- FREE: 20 Poets anthology
- 92: NO THEME VIIISUBMIT to C Gaskin 91: MONSTERwith N Curnow, coming soon! 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Review Short: Iris Fan Xing’s South of Words
- Aidan Coleman Reviews New and Selected Poems of Anna Wickham
- Ivy Ireland Reviews Ali Whitelock’s and my heart crumples like a coke can
- Editorial to AFRO AUSTRALIAN
- 4 Works by Guled Abdulwasi
- The Platonic Split
- you have no idea how far i swam
- To the still
- Garden of Grace
- Bloody QnA
- The Physics of Self
- Life Poem
- go ahead, call it magic
- Chalk to Charcoal
- (un) learning
- 3 Sisters
- Blood Fuel
- Raelee Lancaster Reviews Alison Whittaker’s Blakwork
- Alex Creece Reviews Marion May Campbell’s third body
- Ivy Ireland Reviews Steve Armstrong
- Magan Magan Reviews deciBels 3
- Claire Albrecht Reviews Manisha Anjali’s Sugar Kane Woman
South Australian poet Aidan Coleman’s previous book of poetry, Asymmetry, was published in 2012. It charts Coleman’s traumatic experience of a stroke, and the resulting loss of symmetry in his body, life and writing. The book strings together revelations made startling through poetic bluntness, from the initial shock of incapacitation to the excruciation of gradual rehabilitation.
Your displeasure encircled, like descending mesh, that first occasion we called a conversation. Was I the blanched insect and you the hunter, with your barbed question-net? The gendered metaphor flutters weakly, but does not die No feminist assertion swoops down …
Stuart Barnes’s early exposure to poetry reads like a literary fantasy. As a child he attended the same Tasmanian church as Gwen Harwood. The two struck up an unlikely friendship, and Harwood encouraged him to write. That formative experience saw him move to Melbourne to study literature where, in 2005, he was handed a notebook and, once again, urged to write. Barnes’ first collection of poetry, Glasshouses, is the culmination of years of carefully honed impressions, reflections and commentary.
Fragments by Antigone Kefala Giramondo Publishing, 2016 When casting an eye back at Antigone Kefala’s oeuvre, one finds a poet of the surreal, who has delicately combined reality, folklore, and dream state. She has expressed the trauma of migration and …
Artistically, burnt umber is an earthy shade intensified by heat. It is a colour synonymous with this country – familiar to anyone who has trekked through Western Australia, from where Paul Hetherington originally hails. In this collection, it is also a metaphor for memory, which, through the heat of feelings in the present, attains an intensity that overwhelms the original events.
In her poem ‘The suicides’, Janet Frame writes: ‘know they died because words they had spoken/ returned always homeless to them’. Perhaps more deaths could be prevented if people were able to speak without fear of being shamed or ostracised, knowing that their words might lodge in someone’s mind or heart, and that language, if wrestled with, could offer healing.
Rachael Mead is part of a fine group of contemporary Australian poets writing about nature in nuanced and resonant ways. She brings her own slant to the genre with her first collection, The Sixth Creek, while doffing her hat to celebrated writers like Mary Oliver, Thoreau, and Judith Wright.