Jill Jones



‘All truth is crooked, time itself is a circle.’

You’re diagnosed with an incurable illness. You meet someone at a support group. They teach you how to tango. You both undergo a miracle cure. They become a vampire. Your tests come back clear. You delete their photograph. You change …

Posted in 64: CONSTRAINT | Tagged

Review Short: Jill Jones’s The Beautiful Anxiety

Frank O’Hara has a poem unambiguously and humorously titled ‘You Are Gorgeous and I’m Coming’. As pastiche or homage – even incidentally – the first two poems from the six-part sequence that opens Jill Jones’s stunning new collection The Beautiful Anxiety are titled: ‘1. Hold On’, and ‘2. I’m Coming’ (‘My Ruined Lyrics’). The present continuous tense of the verb ‘to come’ is thematically apt everywhere in this collection. Not only are poems throughout The Beautiful Anxiety sensual and frequented by moments of desire or quiet ecstasy, they are constantly ‘coming’ in the sense that they are arriving.

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Compositions

Some days are white staring deep into surfaces where tides push shores, sand climbs mountains. The new border is sometimes vague though flamboyant and ever mercantile. There’s boredom in the banlieue, middle management cadres deal in non-core activities. It’s all …

Posted in 59: GONDWANALAND | Tagged

A. Frances Johnson Reviews Jill Jones

‘Why wish for the moon when we have the stars’, Bette Davis famously aspirates to Paul Henreid at the end of the film Now Voyager (1942, dir. Irving Rapper). That, of course, was an iconic, melodramatic story of unrequited love given an optimistic gloss by two lovers sharing last cigarettes. Jill Jones’ ambiguously rendered celestial bodies serve up different ideas of love and loss in this new collection. Jones’ stars, moons, candles, clouds and smoky skies are part of an identifiable romantic lexicon.

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Audio of ‘Nonfiction Poetry: Performing the Real’

This panel from the NonfictioNow Conference 2012 – at RMIT University and in partnership with Iowa University and Barbara Bedell, the Copyright Agency Limited, the Wheeler Centre and ABC Radio National – explores and discusses the potential of ‘nonfiction poetry’ …

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Becoming Crystal

at Te Moeka o Tuawe (Fox Glacier) I take my stone heart to the river, it moves with all the other stones. I slip and shear, ribs crack like ice that makes of the river gravel and gold schist and …

Posted in 54: TRANSPACIFIC | Tagged

Coot Observes the Trashing of Venus in Tahiti

This deal prov’d as favourable to our push as we could witness, not a Clutter was to be seen the whole deal and the Airship was perfectly clear, so that we had every advocate we could detail in Observing the …

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A Minuscule Map of the Country

(discounting the Coriolis effect) The antipodean plug lies in a pool, like any other plug, any other pool, where breasts dunk and voices drown with the universal two-bob watch. Nonetheless, a garden gnome or a kangaroo shadow is plastered into …

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The Lee Marvin Readings: An Evening with Edmund Gwenn

The Lee Marvin Readings has run, off and on, since the 1990s. Its venue has changed a number of times – from Adelaide nightclubs like Supermild, to the Iris Cinema, to the charmingly Zurich-1917, bo-ho De La Catessan and the more robustly hard-drinking and confrontational Dark Horsey bookshop at the Australian Experimental Art Foundation, where it now takes place. The sessions have been organised, run, staffed and emceed by poet and art critic Ken Bolton.

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No, the System Did Not Work For Me

I landed among delusion, with a lag and a dogsbody. I was hauled within a millimetre of someone’s brown balaclava. I was a deb in line with a litre of jackpots holding a new key and a gypsy. I blundered …

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Hindley Reverie

A lunch poem Perhaps everyone drives round these blocks forever as cafes get lost in the trawl of Hindley Street these blocks, just to see something happen. ‘Adelaide’s No.1 Party Venue’, a kind of inroad or airborne, the sound, lonely …

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Enter Cordite Scholarly

Cordite Scholarly is a new section of Cordite Poetry Review devoted to peer-reviewed research on Australian and international poetry and poetics. Essays published in Cordite Scholarly are reviewed by at least two members of Cordite’s Academic Advisory Board (or see …

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Leaving, Are You?

I’m not an anonymous tip-off or the cracking up over death. I’m not easy or the slider on the machine, I’m not evidence or the answering tape. Don’t tempt me! I’ve seen you around the courts and terraces, I see …

Posted in 50: JACKPOT! | Tagged

Give Yourself Up

(poem ending on Newtown graffiti) If I do not join       clouds       my attempts of song hit       the roof       line without wings my effort but       she’s crying       conversation leaks damage       & not alone I swig orange       sun ahead of rain it figures       your life planes cuts       across trails spans aerials       I am …

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Tiny Steps: the Electr(on)ification of Cordite

Cordite 36: Electronica has been a fascinating and challenging issue to put together. It contains forty new poems, fifteen spoken word tracks, a dozen features and, for the first time, a selection of multimedia or ‘e-lit’ works. Bringing together these disparate types of content raises an interesting question for Cordite as an online journal. Have we finally broken through that invisible barrier between ‘text-based journal’ and ‘online journal of electronic literature’?

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ELECTRONICA Editorial

This issue of Cordite makes a bow to music and the ways musicians in various modes and guises have used electric technologies to generate sound. When David suggested this editing gig to me, I thought how odd, and then, perhaps, …

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Electronica Spoken Word Mix

[audio:http://cordite.org.au/audio/Yes-I-Dream-Of-Electric-Sheep.mp3,http://cordite.org.au/audio/Collyer-_Redmond_I-do-want-it.mp3,http://cordite.org.au/audio/McCooey_CollectiveHypnosis.mp3,http://cordite.org.au/audio/Burton-Trouble-Shooter.mp3,http://cordite.org.au/audio/Whelan_DreamMachines.mp3,http://cordite.org.au/audio/bio_komninos.mp3,http://cordite.org.au/audio/Pravda_WeAreHere.mp3,http://cordite.org.au/audio/The-Fire-That-Baba-Threw.mp3,http://cordite.org.au/audio/Crixus_TheNeedFeed.mp3,http://cordite.org.au/audio/moss_myautopsy.mp3,http://cordite.org.au/audio/Jackson_Gathering.mp3,http://cordite.org.au/audio/Recipes-for-the-Disaster.mp3,http://cordite.org.au/audio/05-My-Old-Amish-Grampa.mp3,http://cordite.org.au/audio/Gibbins_the_simple_life.mp3|titles=Yes I Dream of Electric Sheep,I do want it,Collective Hypnosis,Trouble Shooter,Dream Machines,bio,We Are Here,The Fire That Baba Threw,The Need Feed,My Autopsy,Gathering the Pieces of Your Shattered Palace,Recipes for the Disaster,My Old Amish Grampa,The Simple Life|artists=Philip Norton,Emilie Collyer & Tim Redmond,David …

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“The sky becomes” (“하늘은 된다”)

THE SKY BECOMES more assertive and does not care for my clothes. I stare at the driver until he stops cold, assertive. She tells me a story of brothers and hospitals, it’s about success and inquiry. I remembered the way …

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"I came from" (나의 고향은)

I CAME FROM the lagoon looking for air. I had no companions. I learnt to read by the wayside who follows the hours with days. The names of the gods are in the clouds and on each numberplate. I’m counting …

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Peter Mitchell Reviews Out of the Box: Contemporary Australian Gay and Lesbian Poets

Out of the Box: Contemporary Australian Gay and Lesbian Poets is an elegantly-published product. The shape of the book looks like a miniature hatbox, the title of the collection leading a reader to anticipate exciting and colourful content. This ground-breaking anthology is a reasonable gathering of poets, currently writing under the descriptors of gay and lesbian in Australia.

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Bev Braune Reviews Jill Jones

An intriguing haphazardness is the first thing that strikes you about the language of Jill Jones’s new book. Dark Bright Doors is at once familiar and strange. The tone is highly personal with a slightly highfalutin touch to what seems a study in existentialism.

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Jill Jones Live at the Globe

[audio:http://cordite.org.au/audio/Jill_Jones_Prague.mp3] Jill Jones live at The Globe bookstore (8:50) Prague, 15 April 2009.

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Stephan Delbos: The Prague Micro Festival Poetry Series

prague_festival_poster1In our latest feature, Stephan Delbos recalls some highlights from the inaugural Prague Micro Festival Poetry Series, held in Prague and Brno between 14-18 April 2009. To accompany the words and images, Cordite presents five live recordings of readings by Australian poets Jill Jones, Philip Hammial, Michael Farrell, Pam Brown and Louis Armand at the Globe Bookstore on 15 April 2009.

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Sedition

Music is the calm of a bracelet, girdle, helmet inside words don't matter I've found no terror in the package the song contains there's a type of blue it resembles, one not grown ancient the patina was freedom or something …

Posted in 27: GENERATION OF ZEROES | Tagged