Singing for Their Lives

1

that man over there sang and near and far we listened we who had shut our ears to his song over forty years ago and for those short or long years or long and short years because usually it is a mix some are long some short or shorter than others he sang to himself he wrote his songs and sang them and went on writing and singing his songs year piled on year and looked out at the world from between his words and between his chords looked out from his uncurtained window onto a field that sometimes flowered and sometimes browned and wore to dirt and he kept that rhythm flowering and wearing down flowering and wearing down until one day some son of an old fan came to his door and asked to hear his songs and so he sang and now they want him to leave his bare window overlooking the field and stay in hotel rooms with conditional air and only views of views that never change that never wear down to brown and then green to flower and wear down but are always the same and he said no


2

this man here had given up names to the secret police in his old country who had tortured him until he could not stop his mouth from opening and reciting name after name and now some of those people are dead and some spent many years incarcerated and he is alive and living safe at last and he has a daughter whom he loves and is proud of and they are dead and he loves and is loved and is alive and now he has written a book detailing what happened and he is alive and they are dead and he tells this as it is the bare bones in his book tells how he reached a point when he could not take any more and started to talk a point when he chose to live and he knew the regime that was torturing him were without mercy and he knew that he was trading places and now he has written it all down as clearly as that and at the end he was asked did he think this confession of his actions would allow him peace at last and he said no

Posted in 54: TRANSPACIFIC | Tagged

Tomioka

Ordinary soul
stands up to trace a pattern
the length of a cracked planet
with no good excuse
follows the crush of mountains
along coin-coloured ocean

you do the reading
mark the margin lucky red
watch the paragraphs turn out
greener than childhood
black with slow, fat mosquitoes
stone Amida’s patient guards

so forget to ask
all your beautiful questions
the old man selling tickets
the cat on the beach
the fog-white sunrise at four
their own cool explanations.

Posted in 54: TRANSPACIFIC | Tagged

ginen sounding lines

~

“Curiously, there are no known migration legends in Chamorro lore …”

                              —Robert Tenorio Torres
                              from Pre-Contact Marianas Folklore, Legends, and Literature



~

when it is 2 pm here, it is 8 am the next day there—
to mark the precise location of—remember just
when dad tied an old tire to a metal pole of the wire fence
so brian and i could practice pitching—the hollow
sound when the baseball strikes the tire rubber—
the rattling sound when the ball strikes the wire
fence echo—but when the ball strikes the pole
through the middle of the tire that’s the sound
i can’t remember when it is 4 pm here it is 10 am
the next day there—i played little league
for the barrigada tigers black and gold
uniforms but i can’t smell the dirt when
it is 11am there it is 5pm the day before here—
the large cooler filled with ice and red
hawaiian punch—riding in the bed of dad’s truck
after games on the drive home listening
to american songs on the radio when
it is 6 pm here it is 12 pm the next day there—
how do i know if [we]’ve sailed beyond sight
of land, of once known world, of natural
starting point when it is 7 pm here is it
still the next day there?—brian played baseball
for father duenas memorial high school and dad
was the coach—maroon and gold uniforms—
remember just my poster of the “bash brothers,”
wondering what “oakland” was—”in california”
dad said, near where brian went for college, near
san francisco, where renee—when [we]
are here it is the next day there—on weekends
mom took us to hafa books and brian and i
could choose one pack of baseball cards each—
[we] kept the cards in a box under the bed—
the special cards in plastic binder sheets—i carried
the cards with us to california when [we] are here, will i
forget about there?—remember just finding brian’s “easton” bag
when [we] were packing, his bat, glove, a few baseballs,
in the dusty corner of the laundry room—still
dirt in the seams—did [we] bring those things with us when
it is 1 am here it is 7 pm the same day there—
and then i saw what “oakland” was after [we] moved—
the first american league game [we] attended—
the field felt like was an island, with dad and brian
surrounded by an ocean of people, of America—
did the “A’s” win or lose?—the green
and gold uniforms—when brian first moved here
[we] were still living there—he was eighteen hours behind us
and twelve hours, by flight, away—remember just
dad’s army fatigues—the rifle from vietnam
he kept under the bed—the only time i remember him
taking it out was when someone tried to break
into our house and dad chased him away—he
carried the rifle with us to california—remember
just
going to paseo padre park as a kid, mom and dad
would walk around the stadium for exercise,
talking with friends and relatives—i would run,
and, if i ran fast enough, past the walkers and joggers, through
the trade winds, i would eventually find my parents,
lap them, when it is 6 am here it is 12 pm the
same day there—remember just the timetable that mom
made after [we] moved, posted on the fridge—remember
just
the first day i joined cross-country in the first year
of my new high school in california—
five thousand nautical
miles

Posted in 54: TRANSPACIFIC | Tagged

Why Islands

For our next trick we disfigure the puma.
O to be marooned with Ginger or Calypso.
You have committed a horrible act involving
an orange. Cheerio black sheep, dark horse,
sore thumb. Go hunt coconut with slingshot,
prize silence, imbibe moonshine and wanderlust.
Jesus! Is that you, Ginger, in real life?
We don’t see so many oranges in England,
only serving to improve the canoe. One cyclone
and the resort is on the house, sold for peanuts.
D.H Lawrence radiates while washing plates.
The botanist’s trousers disappear as pale moons
go down and up in the shrubs. That’s how the coconut
crumbles on the slices of empire. It sticks to your lip,
tanning at the atoll, the poison pip set to detonate
and reflect in minnie-mouse sunglasses. Whoopie
cushion, canned laughter, castaways — to be continued.

Posted in 54: TRANSPACIFIC | Tagged

Horse Latitudes

The gyre. The currents sweeping up
plastic artefacts. The currents the gyre
the artefacts. The Sun breaking plastic
down into particles. The polymers.
The molecules. The container load
of polythene horses thrown overboard.
The gyre. The floating debris slow
spinning into a new continent. The Sun.
The currents. The suspended polymer
particles mistaken for zooplankton.
The jellyfish. The albatross. The horses’
polythene panniers brimming with
toxic chaff. The plankton. The food
chain. The monofilament polymer
fishing line. The albatross.
The artefacts. The Sun breaking plastic
down into particles. The currents.
The floating debris. The toxic chaff.
The food chain. The quiet stampede
of miniscule Trojan horses slow
swimming nose to tail around the globe.

The Horse Latitudes is a region of the Pacific where, when becalmed, Spanish sailors threw cargoes of horses overboard to conserve fresh water. This region now contains a continent-sized gyre of marine litter with exceptionally high concentrations of pelagic plastics and chemical sludge.

Posted in 54: TRANSPACIFIC | Tagged

… Events When We Have No Access to Them

There Should Be Like a Really Interesting Political Discussion about
Trying to Represent Events When We Have No Access to Them


Thus the groove meme insurgency people,
hood-ass Grandma goodbyes.
I went back to work in the fields again
after eleven years of surgery.
When I left, the long summer died in unison playing,
Madagascar/Spain in the rain’s warm pomegranate power lines
y una mini-van airbrushed with a scene of wild dogs.

Posted in 54: TRANSPACIFIC | Tagged

Pacific Solution 3

we will decide who comes to this country and the circumstances in which they come
we will decide who comes to this country and the circumstances in which they come
we will decide who comes to this country and the circumstances in which they
we will decide who comes to this country and the circumstances in which they
we will decide who comes to this country and the circumstances in which
we will decide who comes to this country and the circumstances in which
we will decide who comes to this country and the circumstances in
we will decide who comes to this country and the circumstances in
we will decide who comes to this country and the circumstances
we will decide who comes to this country and the circumstances
we will decide who comes to this country and the
we will decide who comes to this country and the
we will decide who comes to this country and
naru
we will decide who comes to this country and
we will decide who comes to this country
we will decide who comes to this country
we will decide who comes to this
razor wire razor wire
we will decide who comes to this
we will decide who comes to
we will decide who comes to
we will decide who comes
manus island manus island manus island
we will decide who comes
we will decide who
we will decide who
we will decide
mandatory detention mandatory detention mandatory detention
we will decide
we will
we will
we
temporary protection temporary protection visas temporary protection visas
we
we will
we will
we will decide
mandatory detention mandatory detention mandatory detention
we will decide
we will decide who
we will decide who
we will decide who comes
manus island manus island manus island
we will decide who comes
we will decide who comes to
we will decide who comes to
we will decide who comes to this
razor wire razor wire
we will decide who comes to this
we will decide who comes to this country
we will decide who comes to this country
we will decide who comes to this country and
naru
we will decide who comes to this country and
we will decide who comes to this country and the
we will decide who comes to this country and the
we will decide who comes to this country and the circumstances
we will decide who comes to this country and the circumstances
we will decide who comes to this country and the circumstances in
we will decide who comes to this country and the circumstances in
we will decide who comes to this country and the circumstances in which
we will decide who comes to this country and the circumstances in which
we will decide who comes to this country and the circumstances in which they
we will decide who comes to this country and the circumstances in which they
we will decide who comes to this country and the circumstances in which they come
we will decide who comes to this country and the circumstances in which they come
Posted in 54: TRANSPACIFIC | Tagged

Boats Built from Branches

Click on the image above to launch this piece or else try opening it in a new window.

Posted in 54: TRANSPACIFIC | Tagged

Diaspora

A twice blooming tide in California it
was Portuguese sailors who first sailed the Pacific on lilac gardens:
a fragrance dripped through history potent
as South China dye
and the changing colour of Pretoria’s hills.
Spring sentinels in order along suburban
Australian streets and swept through Kathmandu
Valley meeting places.
Each Jacaranda purple as bruises and possibility:
trying to explain a dream
only to realise it’s in another language.

Posted in 54: TRANSPACIFIC | Tagged

A Long Walk Home through Downtown Vancouver

downtown here
is just like my city

in this city
poems are written on parchment

everything important
is said in silence

around each sharp corner
soft green edges

am I walking too quickly
or running too slowly

to English Bay
where low tide strands deadfall

this city
is nothing like downtown home

in my city
poems are written on pavement

everything silent
is said to be important

around each sharp corner
soft rivers’ edge

am I running away from
or walking right into

downtown Brisbane
where king tide swallows mangroves whole

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#gibberese

#gibberese  #gibberese

‘#gibberese’ is a dialogue across oceans. It’s a dialogue of land, fauna (especially birds), and writers who have mostly never met one another. As a component of a rawlings’ 2012 Arts Queensland Poetry Residency and subsequent legacy item Gibber, over twenty writers from Australia, Canada and the USA utilised Twitter to live-generate an exquisite corpse over the span of one hour. This was simultaneously projected during a performance at the Queensland Poetry Festival in August 2012. Post-performance, Twitter’s robots (curiously all assigned young female personas) extended ‘#gibberese’ by recycling the tweets written by the poets. The exquisite corpse itself was accessible via Twitter for a few days after the event occurred. For those readers familiar with Twitter, you’ll understand the enthusiasm that this project brought as the hashtag #gibberese trended (meaning it was promoted to front-page popularity given the frequency of its usage on the social media site) for a period of time during and after the event.

This manifestation finds hundreds of ‘#gibberese’ tweets cycling randomly; any entry into the world of ‘#gibberese’ will be unique given the random occurrence of the texts.

‘#gibberese’ was co-created by a rawlings, Ray Hsu (Canada), david stavanger (Australia), Emily XYZ (USA), Kent MacCarter (Australia), Katie Fedosenko (Australia), Julie Beveridge (Australia), Craig Dodman (Canada), Carmel Purkis (Canada), Christine Leclerc (Canada), Angela Szczepaniak (Canada), Angela Hibbs (Canada), Elee Kraljii Gardiner (Canada), Lainna Lane (Canada), Sarah Gory (Australia), Michael Christopher Holmes (Canada), Sonnet L’Abbe (Canada), Jamie Popowich (Canada), John Back (Australia), Tim Sinclair (Australia), Norma Lundberg (Canada), and Nikki Reimer (Canada).

Posted in 54: TRANSPACIFIC | Tagged , , , , , , , , , , , , , , , , , , , , , , ,

A’ao

Right index finger
caught in the ringer.

Clenched fists
await a granddaughter.
Holding hands
in the dark toilet.

Patched hole
in the homestead
1899 reminder.

Shape shifter matai
Sina feeding gogo
her hand sweet.

Posted in 54: TRANSPACIFIC | Tagged

Pomegranates, Early November

I want to be a cat. I want to be
the snowfall in Jersey after
a hurricane’s ruined feat. Know

this poem follows a template: where
I take your words and stuff them
in my mouth. Here I grow hungry

and walk short distances
in the San Francisco rain, cupping my hands
telling the world that this is the only way

to hold rain. To view the poem through City Lights,
wondering why I’m never used to reading
at daylight. I think about the future,

no deja voodoo that no one can
out do. I am at the store now buying
live fruit: opening it with a dull knife, watching

its seeds spill. Here: take your words,
take the seeds I spat –
make a tree the cat can sleep on.

Posted in 54: TRANSPACIFIC | Tagged

Reluminations II

The streets have felt much of the century

arch of sky all art & activity

There are bread lines in the streets

Quotations like robbers sink

who leap out armed

who aim to not only have the most

who encased in the core of a shell

who loved their metonymic body-parts (teeth, signatures)

who help me understand all those love songs and how the artists
must have felt when writing them


*


I feel I say a drink might help

For sale unheard of animals their cries

towers fired upon simultaneously

Future prospects smaller than today

after the feast of flying bricks

We recommend a midnight train

a Garry Oak on southern Vancouver Island.


*


the beginning of the impossible is here

its phantom limbs and silver flanges

the goods the mob captures

A collection of obsessions, oblique references and footnotes

Keep munching until all the animal is gone


*


It will be the same

They will be unfit for further service

Rabble

Thus did it happen

I saw it

Cruel tale of woe

Unhappy mother

They do not arrive on time

What is all this noise?

The great he-goat and the drowning dog


*


I am Part Neanderthal, genetics confirms

the difference is when someone runs out of money

cuts descend on deserted streets

brokers reacting in a trading room

burning car after burning car

become a regular form of expression for the disenfranchised

occupied or picketed or just appalled


*


The storm of the future grows skyward

inanimate but reaching down into the orchestra pit

hedgies with a philanthropic bent, aight!

the politicians were for sale this whole time?

randomly rising inside the auditorium

get ready to jump into the Abyss

that consumer society attaches so much value to


*


walk away from the medium vs message conundrum

somehow expected radicals and activists to be falling out of
every doorway

Do they not know the flood has come and gone?

burp once for yes, twice for no

nooks of the ruined bank (formerly a Starbucks)

Keep munching until all the animal is gone


*


on the chaotic untitled works of cities

Avant-garde Memories of the Good Old Days

tour through those countries

the economy will have to muddle

into a police state youth have rejected

as we swing back and forth between moments of clarity
and densities we cannot explain


*


If time flew then there isn’t much fun

This was a bank now it’s a Starbucks

to deal with the crushing debt

A forest full of beautiful trees

I must confess to a little pessimism about the future

give me on-line shelter

gather round an overturned bus
real crowd pleaser

then grant some of them a rage effect / some of them agency


*


Prospero’s phonebooks

in spite of refusing to tour this album

bad faith seizures by police

designed for generations at the end of the alphabet, aight?

Disruptively Better Business

Now Blizzard decides to screw us here in cataclysm

Cue voiceover of slow-drawling veteran talking about

heiress / media whore he very soul of this establishment


*


What a week it has been in climate change!

There’s not much meat on these bones—a stew?

They didn’t really need the police after all, huh.

Gilded wooden animals, tiny fish, seraphic centauresses

It’s not as much like “Withnail and I” as I’d expected

You can’t eat money or poems


*


We come back to sadness

That gum you like is going to come back in style

Maybe I’ll sleep inside my coat

unable to keep the present in its place

death is a dramatic escalation of their rage and frustration

Philip Morris Tobacco Corp. Inc. appealed yesterday to the government


*


Narrative, I lay you across my knees and spank your reddening bottom

Merchant of blemish

It was a landslide—except that, you know, not that many people voted

that sheep probably resent the word “sheeple”

You know that thing we keep doing to the Middle East we keep calling
“liberation”?

I have a hazmat suit and a rag soaked in vinegar


*


These are instances of the poet in shock

artist that blankness cannot actually mirror

find a lyric hole to curl up in

Today, it does not matter

What is it like to have albinism?

I feel I say a drink might help

back to mermaids back to dredging

Posted in 54: TRANSPACIFIC | Tagged

Japan Series

Wheat gluten sticks with red miso and Fox tail millet
Fox tail millet, one sees the tiny
teeth of the vixen, biting
tiny bones of wheat,
her tail upright in the autumn morning.

Sakomoto Noodle Shop
We stop for a bowl
of noodles, the broth arrives,
slightly peppery, after
talking in circles
tangled like ramen.

Little Murmurry Bakery
The buns hiss slightly in their pans,
loaves mumble in the oven.
Out springs an outspoken Danish;
Oh, sighs the pie, I’m made to be broken.


Posted in 54: TRANSPACIFIC | Tagged

National Anthems

They are the skull and crossbones of tunes
designed for winning championships
or cheering troops.

Never rock ’n roll
they’re in the classical vein
with trombones, cymbals and flutes.

All written by the same person
or so it sounds,
whether Australia or Congo,
the bony drum-rumble
and trumpets yelling.
A poet probably added the lyrics—
those high-tone phrases for camp reverence.

However unruly a place
there is a ruly brass band on parade
presidents and footballers mouthing the worditure.
They’ll manage the first verse okay—
the one about mountains and forefathers.
After that they mumble air in forgetfulness,
pipe up again for bits of the chorus,
lay a palm or fist to their hearts.
A few slouch ‘Whatever’ like we did at school.

La Marseillaise is the best of them:
It roars barricades and slums,
a get-even swagger and violent grace,
justice’s perfect noise.
You can’t imagine Jesus whistling it,
but that’s a recommendation—
he made himself his own blood sacrifice
which was a bad sign.

The marcher’s art
is in clicked heels and buffed toes,
stiff pleats and arms swung in unison,
a vicarious war of good manners and style.
An anthem’s art is the equivalent sung:
two strangers side by side can do it
and imagine common ancestors watching over them
like parents inspecting their young,
making everyone else a foreigner
not quite good enough to belong.

Posted in 54: TRANSPACIFIC | Tagged

Near the Tree with Caretaker Roots

27th Century BCE, China

Firmly bound

Swathed
In marmot skin

My winter daughter
Stiff as a branch

Arranged upright
In a vessel.

Petals, scattered,
Praiseworthy companions

Thrown to brighten
Her starless brow.

Yet colourless, my emotion.
A coursing grief

Falls on sharp blades.

What we know of emptiness
Is nothing.

Tomorrow
Over the burial ditch

Between two dwellings

The sun will continue
To release its arrows.

Posted in 54: TRANSPACIFIC | Tagged

nagasaki

a white collapse
as if kiosk of
an uncertain sky

one moment

the paper fold of each

A=0

flat.

Posted in 54: TRANSPACIFIC | Tagged

Topside, Nauru

like one-armed
drownings
these
marked escutcheons
crash

through the quaky crust,
in no clear pattern

some
stalk
others

a few
adrift,

even more
abandoned;

all eyeless.
doomed.

there is nothing else here
frigate birds stay away,
and even the leaves have left

just jagged monoliths:
dead men.

expedition over –
stone surrender
to the indefectible
sun

Posted in 54: TRANSPACIFIC | Tagged

Totality Canto 25

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Posted in 54: TRANSPACIFIC | Tagged

Touching Earth

To leave your homeland is to achieve half of the dharma – Milarepa

Leaving all places like walking out of an empty house.
Long years of the dark-eyed lens
obscuring sight losing focus on what’s been lost
inland seas of tears
opened unburdened
a humming jet-plane moving empty-faced
across Antipodes desert and drift
sheer Himalaya ridge of mind’s eye
breaking through
unknown space.

Is that what all exiles are:
every morning meeting
‘the air of another planet’
knowing that freedom comes out
of a cupful of silent water
where bodies everywhere seek their own weight
in another wait in abeyance
to inner-city street-grit worlds
stories dried-up books forgotten
love sex dissolved in
film-frame all 24 maps of ecstasy
gone in a second
of wheels lifting from earth
the end-click of a long-distance line.

In buses trains planes
rickshaw oxcart cargo-ship
moving through still earth
without the Original Ticket
the next stop-point only
half a destination
to take flight flutter
unfurl get cast down -out
from nectar places unravel in fever-beds of
hunger or
the deafening suburbs –

where does everything go?

*

In India passing alone by Ganges steps
the ghats frantic with Shivaratri
mania of bells didgeridoo
among the flames Brahmin dead
satellite-enshrouded beamed-out from Krishna’s vast maw
kaleidoscope of all the worlds turning there:
Wall Street pretas Fairfax demi-gods
belly-dancing brokermen flab-fool’d
grasping at hours champagne flute
sewer-music efflux of the spheres
before the rage of yuga’s turning
CNN oraculars World Cup finals
bedtime benedictions of the BBC
updates on the bombing raids
‘keep the homefires burning’
terrorist cells inciting
domestic fissures new cracks in the wall –

stop in at Shiva’s druggy shrine
make offerings to all the ghosts
spirits yakshas
crowded inside the Shadow of untold lives
10,000 years gathered in this town
someone wants to sell you opium someone else enlightenment
drumbeats bloodletting Varanasi arteries
bhanged-out in the night
time-blown in the year 2012
on Dasaswamedh Ghat the aarti
hums an open-tuning on the air
all beings with the dead turning Shiva blue
by dawn chillum-smokers rouse
Ganges lapping bank
pale blue boat
drifting loose vulture hovering above
smoke-stained roof…

Syndicated News in Economy can’t show the burning
of Rohingya Muslim Syrian inferno
Abraham’s brothers-in-blood
Kurdish no-man’s land
Tibetan genocide unsung
Hutu plains of bone-bleached soil
lost peoples every one where do they all go
silent as old Buddhas of Afghanistan
blown up into ten-thousand pieces
each pregnant with Kasyapa’s smile
lying in dust to ask of silence
if the great matter of life and death
sphinx-riddle that refuses answer
world’s perpetual will to suffer is the only will to tame her
the hungers the horror of self-willed hells
the only proof to convince us
of death’s provisional night
the steady grace of pain
evaded misread unheeded
under stratosphere sonorities rustled newspapers
static over the intercom all the dappled Way
from some God to here…

*

Dawn come
birthing inbetween the blinds
someone else’s motherland yielding beneath the wheels
breasts of coastal hills
nervous system of Los Angeles grid
vast serpentine.

Milarepa was wrong
there is no homeland other than this mind
though its relinquishing give us dreams
no choice
though filmic narrations
demand heroes and ill-histories
succour of war
refugee-plagues
knocking at democracy’s
Janus-faced door
another crusade against
apostate the meek
Earth’s poor.

Coming to every unknown shore
an innocent and a fool
stepping-down touching earth
history’s weight uncaught
flies breathless
away from you
unyoked it seems always
unsought –

this life the only life to bring breath to.

Posted in 54: TRANSPACIFIC | Tagged

The Pacific Ocean

is of Scandinavian
origin, & is about
to undertake a
tour of several cities south
of the Mason-Dixon line
with a show in
which it enfolds
local polypeptides &
assigns musical notes
to mathematical
algorithms. Tickets
go on sale at the
beginning of March.

Posted in 54: TRANSPACIFIC | Tagged

The Reprisals after the Great Earthquake of Tokyo

The reprisals come as intent to smother the volunteer
communitarians and orators in the interim, when all smoulders and aches and begins
to regenerate. Effigies of dogs around necks, unsigned summons sported at the hip
a heraldry of pamphlets. In flak and light shoes
they bust the paper doors of old Asakusa and its secret slots
the self-governed Fuchū
the small-time smugglers of Azabu
suspend the summoned by the ankles, poison and drown them in the wells 
from which they’re purported to have come, until hair stops.
Crimes in the interim between presentations, between the film about the Bibliotheque 
Nationale and the film about the lynched union official drawn out of the factory 
and into the field.				   The claypits had him
                                                                like a club 
                                                                      to the head.
Summoned by hand in lieu of affidavit,
frontispiece of the library hoists the child
to the front balustrade of the rostrum and harries
till the mouth clams shut, meaning closes 
into absence ipso facto.

The smugglers of Ikebukuro drowned in shreds of cycle race bets,
foil to the smartly dressed bookshelves of the modern history of village Hokkaido. 
Once again, until hair smells of nothing, hangs like a willow 
in the dead of night. Tossed from the factory
					                  into the field.
In the interim they swan through the cracks and sluices and quiet places of the noisome
town, friends fettered to their throats,
friends at hips and friends at knees, encircled by hordes of man’s
best friend in attack formation – no place to them without stink –
formed until all progeny of the well are thrown out by hand and shibboleth 
along with their languages and periodicals, 
tossed back to the field
                   and the claypits, no word of the purge there
                                                       but a gargle 
                                                          of the autolytic slough.
Posted in 54: TRANSPACIFIC | Tagged

Waiting for the Big One, West LA, 1982

We never did understand how that old pair of shoes
ended up in the bathroom; neither could we fathom
how our bed dropped like a rock, moments before
sunrise; and, although we knew perfectly well why
the moon turned red around midnight, we never really
explained our rattlesnake fear that the Pacific Ocean
would reclaim all points west of National Boulevard.

Our last source of air leaked out through bullet holes
in the plate glass windows; Gray Whales breached just
beyond the sandbars; Brown Pelicans squabbled over
anchovies; wildfires blackened the Chaparral, set seeds
for next spring’s Californian Poppies. Would we reach
Santa Catalina Island? We checked our supplies (beans,
water, rice), held our breath, our hands, fitfully slept.

Posted in 54: TRANSPACIFIC | Tagged