- FREE: 20 Poets anthology
- 90: MONSTERSUBMIT TO N Curnow 89:DOMESTIC COMING SOON with N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Pam Brown Reviews Kait Fenwick
- Kishore Ryan Reviews Paul Croucher
- Submission to Cordite 90: MONSTER
- Introduction to TRANSQUEER
- The Kindness of Strangers: On New Zealand’s Literary Journals
- Three Translated Xhevdet Bajraj Poems
- Four Translated Ángelo Néstore Poems
- ‘There is nothing more shared than language’: Carolyn DeCarlo Interviews Gregory Kan
- ‘Language can multiply itself and form secret and unusual patterns’: Andrew Pascoe Interviews Ania Walwicz
- Owen Bullock Reviews Rachel Blau DuPlessis
- Joan Fleming Reviews Fiona Hile and Luke Beesley
- Winnie Siulolovao Dunn Reviews Tayi Tibble
- Holding Pattern
- It Is Happening Again
- 14 Works by Ms Saffaa
- Silence (Maria the first)
- don’t look down
- Dear Mr. president
- The Doctors Say
- Looking for Hot GAM
- THERE ARE ONLY 16 GENDERS
- At Rome
- Argo Notes
Holding each of these books is a pleasure. Their two-tone covers have different but complementary botanical design motifs while the master design elements of the UWAP Poetry series, pushing on 23 titles, of which they are part gives them a uniform appearance.
The chapbook is the ideal public presentation of poetry for the times in which we live. It is even more portable than the conventionally slim collection; its humbler production values permit poets to get their work ‘out there’, thereby meeting the democratic criterion of accessibility for both poet and reader, and it is conducive to the rigours of thematic focus that a small body of work encourages. Long may it flourish.
Cooke has long been uneasy with the label of ecopoet, as he mentioned in a 2014 interview for Peril Magazine. While his previous collection, Edge Music (2011), focused on writing from the geographical and historical edges of landscapes, Opera pushes beyond an attempt to speak ecologically.
after Dorianne Laux This shard of Pangea’s shattered plate. Long nights by the inkling of day. Our front door’s rusted bell. Tonic with the spike of gin. Promises, innocence, childhood faith. That mirror, my bright luck splintered to slivers. The …
Rachael Mead is part of a fine group of contemporary Australian poets writing about nature in nuanced and resonant ways. She brings her own slant to the genre with her first collection, The Sixth Creek, while doffing her hat to celebrated writers like Mary Oliver, Thoreau, and Judith Wright.
Summer flays the valley, the skinless blue of a sky with no air, only distance, a vacuum in sharp focus. Birds ignorant of the physics of flight hang in the rawness, waiting for gravity to notice. Sounds are magnified; their …
Three lines from The Seventh section of Finola Moorhead’s A Handwritten Modern Classic, first published in 1977 and re-issued March 2013 by Spinifex Press, close out a varied discussion by the author on the political nature of death, that Socrates’ death ‘was political’ (as underlined in the handwritten original), that Socrates was not a writer and that writers ‘need teachers like Socrates’. In the same section she argues that artists often use ‘Another’s pain … for the success of expression’. ‘Art as comfort’, Moorhead follows on, ‘ — strange concept. / Such assumptions aren’t questioned often enough.’
The galah and the goldfinch. These trees but not the grasses. Instinct. Guilt. History, with its lashing tail. Obligation, passed into my hand like a stone. My grandfather’s bible. Your mother’s pearls. The rounded rocks lying quiet in the creek. …