigates the connections between people and between person and place in a striking elegy not only for her grandmother, leading geology academic Beryl Nashar, but also for Tuggerah Lake, an estuary …

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Against Colony Collapse Disorder; or, Settler Mess in the Cells of Contemporary Australian Poetry

Colony collapse disorder describes a phenomenon whereby worker bees suddenly and inexplicably disappear from a hive. It has recently been identified as a syndrome following the rapid vanishing of Western honeybee colonies across North America and Europe. Justin Clemens also uses the term to describe an aesthetic collapse, whereby poets can only demonstrate their existence as ‘being caught dead’ given the fragile conditions of poetry and the inevitable, deadly effects of the past.

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MASQUE Editorial

The theme of this issue was suggested by the Poets and Critics seminar (run by Vincent Broqua and Olivier Brossard) on the work of British poet Redell Olsen last year. Olsen’s book Punk Faun: A Bar Rock Pastel (subpress, 2012) revels in masques and anti-masques, in variants and endlessly shifting suggestiveness that has influences back to the sixteenth century but also resonates with Frank O’Hara’s ‘In Memory of My Feelings’.

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Another Chardin in Need of Cleaning

Forearmed is foredefeated, a spragged illusion that had me forever check the silver-leafed backing. What seemed like a vermillion mirror of sea, the work of rash gods competing over nose-powder and light. Salient image as tonnage of froth, the superficial …

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Submission to Cordite 43: MASQUE is now open!

Ann VickeryThis issue is the Masque. It extends an invite to displays of Devices and Mythic Mayhem. It desires to entertain Bold Interiors of Poetic Fancy and Brocaded Rewindings, Lyricised run-ons and flirtatious Kinks in the Narrative. A toying with Masks and Anti-Masks of identity, gender guises and human conceit.

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Vivienne; or, A Little Local History

Style: the Sibyl’s only available expression. Reversible epigrams filched as seasonal must from the fathers. You think assassination a pretext for kindness. Love in the time of your own good collar her bag of ferrets, the hide, not the fathoms. …

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Gig Ryan’s New and Selected Poems

Gig Ryan asserts that, ‘Poetry is our response to the world, but it’s also the thing we poets find the most taxing, the best of engaging our brains. Ideally – like all good art – it should make us think.’ Yet, as she also acknowledges, meaning is often secondary when reading poetry. That is, it is intensified and made more complex by the poem’s sensual materiality and the affect it may evoke.

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Western Triv

(courtesy of the White Cockatoo) Petersham: the formerly fashionable but now rather heavy overcoat on the portugese tart. Tickertape ribbons and other dictionary entries. Lip-reading Theory of the Leisure Classes, little Ern stumbles through the public primary before graduating to …

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