INTERVIEWS

‘Permission to write’: Emilie Collyer Interviews Marion May Campbell

I am nervous before our interview. Deciding what to wear, what kind of impression I will make. The day I drive to Drouin, Victoria, it is raining.

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‘Playful and iterative’ Ian MacLarty Interviews Gemma Mahadeo

In 2018, the poet and disability activist Gemma Mahadeo wrote a poem inspired by one of my videogames called Catacombs of Solaris published in The Victorian Writer.

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‘A foot between two whenua’: Morgan Godfery Interviews Hana Pera Aoake

I knew Hana Pera Aoake as a writer before I knew them as my partner. I remember one publication describing a piece of Hana’s that they were publishing as ‘a trigger-laden, genre-bending persona shrie’, which is perfect. The title of …

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‘To the edges of language’: Souradeep Roy in Conversation with Mani Rao

This interview with Mani Rao took place over several emails alongside an a necessary-extended phone conversation during this ongoing pandemic.

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‘What would happen if Nature was given the chance to speak? How gentle would she really be?’ Sophie Finlay Interviews Megan Kaminski

Three sisters in the form of a conceit, branch from one another like the limbs of a tree. Three personifications of nature speak from the depths of allegory, rewriting themselves and in the process, reveal our entanglements with the more-than-human world.

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‘The very act of our daily lives is resistance’: Andréa Ledding Interviews Marilyn Dumont

Marilyn Dumont is an accomplished writer and poet of Cree and Métis ancestry whose award-winning collections include A Really Good Brown Girl (1996) which received the 1997 Gerald Lampert Memorial Award.

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‘Mix it with grit’: Claire Albrecht Interviews Jill Jones

Adelaide poet Jill Jones sits down 1,525.5 km from me, Claire Albrecht in Newcastle, to discuss her sparkling twelfth book A History of What I’ll Become.

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‘It is a gift for you’: Danny Silva Soberano Interviews Manisha Anjali

In my mind, Manisha Anjali is most neatly described as a ‘poet’, though her body of work cannot be so neatly classified.

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‘Multiple things at once’: Hana Pera Aoake Interviews Jackson Nieuwland

Jackson Nieuwland is a writer born and based in Te Whanganui-a-Tara, New Zealand. They studied writing at the International Institute of Modern Letters (IIML) at Victoria University, graduating in 2015.

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Gin, Poetry, and Slaying the Devil: Joel M Toledo Interviews Lourd De Veyra

I caught up with award-winning writer and frontman of the jazz outfit Radioactive Sago Project as he prepares for the launch of his new book of poetry, Marka Demonyo.

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Conjuring Merlín with an ‘í’: Shannon Maguire Interviews Erín Moure

Erín Moure is an internationally recognised, award-winning, poet and translator.

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‘Chops and surrender’: Nam Le Interviews Jaya Savige

Jaya Savige was born in Sydney, raised on Bribie Island, and lives in London. Jaya has lived overseas since 2009, when he received a Gates Cambridge Scholarship to read for a PhD on James Joyce at the University of Cambridge (Christ’s College).

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‘A way of breathing together’: Winnie Dunn Interviews Merlinda Bobis

Merlinda Bobis is a poet first and foremost but her extensive body of work has transpired across novels, plays, performances, essays, and works for radio. A single dialogue between us can in no way capture her incredible writing, which is …

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On Presence, Defiance and Honesty: daniel ward Interviews CAConrad

CAConrad is the author of 9 books. Their most recent book JUPITER ALIGNMENT: (Soma)tic Poetry Rituals is forthcoming this year through Ignota Books. The rituals are explorations of ‘extreme presence’, in which they invite us to locate, access and utilise …

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‘Desire’s temporality is going to be perverse’: Elena Betros López Interviews Lisa Robertson

Lisa Robertson and I were introduced through my dear friend Marnie Slater following an invitation by Autumn Royal to undertake an interview for Cordite Poetry Review. I felt the need to be completely transparent with Lisa in stating that I’m …

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‘The amorphousness of meaning-making’: Elena Gomez Interviews Toby Fitch

I did write some poetry at school, just never with much intent.

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‘To map the language I write in’: Jo Langdon Interviews Albena Todorova

Image courtesy of Albena Todorova Albena Todorova is a Bulgarian writer currently living and working in London. She is the author of three books of poetry: an award-winning self-published debut, poems (stihotvoreniya) (2014); Poems That Make You Want to Love …

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‘Beware! This is not a real biography!’: Ali Alizadeh Interviews Jessica L Wilkinson

To many, biographies are a generic section in a bookshop which showcase – as this interview will discuss – a supposed element of ‘truth’. Suggestions of worthiness through platitudes such as ‘based on a true story’ or a ‘definitive biography …

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‘A means of resistance’: Susie Anderson Interviews Alison Whittaker

Some writing teaches you possibility. Possibility in a number of ways: seeing yourself reflected in a body of work, echoing familiar words, places, or ideas; some writing is a lesson about form, or acts as an overall object to aspire to.

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‘That is some crafty bite’: Trisha Pender Interviews Melinda Bufton

In her eagerly awaited second collection, Superette (Puncher & Wattman, 2018), Melinda Bufton delivers dramatically on the promise announced in her 2014 debut, Girlery (Inken Publisch, 2014).

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‘You’re never disembodied from the action’: Dylan Frusher Interviews Judith Beveridge

Judith Beveridge is the author of six collections of poetry and throughout her writing life she has received multiple awards, including the Queensland Premier’s Literary Award, Victorian Premier’s Literary Award, New South Wales Premier’s Literary Awards and the Kenneth Slessor Prize for Poetry.

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‘The Rally Is Calling’: Dashiell Moore Interviews Lionel Fogarty

The poetry of Yoogum and Kudjela man, Lionel Fogarty, may be hard to follow, often distorting colloquial phrases or standardised grammar to retool the colonising English language into a form of resistance.

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‘There is nothing more shared than language’: Carolyn DeCarlo Interviews Gregory Kan

Gregory Kan is a New Zealand poet and arts writer currently living in Wellington. He received an MA in Creative Writing from the International Institute of Modern Letters (IIML) at Victoria University in 2012, and was awarded the 2017 Grimshaw Sargeson Fellowship, during which he held a six-month tenure at the Sargeson Centre in Auckland.

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‘Language can multiply itself and form secret and unusual patterns’: Andrew Pascoe Interviews Ania Walwicz

In it, she was putting the manuscript of her new book, Horse: A Psychodramatic Enactment of a Fairytale, into an oven at La Mama – where she had performed a few years’ prior. The book caught alight.

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